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Class War Then and Now Virtual Book Tour

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Political Nonfiction

 

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For nearly fifty years, America’s working and middle classes have
been under relentless attack. Wages have stagnated, inequality has soared, and
the vast majority now lives paycheck to paycheck—while trillions of
dollars flow upward into the pockets of the wealthiest few. Class War, Then
and Now
is both a searing indictment of this economic and political order and
an impassioned call to arms for a new left rooted in class struggle,
solidarity, and socialist values.

Drawing on a decade of essays and articles originally published in outlets
such as Dissent, New Politics, CounterPunch, Socialist Forum, Truthout, and
Common Dreams,
historian Chris Wright examines the deep roots of
capitalism’s crises and the failures of the contemporary left to
confront them. In sharp, accessible prose, Wright tackles:

The centrality of class struggle in building a movement that can unite working
people

Why identity politics, while important, must not overshadow the fight
against capitalism

The overlooked necessity of nuclear power in addressing climate change

Lessons from labor history, from Jimmy Hoffa to modern union battles

The catastrophic consequences of American imperialism and endless war

How organized labor remains humanity’s most universal force for
justice

 

With the urgency of a manifesto and the depth of historical scholarship,
Wright argues that only a rational, international, and truly Marxist left can
stop the United States—and the world—from sliding into neofascism
and ecological collapse.

If you care about economic justice, social reform, and the future of
democracy
, Class War, Then and Now will challenge your thinking, sharpen your
arguments, and inspire action.

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EXCERPT

Preface

 

         It isn’t a secret that the world is in trouble, most ominously from ecological collapse and the ever-present possibility of nuclear war. Stated in the simplest terms, the reason is that capitalism is running amok and the left has almost no power across most of the world. Capitalism cares only about making profit; values such as environmental conservation, preservation of human and animal life, the ending of war, abolition of nuclear weapons, and human well-being count for little or nothing. The only way such values can rise to prominence is if popular movements fighting against capitalism force them onto the political agenda. But popular movements, including the labor movement, perennially lack sufficient resources to halt or reverse capitalism’s misanthropic tendencies. In the neoliberal era, this perennial problem has become more serious than ever. Hence the prospect of civilization’s collapse in our century.

         The only hope, it seems, is that the world’s descent into multidimensional crisis will itself generate the conditions for the popular majority to effectually fight back. For the sake of survival and out of disgust with the political and economic status quo, people will be compelled to join together to build oppositional movements and cultures and institutions, in fact even new modes of material production and distribution on the basis of which, eventually, a new kind of politics may arise. As the old world suffers its torturously protracted collapse, a new world might be born amidst its ashes. I have discussed the “historical logic” of this process, as well as speculated on some of the possibilities, in a book called Worker Cooperatives and Revolution: History and Possibilities in the United States (2014), using a revision of the Marxist theory of revolution to illuminate how the whole gigantic transition between modes of production, from capitalist to cooperative, might unfold. I present a summary in two essays below, “The Significance and Shortcomings of Karl Marx” and “Eleven Theses on Socialist Revolution.” The ideas may be too optimistic, but in that case humanity’s future will be very grim indeed.

         This book, to quote the Port Huron Statement of 1962, “is guided by the sense that we may be the last generation in the experiment with living.” In essence, it is an elaboration of what I take to be a consistent Marxist philosophy, the sort of philosophy that must be realized on a large scale if humanity is to have a decent future. Not all leftists will agree with everything in the book. For example, I criticize identity politics from a Marxist point of view, and I argue that feminism should prioritize materialist issues over certain “culturalist” ones (in addition to the very common, and very doctrinaire,social constructionist theorizing of gender) fashionable under the influence of postmodern academia. I also defend nuclear energy as an essential component of a transition to clean energy, a stance that isn’t popular on the left. Nor will most Marxists appreciate the revisions I’ve made to the Marxian conception of revolution. Nevertheless, I’m convinced that rationality, respect for evidence, and open-mindedness should guide our thinking. We shouldn’t remain perpetually chained to old theories, old analyses, and old prophecies that history has proved wrong. I like the slogan of the young Marx: “For a ruthless criticism of everything existing!” Leftists are hardly infallible.

