Kind Kids Blitz

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The Adventures of Hurley, Pearl, and The Pink Soldiers of Kindness

 

Children’s Book

 

Date Published: October 10, 2025

Publisher: Gatekeeper Press

 

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Hurley and Pearl are a brother and sister duo who usually get along but,
like all siblings, sometimes struggle with their emotions. One day, when
Pearl’s singing pushes Hurley to his limit, a family conflict teaches
them both an important lesson: kindness begins with understanding and taking
responsibility for your emotions.

With Mom’s loving guidance, Hurley and Pearl learn the power of pausing,
breathing, and reflecting before reacting. They discover that kindness can
heal hurt feelings, bring people together, and make everyone feel seen and
loved. Inspired by Mom’s story of spreading kindness through small pink
toy soldiers, the siblings embark on a heartwarming mission of their
own—to brighten others’ days, one soldier at a time.

At school, Hurley comforts a classmate with a pink soldier after a tough
moment on the playground, while Pearl lifts the spirits of a substitute
teacher who feels overwhelmed. Through these small but powerful acts, Hurley
and Pearl realize that kindness doesn’t just help others—it also
fills their own hearts with warmth and happiness.

Their journey is about more than sharing toys; it’s about spreading
love, empathy, and connection to everyone around them. Along the way, they
discover a simple truth: kindness can change the world, one thoughtful gesture
at a time.

Complete with a heartfelt letter from the fictional Colonel Michael T.
Pinkerton, Kind Kids inspires young readers to share their own adventures of
kindness. This delightful and empowering story encourages children to take
small steps to make big impacts in their families, classrooms, and communities
while reminding them that kindness to others begins with being kind to
themselves.

Perfect for parents, teachers, and children alike, Kind Kids is a touching
exploration of sibling dynamics, emotional growth, and the ripple effect of
simple, kind acts.

About the Author

Jenna McDonough
My name is Jenna McDonough, and in addition to being a children’s
book author, I work with both adults and children to help them better
understand and manage their emotions. I am the creator of the Peaceful Kids
App
—the first-of-its-kind emotional intelligence app designed to teach
children and their caregivers how to integrate tools and techniques for
emotional regulation into daily life. Organized by both age and emotion, the
app offers meditation, mindfulness activities, somatic resets, breathwork, and
binaural beats. It also includes an Adult Meditation Library and is home to
two of my signature courses: Highly Meditated and Introduction to the Healing
Arts.

Beyond the app, I guide adults in identifying and releasing stuck energy
through meditation, sound baths, and custom-designed healing experiences. I
also developed coaching programs, such as Lifestyle Design and a proprietary
program for high school juniors and seniors, as well as for any young adult
navigating a transition year, to help them prepare with confidence for life
beyond the classroom.

My professional journey began in education. I hold a degree in
Interdisciplinary Studies with a focus in Communications Journalism from
Florida Atlantic University, and started my career as an Elementary ESE
teacher. While I found teaching deeply fulfilling, I also experienced
firsthand the challenges of burnout, which inspired me to seek balance through
meditation, mindfulness, and yoga. As my life evolved and I became a mother, I
continued to deepen my personal practice, remaining committed to wellness
while shifting my focus toward family.

During the global pandemic, I witnessed the surge of anxiety and stress across
all ages and felt called to expand my work. What began as a personal passion
evolved into a mission: to equip others—children, parents, and adults
alike—with the tools they need to navigate life’s challenges with
greater peace, presence, and emotional intelligence.

In recognition of my dedication to wellness and emotional regulation, I have
and continue to serve as a member of the 2024 and 2025 Forbes Health Advisory
Boards.

 

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The Weight of Dreams Virtual Book Tour

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An Ancient Saga of Myth and Magic

 

Magical Realism / Fantasy

 

Date Published: October 27, 2025

Publisher: MindStir Media

 

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In a time lost to memory, Etana is born with the Sight and a rare gift
whispered down through her bloodline: she can speak with elephants. When her
father promises her in marriage to an older man, Etana chooses the
unthinkable–she flees. Escaping the ritual that broke her sister, she slips
into the wilderness under the watchful eyes of the Beastgod.

Alone but guided by ancestral spirits and a bond with a mysterious elephant,
Etana journeys into the realm of myth. A powerful ruler summons her to tame a
ferocious elephant meant for war. But to claim her future, she must master
more than beasts–she must face enemies, survive betrayal, and confront a
court that thrives on secrets and blood.

