The Illustrated Boatman’s Daughter Tour

The Illustrated Boatman's Daughter banner

The Illustrated Boatman's Daughter cover

 “The Navigators” series of historical adventures

Historical fiction, young adult fiction

 Date Published: October 27, 2020

Publisher: Empire Studies Press

 

photo add-to-goodreads-button_zpsc7b3c634.png

 

An Egyptian girl fights amid intrigue and corruption for the completion of
the world’s greatest man-made waterway.

Recent events have placed the Suez Canal in the global spotlight. One of
the world’s most vital waterways, the Canal was originally hailed as a link
between civilizations, between Western science and Eastern mystery.
This adventure is set against the epic creation of the Canal.

Heroes coming of age… and changing history.

 

“Tom Durwood is the real thing.”

— Joe Weber, Honorable Enemies, Rules of Engagement

 

The Illustrated Boatman's Daughter tablet

 

E X C E R P T   F R O M 

The Boatman’s Daughter

 

“Tom Durwood is the real thing.”  Joe Weber, Primary Target

map

“There is in Egypt the most important isthmus the world,

that separating its great seas, the Ocean and the Mediterranean:

a place that cannot be avoided without circling all the sinuosities of Africa;

the connecting point, the obstacle, the key,

the only possible door between two areas of the world …”

 

— Gottfried von Liebnitz, in a 1672 letter to Louis XIV

urging France to send an army to Egypt

 

Copyright @ 2020 Tom Durwood. Registered with the U.S. Copyright Office. All rights reserved.

girl with book

Prologue

 

Egypt, at that moment, was the theatre in which Europe 

played out its fears, its rivalries, its dreams.

 

— Saul Dubinksy, A Brief History of the Navigators

 

“I have it in hand,” the Boatman’s daughter, Salima, said. 

“I have the tuition. I can pay for it myself.”

Her father, the burly widower Yaffit, hesitated, one foot on the barge, one foot on the docks. 

“How much is it again, Salima?”

“Twenty-five piastras each month,” answered his only daughter, Salima, age sixteen. “And I already have the first three months’ tuition from my savings …”

Ma’at, the first mate, tugged on the luffing mainsail of the Saa, as patient as a young sailor on a loaded barge can be. The fleet of barges was all stacked and yawing, ready to sail, ready to begin tacking upriver – south, that is — for the all-day journey. The tides and wind favored them – for the moment – and all who sail the Nile know that the river’s favor is a fleeting thing.  

“It’s a good school,” the girl reminded her father. “A Frenchwoman runs it. And Isbaza is the safest of neighborhoods. Goma’s grandfather lives practically next door.”

The collie at her side barked, as though expecting an answer. 

“You take her side, do you?” said Yaffit to the collie. 

The lead barge strained at the ropes constraining it, desperate to swerve out into the river’s channels. The Tunisian pulled the boat back, tugging hard on the ropes which anchored her to Yaffit’s docks. 

“Can’t we decide when I get back –?” Yaffit stroked his beard.

“No,” replied Salima.

A pelican dove into the waters just beyond the dock, and emerged with a wriggling fish.  

“Thoth was smiling last night. That must have been a sign,” said the Boatman. 

“All right,” he concluded. “I suppose it is for the best — ”

“Thank you,” said Salima. She hugged her father.

“Are both the donkeys tied down? If one of them gets even a little loose — ” 

“Yes. Double hitches,” said Salima, and with that Yaffit jumped. 

The lanky, mostly silent Tunisian let go the line, and the sails of the well-laden Saa caught the wind. The little barge sailed prettily into the channels of the Nile, followed close by the other five boats. 

The pelican hovered, looking for more. 

people in the dark 

 

CHAPTER ONE: Salima

 

Truth may walk through the world unarmed.

 

– Bedouin proverb

 

Forty miles to the west, in the soft light of pre-dawn, on the benches of the swept-clean stone coutyard, on the bluff above the world’s great river, they waited. 

The people of the Nile sat quiet and polite in the gloaming. Soft, muffled sounds could be heard, of babies shifting in their wraps, and camels chewing, goats shaking off dreams of green grass under blue skies. 

They awaited the Boatman’s Daughter. 

The flag had gone up the night before: barges will run tomorrow. 

Slight breezes, always present so near the water, fluttered the flag above the stone oval courtyard.  

The six barges of the Boatman Yaffit would make their way up the Nile, twenty leagues, to the great cotton farms, carrying the men and women of Egypt’s working classes and their various goods.     