         The book consists of essays and articles written between 2014 and 2024, which were published in CounterPunch, Socialist Forum, Dissent, New Politics, ROAR Magazine, Common Dreams, Dissident Voice, Sublation, Compact, and Class, Race and Corporate Power. I’ve tried to impose an order on the material by arranging it in four parts according to thematic content. Such content, too, implicitly links successive chapters. Inevitably, there is some repetition between essays, but I’ve lightly revised them to try to minimize that.

         Not all the essays are directly political. The first one, for instance, on the value of the humanities, might seem out of place in a book devoted to critiquing capitalism and defending a leftist philosophy. I’ve included it because art and the humanities are fighting an existential battle today, and in the end they represent the human spirit facing off against the spirit of commercial gain. If the former can’t find some way to put shackles on the latter, our descendants may inherit a world of ashes.

            Likewise, the inclusion of seemingly random pieces on Beethoven, classical music, Jimmy Hoffa, the authoritarianism of the U.S.’s “founding fathers,” the implicit radicalism of most working people, and other topics might be faulted, but I think it is justified by the book’s general themes of class struggle and building a left grounded in rationality and human dignity rather than woke dogmas, academic groupthink, and pop cultural mediocrity. For example, historically the left had great respect for high culture, from Bach to Balzac, the Enlightenment to modern science. The postmodern left’s scorn for the past achievements of genius (“they’re white supremacist, patriarchal, misogynistic, heteronormative, colonialist, Eurocentric!”) is but another manifestation of the left’s degeneration due to the influence of academia, post-1960s social movements, neoliberal evisceration of the labor movement, and neoliberal culture. The old left had plenty of flaws, but it also had strengths that have been lost.

         The writing in this book reflects my belief that, by and large, academic modes of writing and thinking are not necessary in order to grasp truth. They are just as likely to obscure as to illuminate. The greatest scholar in history, after all—whose 150+ books encompass linguistics, cognitive science, philosophy, evolutionary biology, history, contemporary politics, media analysis, the history of science, and other areas—is Noam Chomsky, and he rejects academic conventions in favor of clear writing, insightful thinking, and intellectual honesty. One doesn’t need endless convoluted verbiage backed by scores of citations in order, for example, to understand why gender relations are as they are, as I try to show in the article on patriarchy. Straightforward reason suffices. In fact, institutional thinking and behavior are among the greatest threats to life today, and they should be repudiated.

         In its “humanistic” philosophy expounded in a somewhat disjointed way, the book amounts to a continuation of two others that are even more unconventional: Notes of an Underground Humanist (2013) and Finding Our Compass: Reflections on a World in Crisis (2014), both available for free online. My Journal of a Dissenter (2025) contains countless summaries of good scholarship that is far too rarely read. Readers interested, on the other hand, in a more arduous interrogation of social history might enjoy a book entitled Popular Radicalism and the Unemployed in Chicago during the Great Depression (2022). The present book reproduces ideas from these others, but hopefully in a more concise and digestible way.

         Nothing is more urgent today than for us to collectively recover human values, learn from history, think critically about our society, and build international social movements to save the future for our children. I hope this book makes some small contribution to these colossal tasks.

 

 

About the Author

Chris Wright

 

 Chris Wright is a U.S. historian, author, and lecturer at Hunter College, City
University of New York
, specializing in labor history and radical political
theory.
His work explores the history of capitalism and social movements, with
a focus on building an international left capable of confronting economic
inequality, rising authoritarianism, and ecological collapse.

Wright is the author of multiple works of political nonfiction, including
Worker Cooperatives and Revolution: History and Possibilities in the United
States and Popular Radicalism
and the Unemployed in Chicago during the Great
Depression.
His newest release, Class War, Then and Now: Essays toward a New
Left, compiles a decade of essays originally published in respected left-wing
and independent outlets such as Dissent, New Politics, CounterPunch, Socialist
Forum, Compact, and Common Dreams
.

Over the years, his analysis and commentary have appeared in publications
ranging from the Washington Post to Truthout, earning him recognition for his
Marxist-informed, historically grounded critiques of capitalism and his
advocacy of a democratic socialist movement.

In addition to his academic work, Wright has written philosophical essays,
fiction, and poetry, reflecting a lifelong interest in art, music, and the
human condition. His current research and writing center on the labor
movement, anti-capitalist strategies, and the urgent need for systemic change

to address economic, political, and environmental crises.