As kingdoms clash and gods murmur in dreams, Etana rises from fugitive to
warrioress, from outcast to commander. In a world where loyalty is eternal and
power demands sacrifice, who will she become when everything she loves is
threatened?

Told through the rhythms of oral tradition and infused with magic, myth, and
cultural memory, The Weight of Dreams is a luminous tale of spiritual
resilience, feminine power, and the living bond between human and nature.


For readers of magical realism and literary historical fiction who believe the
past still speaks–and sometimes, it sings.

 

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EXCERPT

  • The Story of “Etana and The Elephants.”

Someone says, “Storyteller, please give us another.” 

“Tell us, ‘Etana and The Elephants.’” 

“Yes, the story of the elephants.”

Griot nods assent. The tale is much requested. I like hearing it too. The story is about me, though at the time, having passed only two rainy seasons, I have no memory of the event. Like every villager who listens, I am a fly caught in the web of Griot’s voice. He begins: 

Twelve seasons of rain have passed since that day. Many among us remember the tormenting heat. How thirsty the air. 

The Skygod had withheld the clouds, and our stream was tired. The sacred mountain sent us only a trickle. Day after day, we beseeched the god, chanting the sacred prayer, making offerings. But we received nothing. No rain came, nor a sign of what we must do to please him. 

And so it was that we, the Human People who from the beginning lived in the land the Skygod gave us, began preparations. Our sacred home could no longer sustain us. We had to leave Muk’etiland. We had to seek a new place. 

The night before our journey, dreams did not visit me. The heat sat on my chest. Atop my legs. In my nose. I lay, unable to move. Perhaps the night had condensed itself to trap me under its weight. The ancestors did not speak to me. Eyes closed, I gazed into the void, but no spirit presented itself, as if they too did not know whence this imprisonment came. I searched for escape. There was none.

At this, the villagers shift uncomfortably. Griot is not only our storyteller but also possesses powerful Sight. What evil had beleaguered him? Why could he not overcome the forces binding him?

Griot continues his story: 

As the paralysis continued, I thought the time for my death had come. I must leave my community, my children, my wife, my friends. Yet, I was not forewarned. I had not revealed to my son his final instruction or prepared the feast, nor had I completed the sequence of rituals to bestow upon him the gift of Sight.

Not one person dares move. Even my sister of two rainy seasons is entranced.

In the early dawn, a cry reached me. My ears were opened! I rejoiced, yet the wail of Etana’s mother brought worry. Her child could not be found. More people raised the alarm. 

Then a second alert rang out. The drums signaled our most urgent warning. It meant we were beset not by Crocodile People, for the stream was dry. Not by Lion People, those creatures who see in the dark and break men’s necks in their mighty jaws. We were endangered by the Beastgod’s most favored and greatest animal. Those who, if angered, could destroy an entire village, leaving its Human People trampled. The Elephant People had come.

The familiar tale is troubling, for the mystery of the massive creatures’ appearance baffles us still. They had not approached the village since the Storyteller’s father’s father was a child.

The debilitation left my body. I ran to find the priest-chief. He had been led to the east gate by the night watchman, the villagers trailing behind. Without speaking, the man pointed a trembling finger east.

Against the brightening sky, the great beasts gathered, facing the center of their circle. One would advance, trunk out, reaching to explore. Then it tossed a giant head or shouted as if pleased. Another would come forward, doing the same. The herd moved from edge to center in a slow churn.

The sun lifted from the rim of the world, and I learned the cause of their puzzlement. Etana, who had not yet seen her third rainy season, stood alone, a tiny form among the giants. She giggled when a trunk ruffled her hair. Smiling, she opened her arms and spoke. A baby elephant bolted toward her, and my heart clenched. She would be crushed. The watchman stepped forward, but I placed a hand on his shoulder. “The Beastgod controls Etana’s fate. Only he can save her.”

An adult elephant stepped forward, wrapped its trunk around the charging baby, and halted it. Etana walked to the baby elephant, laying her cheek on its face. She stretched her little arms to embrace it, her clear voice chanting the dawn salutation. The elephants rocked side to side, swaying to her tender melody. Her song complete, Etana spoke long, though I could not discern her words. Perhaps it was not the language of Human People, but a tongue sent from the Beastgod. With the village behind me, we watched.

When the sun was four fingers above the horizon, the elephants moved away, one by one. The baby was last to go. With a final pat to its head from Etana, it trailed the rest, disappearing into the dust.

Furtive glances prick my skin. I ignore them and raise my chin as Griot finishes:

Etana was scooped up by her mother. When I questioned her, she spoke of “Mbindy.” As no female among us carried that name, I left to seek the priest-chief.