Yaffit piloted a safe transport. He kept his boats clean and well-fitted, his lines tight; every night Ma’at inspected each of the six. The lead barge, The Dolphin, was well-known on both shores for its nimble tacking and sleek profile among the slow, bulky flatboats freighting cotton to Alexandria. Yaffit knew the river. He knew the winds, and skies, and stars. His rates were fair and even, throughout the seasons. His crews worked without complaint and his daughter, Salima, kept the barges’ operations orderly. Other transports crammed as much cargo as they could pile onto the vessels, and the devil take all those whose grip failed: not Yaffit. Fair Salima made sure each passenger had a seat, and each donkey a stall. She was kind to all in this world, merchant or fedayeen or pharoah or beast, and her generosity of spirit attracted her clients like a light. 

With a rustle and the metal rattle of a key in a lock, the Boatman’s Daughter emerged unannounced into the courtyard, the black-and-white border collie trotting watchfully beside her. She wore a plain tunic, embroidered in crimsons and blue around the neckline. The necklace which had belonged to her departed mother accentuated her movements with a soft clacking. The unruly crown of chestnut hair was held barely in place with two combs.          

The Tunisian moved behind her.  

She did not walk directly to the table at the head of the oval, under the canopies, by the door, but instead carried a tray of fruits around the patio’s perimeter, to offer to the women and children who had waited all night to be in line, to reserve a space on Yaffit’s barges. The men would not take any. The women and children stood as she came among them, and bowed. She ignored their bows and asked about their families and their livestock, and their fortunes during the week. She knew most of them, and she introduced herself to those she did   not know.        

She sat at the table. 

She opened her ledgers by the light of the torches the Tunisian had lit. 

She smoothed the pages, and arranged her stamps and ink and piles of papers. 

She raised her face to the first in line. Seen very close, Salima’s eyes were not that unusual. It was when you pulled back, just a little, and saw them in the context of her face, that they became so striking. Her features were dark and exotic, like her father’s, and the color of her eyes a brilliant blue, like her mother’s, and the results were a striking combination of French and Bedouin. She had inherited her high cheekbones and the slight almond shape of her eyes from her Arabian father, who drank to excess, yet adored her. The freckles across her nose and her thick eyelashes came from her French mother.

“Hullo, Wagoner.”

“My father sent word,” he said. “The English thrasher struck his largest cart. He needs these.” She saw stacked high behind him, attended by burly fedayeen, eight giant wooden wheels.

“Five is all we can carry, Wagoner. They are too heavy.”

“I know. I promised him I would ask you.”

“Hassan can bring a sixth with him on Friday. Your father delivers Mondays, does he not?”

“Yes.” 

“All right. Friday morning? Will that do?” 

“Yes,” said the young wagoner, relieved.  

“They will dock Friday, by noon. Be sure you mind the signals.”

She drew a wheel symbol and the numeral 5 and circled it in the middle of her chart of the first boat. The heavy wheels would be placed just by the barge’s centerboard, where they would stabilize the vessel. She made a notation for three extra coils of the heavy rope. 

She stamped a bill of lading and gave it to the young wagoner. He studied it in the flickering light. The wagoner carefully opened his pouch and counted out the gold coins. She counted them, made a notation in the ledger, and lay the coins in the box at her feet. The Tunisian stood sentry.

Next were two messangers with their pouches, from the banks of Alexandria, and then a toolmaker, who was the neighbor of her cousin. Two small girls gave her a box of excellent iron nails which their father had found, along with an illustrated book of legends from Paris, France, and a curved seashell they could not identify. She bowed and thanked them, and gave each two figs.  

A boy her own age, a tall European, stepped forward. His mop of blond hair seemed to glow in the dim light. 

U opnieuw, Mikal?” she asked.

“Yes,” Mikal smiled. “Me again.” 

They both laughed. The women nearby murmured; the Tunisian shifted his feet.

“No courier today? No pouches?”

“Just this.”

The young Dutchman lay a small envelope on the table. She picked it up. It was linen, with the seal of the shipping agents, Mickler Sykes, on it. She turned it over and ran her finger along the raised wax. 

“What is it?” she asked, hefting the envelope.

“It’s an invitation,” answered the young Dutchman. “See that you attend.” 

He bowed. She looked after him as he made his way back up the hill, to Cairo proper.

“A long way to come just to mail a letter,” said on of the women.

By the time the sun was ready to rise, she had charted almost enough cargo to fill her father’s barges. Only a half-dozen clients remained.  

“We are too full to take these now,” said Salima to the next in line, a burly young Afar tribesman, who escorted a stack of long wooden boxes. Two companions stood beside them. “Come earlier next time.” 