 

Contact Links

 

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LinkedIn

https://independent.academia.edu/ChrisWright82

 

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Scenes From a Song Virtual Book Tour

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Music Fiction

Date Published: 09-30-2025

Publisher: Covfefe Press

 

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 For anyone who’s ever said, “They’re playing my song!”

On
Halloween Eve, 1961, in his dingy Bronx walkup apartment, seventeen-year-old
Jimmy Welton hears the opening notes of a song in his head. Jimmy’s
still mourning his firefighter father, who taught him to play the guitar but
recently died in a house fire, leaving his family destitute. Jimmy takes this
song, about all he misses from his life now, to the New York amusement park
where he works after school. There, he meets Mark Morgan, a rebellious teen
with his own band, who eventually invites Jimmy to join them. And the rest is
rock’n roll history…
The GooseBumps become a worldwide phenomenon, and
the songs they write and sing together become the backbone of rock musical
history. And the song Jimmy first heard on Halloween, “Wrapped in Gauze”,
becomes the song that not only comforts him in that terrible time but also
comforts others: Victoria, recently divorced and dealing with an unthinkable
family tragedy; Carolyn, whose final flippant words to someone in pain can’t
be taken back; and Jack, battling back from unimaginable loss with the help of
his cheeky therapist and a song he thinks he hates.

 

SCENES
FROM A SONG
is the story of a song that makes us smile, that breaks our
hearts, that stays with us forever, and the very special band that started it
all.

 

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EXCERPT

    The results were in before Victoria had prepared herself to hear them.

     Cancer! How could a boy of twelve get cancer? How was this possible?

     She didn’t know what to do first. Call her ex? Tell Dave? Tell Michael? Call the school?

     The doctor advised her to start treatment immediately, to let Dave and the school know and then handle everything else as needed. This was a lot to deal with, and Dave needed treatment as quickly as possible. Once they established that, they could do everything else in small bites.

     Victoria asked the inevitable question. “How bad is this? I mean, it’s not—he’d not going to die?”

     The doctor answered gently, “This is bad, Victoria. I have to be honest with you.”

     “But you’ve had other patients who—” She couldn’t bring herself to say it.

     “No, actually,” the doctor said as gently as possible. “I’ve never had a patient this young develop cancer.”

     “Well, but you’ve had other patients who did? How did they do?”

     The doctor sighed. “Let’s get Dave into treatment as soon as possible.”

     Victoria found her voice. “How bad is this? What are we looking at, here?”

     The doctor looked her as kindly as possible. “We’ll see how he responds to treatment. Some people do incredibly well with chemotherapy and radiation. They’ve beaten it. But it’s going to be hard on his system, and we’ll do our best.”

     “Surgery?” Victoria asked. She was thinking she needed to stop at the library as soon as she left the office and pick up every book they had on cancer. 

     “I’m afraid Dave’s growth is too big for surgery,” the doctor answered. “It’s too deeply rooted. We couldn’t get it all, even if we went in. But chemotherapy has done some really good things. You’ll be surprised. He won’t have an easy time of it, but we’ll do our best.”

     Victoria stood up and shook hands with the doctor. She didn’t know that the tears were pouring down her face; she felt nothing but an emptiness deep inside her. She had a million things to do and no idea where to start. But she would do whatever she had to do.

     In the car on the way to the library, she snapped on the radio, hardly knowing what she was doing. “Here it is again,” the bright-voiced DJ announced. “It’s ‘Wrapped in Gauze’, the remake, by the legendary GooseBumps, and everyone’s asking for it this week. Enjoy!”

     She didn’t know when the song began that she was singing along with it. She had no idea how she got from the doctor’s office to the library. But she did know that when she pulled into the tree-shaded parking lot ten minutes later, her voice was hoarse, she was almost blind with tears, and somehow, she felt a million percent better.

*     *     *

     Dave handled the news very well, though Victoria broke down, even as her friends tried to tell her it wasn’t good for Dave to see her like this. She tried to apologize to him, choking on her tears, and Dave put his arms around her and said, “It’s okay, Mom. Don’t worry.”

     That made her cry harder. 