Our hastily assembled council debated the incident. If it was a sign from the gods, we knew nothing of its meaning. Did Etana’s communication with the elephants mean we should follow them? Or did the gods’ protection from the beasts indicate we should stay? After long debate, we agreed to set out the following dawn. 

And lo, as the new sun was born over the horizon, the holy mountains were crowned with clouds.” Griot smiles. “The season of rain had begun. By evening, water flowed in our river. And to this day, we, the Yets’eāyi, created in the image of the Skygod, remain in the land of Muk’eti.

 

About the Author
Nicole Sorrell
Nicole writes tales of magical realism while splitting her time between
Texas and the rural Midwest observing various species of wildlife and dodging
alien cows. An annoying cat (with the highly original name of Kitty) and a
four-pound Yorkie (named GiGi) keep her company. Nicole is the author of The
Art of Living, a romance mystery series written under the pen name Coline
Oseille.

To find her latest releases and upcoming novels, visit www.NicoleSorrell.com.

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Elmer Kelton’s The Blessing Teaser

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Western Adventure, Historical Mystery

Date Published: 12-03-2025

Publisher: Devil’s Claw Press

 

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Hewey Calloway, Elmer Kelton’s favorite footloose cowboy, has
always been known to have a generous nature, readily giving to those in need.
Time has finally mellowed Hewey and given him some wisdom that was lacking in
his youth, but deep down, he’s still the same old Hewey. In this sequel
to The Smiling Country, a beneficiary to one of Hewey’s past
generosities pays him back, and with interest. Knowing Hewey would decline a
monetary repayment, he is gifted land back in Upton County.

Trouble is, it was bought from his old adversary, Fat Gervin, who is still as
crooked as ever. Gervin finds a seeming loophole in the contract and tries to
pull another fast one on Hewey, who is fed up with Gervin’s endless
treachery. Tensions rise, and when Gervin is shot, it’s Hewey
who’s on the hook for the crime. But things are never as they seem, and
it’s up to an eclectic cast of characters to sort it out, and for Hewey
to learn what’s really important in life.

Written by longtime journalist turned novelist John Bradshaw, who was selected
by The Elmer Kelton Estate to continue the Hewey Calloway tradition.

Excerpt

The morning sun was warm on Hewey’s face as he neared the Circle W’s eastern fence and the road beyond. When he crossed a small hill just west of the road, he saw an automobile parked outside the fence and a man struggling to open the wire gate that led into the ranch. Hewey rode nearer and saw the man was a stranger. He was older than Hewey by a decade or so, soft in the middle and wearing a dark suit and a snap-brim driving cap.

Although Morgan Jenkins occasionally visited the ranch in his automobile, Pincushion had certainly never been this close to one of the machines. He snorted and sidestepped, threatening to do something untoward. Unconcerned with the horse’s feelings, Hewey swatted the dun on the hip with the heavy tail of a rein. Pincushion decided Hewey was more of an immediate threat than the vehicle, and he moved forward cautiously.

The gate was made of five strands of barbwire with a cedar stay tied in the middle and another at each end. The gate fastened with two loops of barbwire, one at the top and another at the bottom. The gate had to be pulled tighter, by hand, to release the wire loops that held it closed. The man in the suit was having trouble with the task. He looked up as Hewey approached.

“Mornin’,” Hewey said cautiously. He and Pincushion both eyed the stranger with some wariness.

“This is the Circle W Ranch, is it not?” asked the man abruptly. “I am looking for a man by the name of Hewey Calloway. Do you know where I might find him?”

Hewey thought that one over for a moment. The man did not strike him as a lawman. In any case, he had been on the straight and narrow, for the most part at least, since Spring had expressed her dislike of public drunkenness and the misfortunes that so often befell Hewey during those occasions.

“Yes, sir,” he said finally. “This is the Circle W, and I’m Hewey Calloway.”

“That is excellent news,” said the man. “My name is Howard Stephens. I am an attorney in Alpine, for the time being at least. I have some information for you, and some paperwork. Would it be possible for us to go someplace where we might sit and talk? Somewhere out of this sun? It’s getting dreadfully hot already.”

Everything Hewey knew of lawyers taught him to be wary. “What do we need to talk about? Am I in some sort of trouble? I been behaving myself pretty well for a couple years now.”

“No, Mister Calloway. I assure you this is all good news. I guarantee it, to be precise, but it is a bit lengthy to get into out here.”