“What do you mean, ‘too full’?” he demanded.

“I am not speaking in code, friend,” said Salima. “Take them to the bargeman, Chavi, across the way. He can ferry you. We don’t take guns.” She nodded towards the stacked boxes with the French markings. 

“We have heard that your rival transports are all inferior to yours.”

She motioned for the next in line. “Those Martini Henrys are good rifles,” she said. “But you may find yourself stuck loading the breech. The American rifles don’t stop firing.” She raised one eyebrow. 

“I can make a separate arrangement,” said the Afar. “Is there a male I could see, daughter? Your uncle? Your father, perhaps?”

“Step out, friend. Come back another day. With another cargo.” 

Fury flushed the tribesman’s features. His shoulders tensed and he reached for his waistband.

She did the same, half-standing –   

The dog growled and started. 

The Tunisian stepped between the two. 

“A thousand pardons.” The Afar bowed and laughed nervously. “It’s a friendly dispute.” He stepped out of line and retreated, with his boxes and his grumbling companions.  

When all the clients had been met, and entries made, and all their cargoes charted, Salima glanced across the courtyard. 

There in the street just outside the stone patio, the taxman sat in his cart. With his mule and stone wheel, he was knife-sharpener as well as tax collector.   

“Ah,” said the taxman. “Another profitable day at the barges.”

“Hullo effendiyah,” said Salima.

The taxman always watched in silence, standing at his cart, in the road. He pressed a blade edge to the grindstone and spun the wheel. Sparks emerged. 

“How goes the Caliph’s canal?” she asked. “Do his gold-plated shovels dig deep?”

“Indeed,” answered the tax collector, for they had made this exchange more than once. “He spends his people’s money wisely.”  

“Good, for it is most dear,” she replied.  

The taxman sharpened blades while she completed her tallies. Sparks streamed from his stone wheel in slim spools of living light, rising and falling in the pre-dawn shadows.  The Tunisian walked over and handed him the envelope. It was a tariff on merchants, a tariff which had gone up four times since the great canal had begun. 

The taxman gave a soft whistle. 

He looked up. 

The Boatman’s Daughter was gone, disappeared in the dawn light.

There was much to do. 

The barges were coming.

suez & upper nile

CHAPTER 2: The Dolphin

 

The young sculptor drew up plans for a towering statue

of a female fellah. She would be draped in the robes

worn by Egyptian peasants … she would carry a torch, and

her name would be Egypt Bringing Light to Asia.

 

— Zachary Karabell, Parting the Desert

 

The six barges approached the docks and tied up amid a flurry of fluttering sails and swinging booms and laughing embraces. I say barge, but you may think of it as a large and broad-beamed felucca, a flat-surfaced open sailboat, of the kind that commonly transports goods and passengers on the river. 

Salima hugged her father, who would not let her go. She greeted each crewman warmly, by name and endearment, and she told them each news of their families.

Salima had designed a system of ropes and stalls for unloading The Dolphin, her father’s lead barge, and the six smaller barges. Once each boat was docked and secure, the mainsails came down and the live cargo came off. Each pig and camel and goat moving through the wooden chutes and roped shunts to the owners’ stalls on the dockside. Nervous lambs squealed and chickens clucked, unfamiliar as they were with the concept of riding on a boat on water and docking at a wharf. The collie let each beast know when to sit still, when to move, and where, and how fast. A set of lanes led to a path up the incline. At the top of the incline stood the open barn, its one wall already partially raised. 

The camels loped and looked on, unperturbed. 

Sturdy cranes (some assembled with oars and driftwood) swung from their stations over each barge and lifted the heavy cargo from above. The Boatman’s clients lined up in their assigned stalls with their wheelbarrows and carts, waited to sign their bills of lading, and then loaded their goods, and were so checked off Salima’s master ledger.  Within an hour all six barges were clear; happy clients trotted off with their intact cargo. The Tunisian was cleaning the decks. The blind man, usually drunken, earned dinner by mending the sails. 

Tides wait for no man, woman, beast or boat. 

 

* * * 

 

“The English want to hire us,” announced her father at dinner. 

“Huh,” commented Ma’at.

“Last year it was the Germans,” replied Salima, unimpressed. 

“No. They want to lease our boats. Ten thousand piastras to carry their metal for a month.”

This remarkable comment produced silence around the table.  

“What, and give up all our other business?” asked Ma’at. 

“Yes. And they want you as part of the contract,” added the Boatman, speaking to Salima.

“So would I!” exclaimed Gahji. He looked around, embarrassed as his own frankness. “Sorry! Sorry. I only meant –

“We know what you meant,” laughed Ma’at. 