     Michael was speechless and almost as upset as she was. He hadn’t hugged his brother since Dave learned to walk and started annoying him, but he wrapped Dave in his long bony arms and hugged him until Dave pulled away.

     Long after Dave went to sleep, she sat with Michael in their little kitchen. The size of it no longer mattered. The fact that it never got the morning sun and was often gloomy no longer mattered. The old wallpaper she wanted to replace but couldn’t afford to replace no longer mattered. Suddenly, every problem she’d ever had narrowed to one: Dave.

     “He’ll be all right, Mom,” Michael said to her. He was patting her hand while she tried to drink a mug of hot coffee, but she kept spilling it out of the mug. She wanted to fix him a sandwich or something to eat, but he said he couldn’t swallow anything. He looked pale and suddenly much older, though he was only three years older than Dave. She found herself praying that he would never get sick like this. It couldn’t happen twice in one family, could it?

     She hoped the stack of books she’d checked out of the library had answers. She hoped someone had answers.

     She’d had a terrible conversation with her ex that afternoon, before Dave came home from school. At first, he was mad at her for calling his office, as usual; he never liked her to call the office, even when they were married. Then he was heartsick at the news. He asked her repeatedly if she shouldn’t get a second opinion. She explained that the tests had already been done twice. He told her he wanted to bring in another specialist. Exhausted, finally, she told him to consult whomever he liked; she was starting treatment with Dave at once, and he’d better be sure the insurance was up to date.

     “I don’t care what it costs,” she told him. “Don’t bother me with that. I’ll spend whatever I have to. Nothing matters except getting him well. So don’t even think about cheaping out here, or you’ll regret it for the rest of your life.”

     Dave, the ebullient twelve-year-old who rode his bike too fast, played basketball every day, in season or out, and had a crush on a girl in his history class, charmed all the nurses at the hospital.  He wasn’t too sick to joke with them, and they adored him, bringing extra portions of the soup that was the only food he could keep down, and making excuses to slip into his room to say hello when he was awake.

 

About the Author
 
SUSAN SLOATE

 SUSAN SLOATE is the author or co-author of
more than 25 published books. This includes 3 editions of Forward to Camelot,
a time-travel thriller about the JFK assassination that became a #6 Amazon
bestseller, was honored in 3 literary competitions and was optioned by a
Hollywood company for film production. She also wrote the autobiographical
Broadway novel Stealing Fire, which became a #2 Amazon bestseller and Hot New
Release, and Realizing You (with Ron Doades), for which she invented a new
genre: the self-help novel.

Susan has also written young-adult fiction
and non-fiction, including the children’s biography Ray Charles: Find
Another Way, which won the silver medal in the 2007 Children’s Moonbeam
Awards. Mysteries Unwrapped: The Secrets of Alcatraz led to her 2009
appearance on the TV series MysteryQuest for The History Channel. She has also
been a sportswriter and a screenwriter, edited the popular Kyle & Corey
young-adult book series, managed two political campaigns and founded an
author’s festival to promote student literacy in her hometown outside
Charleston, SC. She has appeared in multiple volumes of WHO’S WHO IN
AMERICA, WHO’S WHO IN ENTERTAINMENT and WHO’S WHO AMONG AMERICAN
WOMEN.

Contact Links
Twitter: @Susan_Sloate

 

 

 

 

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The Lavender Blade Audiobook Tour

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M/M Romantasy

Date Published: Jul 8, 2025

Publisher: She Writes Press

Narrator: Nicholas Boulton

Run Time: 10 hours

 

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Colton and Lucian make a living conning the desperate with fake
exorcisms—Lucian is the charm, Colton the trick, and together,
they’ve turned deception into survival. Their work is dangerous, their
romance even riskier, but they’ve always found a way to stay ahead.

Until Lucian is truly possessed.

A powerful demon takes hold, twisting his body into something unnatural,
horrific, wrong—and no priest, no con, no desperate lie can fix it. With
time running out and Lucian slipping further away, Colton has no choice but to
learn real magic, break every rule, and attempt the impossible.

Because if he fails, Lucian won’t just be lost. He’ll be something
else entirely.