Hewey was still uncertain, but his curiosity got the best of him. “We can go up to headquarters. It’s just a few miles thataway.” He nodded his head west.

“Perfect,” said Stephens. “Now, would you mind helping me with this gate? It seems to be broken.”

 

About the Author
John Bradshaw
John Bradshaw is a native of the small town of Abernathy, Texas. He is
an award-winning journalist with well over a thousand published stories. Elmer
Kelton’s The Familiar Stranger, co-authored with Steve Kelton, is his
first book.

Bradshaw attended South Plains College followed by Texas Tech University. He
spent several years shoeing horses for a living as his writing career
progressed.

While the desire to write books was always there, Bradshaw first pursued a
career in journalism. He wrote numerous stories for ranching, horse and
horseshoeing magazines.

Growing up, Livestock Weekly came in the mail once a week, as it does for most
in the livestock industry. Writing for Livestock Weekly was always a goal, and
in 2005 Bradshaw’s first story was published. It was a profile of
Brownie Metzgar, a humorous cowboy still working in a feedlot while in his
late 80s.

In 2007 Bradshaw accepted a fulltime position with Livestock Weekly. While
with the paper he had over a thousand stories published, as well as enough
market reports to give him permanent nightmares.

Horses have always played an important role in his life. The son of a
horseshoer, he has spent a significant amount of time either on or under a
horse. He still shows in both ranch horse and reined cow horse competitions.

He and his wife, Sara, live outside Abernathy. Sara owns an architecture firm,
SK Architecture Group, and they raise Spanish goats, hair sheep and cattle.

In 2013 the couple had a stillborn son, Fox Joaquin Bradshaw. After several
years of heartbreak they adopted an infant boy, whom they named Julian Boone
Bradshaw. Boone died in his dad’s arms following an accident at the barn
five days before his sixth birthday.

 
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Ceremony of Innocence Blitz

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Literary / Historical Fiction

Date Published: 12-02-2025

Publisher: Scrivener Quill

 

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It is June 1924 when an inquisitive but skeptical Gemma Danforth
graduates from Wellesley College. Despite a loving family, an idyllic New
England girlhood, and family summers in the Hamptons, little had assuaged her
doubts Now, with college behind them, she and two classmates leave America
bound for post war France where they will be immersed in the pulsating culture
of European modernism. While in France, she reunites with her Paris based
parents, and, in Nice, amidst its creative ferment, she falls in love with
Rhys, a British aristocrat and ex-pat journalist. During this year spent along
the Cote d’Azur, encounters with Sara and Gerald Murphy, Somerset
Maugham, Zelda, Isadora Duncan and others, adds a depth and richness to the
ambience of le midi. And so begins the process of displacing her doubts.

She and Rhys return to American where their values collide with antithetical
and alien attitudes. It is these experiences that come to challenge long-held
beliefs and provide a vivid counterpoint to their recent immersion in the
Modernist aesthetic and world view.

Resolved to return to France, Gemma shares a final day in America with Gerald
Murphy at his ocean front Hampton estate. As this unhurried afternoon unfolds,
it becomes clear that Gemma’s skepticism and doubtfulness have been
replaced with a clear-sighted maturity and hardened resolve. The next morning,
aboard the Ile de France, Gemma and Rhys sail for France.

About the Author

Stephen Asher
Stephen Asher is a graduate of UCLA and was subsequently educated at the
University of Rochester School of Medicine, University of California San
Francisco, and St. Catherine’s College Oxford. His professional life was
spent as a neurologist, often walking the fine line separating the mind from
the brain, a vantage point which encouraged a perspective molded not only by
the scientific and the rational but also shaped by the aesthetics of the
senses. It is this unity of world view that fashions one of the novel’s
central themes.

Asher and his wife were drawn to Idaho’s arid vistas, glistening rivers,
and rugged skylines. As a travelling angler, he has pursued Atlantic salmon
throughout their natural range, has sought sea run brown trout in Patagonia,
and steelhead in his home waters in the Pacific Northwest. He and his wife
have cycled much of France, and, during quiet times at home, he enjoys music
and plays cello.

Previously, he has published essays, and short pieces in the British sporting
literature. He is a member of the F. Scott Fitzgerald Society, the Barbara Pym
Society, and is a proud supporter of PEN America. He lives in Idaho with his
wife, adult children, and his bird dogs.

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Adélaïde Virtual Book Tour

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Painter of the Revolution

 

Historical Fiction

 

Date Published: January 13, 2026

Publisher: Acorn Publishing

 

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In a world where women are seen but rarely heard, Adélaïde
Labille-Guiard refuses to be silenced.