“We could rebuild the boathouse,” said Yaffit. “Double the size! We could expand the docks. Why with that much, we could — ”

“We’re using the money for my schooling!” said Salima.

Yaffit doled out a new helping of stew. He said nothing. Ma’at glanced up.

“You promised!”

“This school, what will you learn? And it’s all the way in Isbaza! How can I protect you — ” 

“You can’t stop me. I’m almost sixteen! I can’t believe this!” 

“Salima — ” 

“Why don’t you just operate the barges without me!”

“Now you know I can’t — ”

“I’ve never been away from this place. It’s like a prison. I’ve never been anywhere.”

“That’s not true. You’ve been to Alexandria — ” 

“When I was three!”

“I’ve taken you upriver — ”

“I’ve never had friends — ” 

“You have us — ” 

All the bargemen looked up hopefully.

“It’s not the same! I mean friends my own age! Girls like me!”

“There are none like you,” said Gahji. 

“You seem pretty friendly with that Dutch boy — ” said Ma’at.

“Maybe I’ll marry him! At least I’ll see some sliver, some particle of the outside world, and go to a school and learn something — ”

Yaffit stroked his beard worriedly

“I bring you all those books. They’re from Sweden. One is from Cathay – you said so yourself — ”

“It’s not the same! I need a teacher! I need a life!”

“This life is not so bad!” 

“It’s terrible. This is just stupid — ”

She stormed out. The collie scrambled to follow. 

excavating pyrimid

CHAPTER 3: Under the Stars


When you sleep in a house your thoughts are as high as the ceiling.

When you sleep outside, they are as high as the stars.

 

Bedouin Proverb

 

In her chambers – part bedroom, part library, part observatory — on the top-most floor of the compound, Salima had spread out the newspapers her father had brought back.

She sniffed Fadil, who was gnawing happily at the leg bone (a gift from one of the women who do their laundry at the docks).

“You need a bath.”

The two locked eyes. The dog tensed, ready to bolt.

The moment passed.

“He’ll never change,” declared the girl. “He keeps saying he’ll let me go to school, but he never means it.” She turned a page. “Let’s run away,” she suggested to the collie. 

“Where could we go?”    

The dog ignored her question and switched the bone to the other side of his mouth. 

“My mother had a cousin. In France. I still have a postcard from him.” 

She spun the globe and stopped it with her finger on France, near Alsace. She spun it again and stopped it again. “Mongolia. Maybe we could go there.” 

“What’s that?” she asked the collie. “That will take money, you say?” 

She walked to a high shelf and fished around behind the books and maps and scrolls and assorted river objects until she found a canister. “I have saved money of my own. And not for any dowry.” 

She showed the dog how much was there.   

The dog looked up from his bone, only for a moment.

 “With fifty piastras, I can go to the French school. I could still do the early morning loadings, and I could hire Ma’at’s sister to do the disembark. With a hundred piastras, I could spend a month with my uncle, in Alexandria. With two hundred, I could visit Paris. Meet my mother’s family. My cousins.” She finished counting.    

“Twenty-two. It won’t be long now, Fadil.” 

The dog dropped the bone on the bed to get a different grip on it. In doing so, he nudged an item in the sprawling collection towards Salima. It was the invitation from the young Dutchman.    

She opened the envelope and a card fell out. It read as follows: 

 

AN INVITATION

The Pasha Seeks Native-Born Female Shipping Agents  

On His Behalf Mickler Sykes Will Administer a Test

9:00 Thursday 

At the Offices of Our Firm 

Thirty-three Mokattam Street, Municipal Square, The Citadel, Cairo 

Cash Award for Taking the Test: Two Hundred Piastras

 

“Thursday,” she exclaimed. “That’s tomorrow!”

The dog returned her gaze. He sat on the bed and panted, seeming to approve.   

envelope 

 

About the Author

TOM DURWOOD

TOM DURWOOD is editor of Empire Studies Magazine, an open-access journal
posting over fifty scholarly features. He taught most recently at Valley
Forge Military College, where he won five Teacher of the Year awards.

He is the author of Teddy’s Tantrum: John D. Weaver and the Exoneration of
the 25th Infantry.  His book Kid Lit: An Introduction to Literary
Theory has earned favorable early reviews.  “My favorite nonfiction
book of the year,” writes The Literary Apothecary (Goodreads).