 

The Lavender Blade paperback

About the Author

E.L. Deards grew up in New York City and earned her undergraduate degree
at Barnard College at Columbia University, where she studied Japanese
literature and biology. She was then accepted to The University of Edinburgh,
where she completed her veterinary degree. She remained in the UK afterward,
and since then has split her time between her day job as a vet and her truest
passion: writing. Emma has authored a number of humor articles for In
Practice, a veterinary magazine, and was the recipient in college of two
writing awards: the Oscar Lee Award and the Harumatsuri Award. Her first book,
Wild with All Regrets, came out in 2023.

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The Archaic Thesaurus Virtual Book Tour

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Rediscover the Poetry of Forgotten Words

 

Nonfiction

 

Date Published: July 18, 2025

Publisher: ‎MindStir Media

 

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Step into a realm where language brims with history, elegance, and
forgotten magic. The Archaic Thesaurus is a curated treasury of archaic and
evocative words, crafted for lovers of language, writers, poets, and seekers
of the uncommon. Author Nina Spinello revives the rich textures of English
vocabulary with a masterful collection that both enlightens and inspires.

From “abstruse” to “zealous,” each entry is
meticulously presented with:

● The word’s pronunciation

● Part of speech
● Concise definition
● A vivid example sentence
● A list of thoughtfully selected synonyms—each with its own
illustrative sentence

This A-to-Z compendium invites readers to embrace words like anathema,
bellicose, laconic
, and quixotic—expressions steeped in literary
tradition and capable of transforming any piece of writing into something
timeless.

Whether you’re an author in search of the perfect word, a language
enthusiast craving the eloquence of yesteryear, or a student eager to expand
your vocabulary, The Archaic Thesaurus opens the door to a more expressive,
poetic, and nuanced way of communicating.

Perfect for:
✔ Writers and poets
✔ Lovers of classic literature
✔ Educators and students
✔ Word nerds and language explorers

Bring history into your vocabulary. Let these powerful words rekindle your
imagination and elevate your expression.

📚 Rediscover the art of language—one magnificent word at a time.

 

The Archaic Thesaurus tablet

EXCERPT

Letter to the Reader

Dear Seeker of Words,

 

Welcome to a realm where language whispers with the charm of centuries past. The Archaic Thesaurus invites you to rediscover forgotten treasures—words rich with history, poetry, and magic. Each page holds a key to the beauty of expression, offering a portal to an era when language was woven with wonder.

 

Let these words spark your imagination, connect you to the past, and inspire you to infuse their charm into your modern life. Thank you for embarking on this journey. May these pages awaken a sense of nostalgia and remind you that even in forgotten words, magic still lingers.

 

Yours in wonder,

Nina

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It Takes a Forest Virtual Book Tour

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Juvenile Fiction

Illustrator: Amanda Ravensdale

Date Published: June 10, 2025

Publisher: Lucid Books Publishing

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It Takes a Forest is a heartwarming tale of courage, community, and the
bonds that hold us together. When Mama Wolf discovers her den is no longer
safe for the winter, she must make a difficult decision to protect her young
pup, Caleb. In the midst of a fierce snowstorm, they venture through the
forest in search of a safe haven. Along the way, they encounter creatures who,
though kind, are unable to provide shelter. Just as hope seems to dwindle,
Mama Wolf finds a family willing to take Caleb in.

As Mama Wolf departs with a tender kiss, Caleb is left with a swirl of
emotions-doubt, fear, and curiosity. Can Mama truly repair their den? What
will it be like to live with a new family? And most importantly, will she keep
her promise to return?

Join Caleb on his journey of discovery as he learns what it means to be part
of a new family, while Mama Wolf works tirelessly to secure their home.
Through the experiences of both Caleb and his foster family, this enchanting
story reminds us all that raising little ones in safety and love takes not
just a parent, but an entire forest.

 

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About the Author

 Jessie Todd Mayfield

 Jessie Todd Mayfield lives in Akron, Ohio where she works as a labor and
delivery nurse by night and writer by day. She is passionate about
children’s literature from her years of teaching English abroad, and
about at-risk children from her family’s own involvement with the
ministry Safe Families for Children and foster care—namely her youngest
brother, Jacob, who was adopted from foster care. Jessie loves to write songs
and travel the country with her bluegrass musician husband, David, who is her
greatest encourager and sweetest soulmate. She is grateful for her family who
has championed this project, and the many families doing the hard work of
making their homes a safe place for children—whether theirs or someone
else’s.

 

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