The daughter of Parisian shopkeepers, Adélaïde dreams not of
marriage or titles but of earning a place among the masters of French art.
With Queen Marie Antoinette on the throne and a spirit of change in the air,
anything seems possible. But as revolution brews and powerful forces conspire
to deny her success, Adélaïde faces an impossible choice: protect
her life—or fight for a legacy that will outlast her.

Inspired by the true story of one of the first women admitted to the Royal
Academy of Painting and Sculpture, Adélaïde: Painter of the
Revolution is a sweeping, evocative portrait of ambition, courage, and
resilience in the face of history’s fiercest storm.

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Prologue
Paris 1793 

A column of fire reached like the Colossus of Rhodes into the night sky.

Shadowed figures waving torches poured into the Place du Carousel.

There, a clamoring mob passed wooden chairs, carriage wheels, and empty wine barrels over their heads toward the center of the square. Anything to feed the growing fire.

The Palais des Tuileries loomed to Adélaïde’s left. Its mansard roof jutted into a smoke-filled sky. To her right, the Palais du Louvre’s long wings stretched into the dark. The stone walls of the gallery that connected the two palaces flickered yellow and orange.

Adélaïde had never felt as small and alone as in that moment, between the embrace of buildings, in a space designed to dazzle royal spectators with seven hundred horses and jousting riders. Tonight, the square was filled with thousands of milling Parisians. And this time, she was the spectacle.

She pulled herself up on the tongue of the wooden cart next to the fire. Squinting against the smoke, she searched for anyone familiar.

Not a soul.

Even the donkeys had balked against their traces and been set free. Their distant braying reached her over the noise of the crowd.

Around her, men lurched about, their faces reddened from the bonfire, their sleeves stained purple from the wine they had scooped into their hands when the king’s cellars were raided. The scent of Bourgogne rose into the air. Beside her, a woman opened a dusty brown bottle and poured wine into the mouths of her companions.

Then the woman turned to Adélaïde. “Traitor!” she shouted, and drew back her arm, preparing to throw the bottle.

The crowd took up the chant. “Traitor! Traitor!” Others brandished their wine bottles.

Time slowed down. Adélaïde felt each sluggish boom of her heart, the constriction of her lungs, the loss of air she could not drag into her paralyzed chest. Was this the way she was going to die? Sliced to ribbons by a barrage of flying glass?

She raised her hands to protect her head and braced herself, but then a tall man in striped pants and a pointed red hat plucked the bottle out of the woman’s hand and emptied the last drops into his mouth. “Any Parisian knows not to let good wine go to waste,” he said.

Laughter.

The new citizens of France stomped their feet, shook their fists at Adélaïde, and threw the staves of the wine barrels into the flames. Arms brushed against her skirts. Bodies jostled the cart. She gripped the splintered seat to avoid being knocked into the fire.

The wind changed, and a rush of acrid smoke filled her lungs. She fought the urge to cough. Heat seared through her dress, burned her arms. Her mind screamed at her to run, but she had promised herself not to show fear, not to retreat.

The man in the red cap climbed into the cart. Sweat rolled from his face, and she smelled the sharp scent of his perspiration. Beneath his polished leather boots, the mountain of canvasses shifted. Fragile wood snapped. He stooped and held up a painting, still in its gilt frame. Black paint effaced the portrait sitter.

“Look at this travesty to art,” he called to the crowd.

How right you are. She kept her eyes averted from his familiar face.

“Burn it. Burn it all!” the crowd roared.

About the Author

 Janell Strube

 Janell Strube makes a mean barbecue sauce. She’s also a world traveler,
a baker, and a bicyclist. But when she writes, her identity as an adoptee
often steers her attention to topics of alienation, erased history, and
displacement.

In 2024, a personal essay of hers was published in the anthology Adoption and
Suicidality
. Her work has also appeared in Shaking the Tree: brazen. short.
memoir and A Year in Ink. Her short memoir, “Taking my Blonde Daughter
to a Black Lives Matter Rally,” was selected for the 2020 San Diego
Memoir Showcase, an annual live storytelling event.

While much of her writing is personal, she enjoys the freedom that comes with
crafting fiction. Her desire to learn about forgotten female artists who
shaped the French revolutionary period motivated her to write
Adélaïde: Painter of the Revolution.

When not crunching numbers as a tax executive for a hotel chain, she can be
found hanging out with Shiloh the Wheaten and plotting her second book.

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