 

Foreword Author’s Bio 

Fatima Sharafeddine is a writer and translator for children and young
adults, winner of several awards and honor lists, among which the Etisalat
Award for the best YA book of the year 2017 for “Cappuccino”, (Al-Saqi
publishers), and the Bologna Ragazzi New Horizons Award for her book “Tongue
Twisters” (Kalimat publishers). Her YA novel “Mila’s Pear” was 3shortlisted
for the Etisalat Award 2019, and she was nominated 5 times for the Astrid
Lindgren Memorial Award, the last nomination being in 2020. She has written
over 140 books.

Contact Links

Website

Goodreads

 

Purchase Links

Amazon

Barnes and Noble

 

RABT Book Tours & PR

Comments Off on The Illustrated Boatman’s Daughter Tour

Filed under BOOKS

The Girls of Cemetery Road Blitz

 

The Girls of Cemetery Road banner

 

The Girls of Cemetery Road cover

 

Ghosts of the Big Thicket, Book Two

 

Southern Gothic, Mystery, Paranormal Women’s Fiction

Publisher: Zimbell House Publishing

There was something very dark about Kitrina Katim’s part of the Big Thicket. It had taken Libby, one of Kit’s best friends, in the dark of night when Kit was just a girl. Kit couldn’t imagine leaving her life and he best friends, the Sisterhood of Cemetery Road. But leave them, she did. And she did not return until ten years later when she was forced back to sell her parent’s house.

Nothing had changed, including Mad Maddie McPhearson, who lived down the road, always sitting on her front porch, always trying to make Kit’s life miserable. Miss Maddie, an angry elderly woman, owned Bellewood, an old Plantation house that was crumbling around her. Kit’s attemps at kindsness only fed the old woman’s hatred. But Kit didn’t understand why. Not then anyway.

It was that hatred that awakened dark voices in the thicket and threatening figures that terrified Kit. Was it Libby? Had she come back to them? Or was it something else, something horrifyingly familiar?

Would it be the Sisterhood, or handsome Colton or his brother Jackson, who would come to Kit’s aid when the time came to do battle with the dark forces that were slowly overtaking the Big Thicket?

Other Books in the Ghosts of the Big Thicket series:

 

Ghosts of the Big Thicket series banner

 

The House on Camp Ruby Road cover

 

The House on Camp Ruby Road

 

Ghosts of the Big Thicket, Book One

Publisher: Zimbell House Publishing

The House on Camp Ruby Road is the story of three generations of women living in the Big thicket of deep East Texas. It is a mystical place where Eden Devereaux, a college student in the early 1060s, is drawn into a haunting world full of damaged and grotesques people, reminiscent of Southern Gothic literature. After inheriting a crumbling southern homeplace in the Big Thicket upon the death of her mother, Eden must find out why she is entitled to it. But more importantly, who wants to make sure she doesn’t inherit it, and why.

The story weaves around three women; our heroine, who is searching for answers to a childhood dream; an elderly black woman who is living in the house and who holds the key to the mystery of the dream; and a young girl from the river bottom people, fleeing an unbearable life. They form an unlikely bond through adversity. Eden is aided in her search by handsome Jeff Callahan, who better understands the strange world in which she finds herself.

Will she be driven away by blood feuds, dark secrets, and ghosts? Or will she take a stand and claim what is hers? Through her true Texas grit and determination, she will find out the truth about who she really is, and who it is she truly loves.

Amazon

B&N

Kobo

ibooks

Smashwords

The Voices at the End of the Road cover

 

The Voices at the End of the Road

 

Ghosts of the Big Thicket, Book Two

Coming July 2021!

The Girls of Cemetery Road paperback


About the Author

Twyla Ellis

Twyla Ellis is a descendent of pioneers who came to Texas in the 1840s, while Texas was still a Republic. She grew up roaming the dense pine forest in the Big Thicket around Livingston, Texas, at the home of her grandmother, great-aunts and uncles, and cousins. Her family was one of the founding families of Livingston, and her great-great-great grandfather was the first city treasurer in the 1840s. She fell in love with the haunting feel of the Thicket; its sounds and sights and smells. Her goal is to make people aware of the mystique and uniqueness of this novel part of Texas, one of only four rainforests in the U.S.

She holds a degree from Howard Payne University and has taught English and Music, and has been a member of NEA, TSTA, and TETA. She was a statewide officer and conference speaker with TETA (Texas English Teachers Association).

She has run her own children’s party and event planning business as well as Remembrances Antiques and Gifts in the Houston area. She is certified in computer graphic design and free-lances in her spare time.

Nothing makes her happier than road trips with her family to interesting old Texas towns. She loves church, antiquing, fossil hunting with her husband and sons (they hunt, she writes), Big Bend, the Alamo (Don’t all Texans?), exploring deserted buildings with a camera, and especially, the Big Thicket of deep East Texas.

If she had to give you a one-sentence bio of herself, she would probably say, “That obnoxiously joyful, hug driven, southern relative that you’d like to hide in the attic, just might be me.”

Contact Links

Website

Facebook

Promo Link

Purchase Links

Amazon

B&N

Kobo

iBooks

Smashwords

RABT Book Tours & PR

Comments Off on The Girls of Cemetery Road Blitz

Filed under BOOKS

The Trophy Room Blitz

 

The Trophy Room banner

 

The Trophy Room cover

 

Crime Thriller, Psychological Thriller

 

Published: March 2021

Publisher: Bleaknorth Publishing

What terrible secrets lie inside those doors?

It was to be an ordinary holiday by the sea for the Miller family, a chance to bond after difficult times; but when they meet a local family, the Trevelyans, they become embroiled in a dangerous and disturbing conflict with the unstable owner of Leybury Hall, and must face the terrifying truth of The Trophy Room.

Written in a mixture of second and third person, this novel about the evil doings of the disturbed and psychotic inhabitant of Leybury Hall. The novel flirts with gothic horror but is, at heart, the story of families brought together to face terrible truths. Children from both families play a central and disturbing role.

The Trophy Room tablet

 

Excerpt

 

A young boy approaches the watchtower along the cliff path. He is alone and intent on some game which absorbs all his attention. He swerves and circles, arms outstretched, and accompanies each move with excited chatter. He is about ten and has a mop of untidy red hair, and a rash of freckles.

So intent is he on his game that he doesn’t see the low, wooden door of the watchtower open, and a man step out, at least not until it is too late. When the boy does notice, he pauses, and his hands drop to his side. His shoulders hunch, and he stands there, waiting for the man to approach. The look of fear on the boy’s face seems to entertain the newcomer, because he offers an unpleasant smile—close to a sneer—and takes up a position blocking the path. The man is gaunt, with a sickly complexion, and his clothes hang loose, like they were intended for a stockier man. He’s in his mid-twenties but has a pinched, shifty look, and a hollow face which makes him look ten years older. There’s something cold about him, too, and a glint of malice lingers around his mouth and eyes. He has the air of someone who would pull the wings off a butterfly, just for fun.

The boy senses the danger and looks around for other walkers, but it’s early and it’s October, and there is nobody else out. They are alone on the cliff.

Are you following me, Sammy?’ The man’s voice curls around him like a snake, then it darts a poisoned tongue. ‘Because if you are—’

About the Author

Barry Litherland

Barry Litherland is a writer of character-driven crime / mystery thrillers, sometimes tinged with the paranormal. His books have received excellent reviews and are commended for the quality and depth of the characters, the reality of the settings, the strength of the narrative and the quality of writing. He lives in the far north of Scotland with his wife and two springer spaniels.

Contact Links

Website

Twitter

Facebook

Instagram

Promo Link

Purchase Links

Amazon

B&N

Kobo

iBooks

RABT Book Tours & PR

Comments Off on The Trophy Room Blitz

Filed under BOOKS

Do You Know Dorothy? Blitz

 

Do You Know Dorothy? banner

 

Do You Know Dorothy? cover

 

The Juliana Series, Book 5

 

LGBT Historical Fiction

Published: May 2021

Publisher: Sans Merci Press

Can a group of elderly drag queens save a 1950s nightclub from being taken over by the mob?

It’s 1956 and television is stealing Alice’s nightclub audience. Known as Al to everyone in the club scene, she has to try to prevent the mob from taking over her crippled club and turning it into a strip joint.

Her one solace: Juliana, the woman who haunts her memories and fuels her dreams of a brighter future. But the last time Al saw her was the day Juliana’s husband caught them in bed together.

On the brink of losing her love and her livelihood, Al makes a bold decision. She arranges an extravagant production starring aging female impersonators, even though funding the show means going into debt.

Will the show succeed in saving her club and helping her find her way back to Juliana? Or will Al’s big risk result in losing everything? Although the book is the fifth in the series it can read as a standalone.

DO YOU KNOW DOROTHY? is the fifth book in the Juliana series of historical LGBT fiction, but you can also enjoy it as a standalone novel.

Other Books in the The Juliana Series:

Juliana series

 

Juliana

 

The Juliana Series, Book One

She went looking for fame, and found her true self, instead.

Olympus Nights on the Square

The Juliana Series, Book Two

What if your love was illegal? What would you do?

Paris, Adrift

The Juliana Series, Book Three

She wanted a safe harbor for their love. But rough waters could destroy any hope of starting over…

Heaven is to Your Left

The Juliana Series, Book Four

How far would you go to save the person you loved?

Amazon

Do You Know Dorothy? tablet

 

Excerpt

 

Max sat up straight on the couch as I entered the living room. “My god, what happened to you?”

“Don’t you like it?” I adjusted my blue and white striped skinny tie, shook my shoulders so my blue suit jacket and held out one foot to show off the black cowboy boots. I pulled the jacket open and grabbed the belt on my black jeans. “And look!” I stuck my hips out. “A fly!”

“Cover yourself!” He shielded his eyes with his hand. “You didn’t wear that in public!”

“Yeah! Well, I took a cab home.”

“You could’ve been killed walking around with that on your head. What is it? Halloween?”

“I’m a butch!” I turned my back to him. “See? This is a DA. That means duck’s ass for you old fogies.”

“Does it come off? We can’t have you at the club looking like that.”

“I can set it with those darn curlers and get it back to my boring page boy.”

“I better not see you at the club wearing anything remotely similar.”

“Of course not, but on my off hours…”

“You can’t take chances like you did tonight.”

“I know.”

“Getting arrested is the best that could happen to you.”

“I know.”

“Where’d you get them?”

I went shopping.”

“What store would sell you clothes like that? They’re for men.”

“I went as a man.”

“What?”

I was so scared they’d figure it out and show me the door.” I sat on the coffee table.

“Sit on the couch like a lady.”

I plopped onto the couch without worrying about which way my legs went. “I walked right into Macy’s and…’

“Macy’s! Oh, my god.”

My friends, Freddie-Faye and Lady Day taught me.

Who’s Lady Day?”

A female impersonator I know.”

You should not be with someone like that. Someone who doesn’t even know what their sex is. She’s, he’s mentally disturbed.”

She is not. She’s real nice. She has a nephew who sometimes stays over. She leant me his dungarees. Then she gave me this hair style. I went to the men’s department with my friend. I bought my own Men’s clothes. I was scared the salesman would figure it out, but he just called me ‘sir’ and showed me things and let me go into the fitting room.

“Watch me comb it.” I jumped up. “Butches have to comb their hair different from everybody else.” I reached into my back pocket and slid out my new comb. I jutted my chin out and slapped the comb against the palm of my hand. “You’re sposed to do that first.”

Why?” Max asked.

“Pay attention.”

He wrapped his hands around his knees. “Listening.”

Watch. You hafta hold your comb between your first two fingers like this. Then you flick your first three fingers through the front of your hair and, uh…” I stared at my two fingers holding the comb and the one extra finger sticking out by itself.

What’s the matter?”

I’m sposed to make a curl come over my forehead. It seems it’d be easier to do with just my fingers, but then what do I do with the comb? Oh, well, there’s a whole ritual to combing your hair when you’re a butch. Like there’s the show combing. Stop grinning like you’re not taking me serious. Butch’s comb their hair in public to defy the rules that get thrown at women. Butches are independent. When they look in a mirror…” I stepped over Max’s white rug and saw myself in the mirror. “They tilt their heads like this and then to the other side like this. That’s to show they know they look good, and everybody wants them. I swear I’m gonna be one, Max!” I grandly threw my comb on the rug.

Get that comb off my clean white rug!

I picked it up.

About the Author

Vanda

Vanda wrote her first novel in eighth grade, with encouragement from her teacher, Mr. James Evers, who said, “My children will read your words.” She went on to win an Edward Albee Fellowship among other awards for playwriting. One of her plays, VILE AFFECTIONS, was a finalist for the National Lambda Literary Award. She is now writing a series about LGBT history. The characters are fictional, but the history is fact. The books have all received awards in some form. The third in the series, Paris, Adrift was a Category First Place winner in Chanticlear’s Goethe Award for Late Historical Fiction. This same book was also a finalist in the Lesfic Bard Awards.

Contact Links

Website

Twitter

Facebook

Instagram

Promo Link

Purchase Link

Amazon

RABT Book Tours & PR

Comments Off on Do You Know Dorothy? Blitz

Filed under BOOKS

The Fourniers Tour

The Fourniers banner

 

The Fourniers cover

Women’s Fiction

 

Date Published: 5/26/2021

Publisher: Indies United

When Hannah Reilly steps off the ship on the shores of Ellis Island in 1912 she has no idea that it is not a convent that awaits her. It is a man who finds her far too beautiful to marry God.

Hannah turns her back on the church and she and Wade settle in Jacksonville, Florida, where the world holds the promise of sunshine. They have two wonderful children before life changes and Wade insists that Hannah abort her third child. When Hannah refuses, light turns to darkness and fate unfolds before Hannah with the cruel consequences of her choices.

A story told against the backdrop of the Depression, Hannah struggles with anguish and despair highlighted by brief moments of triumph, lost love returned, deep friendship and the cruelty of laws so unfavorable to women.

The Fourniers tablet

EXCERPT

HANNAH

1892 – 1934

  • Chapter One

The morning was grey and damp. Color drained from the earth, washed off by rain that would not cease, might never cease, it seemed so committed. Hannah listened intently to the wind’s menacing murmur, stirring up the ground and whatever was on it. There was a clanking sound coming from the side of the house, which she could not place, perhaps the garden tools she had used the day before. They were like cymbals with the drum of thunder, both playful and irritating. The fire in the kitchen was warm, but the chill in her veins remained. She felt her future being written by the patter and the disarray of the storm.

She could smell her father’s pipe. It was usually sweet, but the dampness made it pungent, almost sour. It polluted the air like the large Irish setter at her feet, whose wet hair had a bad smell, like soiled clothes. She reached down and touched his head anyway, and the dog’s cold nose brushed past her palm.

She would not argue with her father any longer. She would not beg nor plead nor weep. Her father’s mind could not be changed; his absurd obsession with things that shouldn’t matter was set in stone. She turned her head toward the window, and the dark wind came at her so fiercely. The windows rattled as if phantasmal lunatics were attempting to reach her, as if phantasmal lunatics were about to shatter the glass and take the very life from her.

“Brutal weather,” her father said. “Raining pitchforks.”

Hannah nodded. “Yes, I hope there won’t be much damage.”

He went back to his paper and his politics, back to his unreasonable hatred of the Nationalists. None of it mattered a damn to her.

“Ay, there’ll be some of it, rest assured.”

“What? Damage?” she asked.

“Rest assured,” he said.

“Yes, I suppose there will be,” she answered and turned her head back toward the window and the angry gusts that took center stage and demanded notice.

Her father mumbled over something he had just read and slammed the paper to the floor. He shook his head, cursed under his breath. “Why the hell would we go backwards?” he yelled out.

Her sister was knitting. The action of the needles seemed to calm her. Contentment nestled around her smile as if the storm weren’t taking the roof off over them. Her pretty face was placid and untroubled. She whistled every now and then, adding to the drumrolls of Mother Nature’s tantrum.

“What’s that you got in your head?” Hannah asked her. “’On Moonlight Bay’?”

“Will you play it for me later?” Anne asked.

“You think you’ll be hearing it over all this thunder?”

Anne laughed good-naturedly. Her laughter had a melody, like violins hitting a high note.

“Well, play loudly then, and I’ll sing loudly,” she called out, eager to be heard above the storm.

Hannah tried to smile, but she felt the tension in her expression, surprising her by its sudden appearance. Would there be any singing in the convent? She wondered. Hymns, of course, but certainly not ragtime. She hoped that God was not her destiny. She didn’t want it, nor did she choose it. But that’s just the way it was. There was God or there was man … nothing in between but spinsterhood. Well, she would have gladly chosen spinsterhood, a future dimmed by lack of purpose, over a future dimmed by taciturnity and endless prayer.

“I don’t think I will be happy as a nun, Papa,” she said slowly, though she’d said it before, a hundred times before. She knew it would make no difference. Her father’s mind was made. She hadn’t the discretion to choose well, the good sense to choose a man with loyalty to Britain. What unearthly difference it made she could not begin to understand but it certainly proved her inability to make wise decisions, according to her papa.

“What’s that?” John Reilly asked.

Hannah turned her head away.” Nothing,” she said.

Her sister continued to knit, but Hannah knew she was holding her breath. She felt her papa’s gaze from across the room, felt the complexity of his thoughts. He had heard what she’d said, she knew it.

Hannah looked at the tip of her shoe, avoiding Papa’s irksome stare. Perhaps she should have said it louder. Perhaps she should have shouted it. The gray Dublin sky gave way to a cannonade of thunderous drumrolls. Hannah felt a shiver right through to her bones. She saw her life as one might see a dark cloud descending, swallowing the sun. She shivered again and pulled her shawl closer to her.

John Reilly dismissed what he might have wanted to say, which was rare for him; he always had a response to everything. Hannah knew he wanted to tell her that what she wanted didn’t matter, wouldn’t ever matter because how could she, a mere child of seventeen, know her own mind better than he? Hannah was used to it by now, her father thought for her, as if her mind wouldn’t work without him. She was grateful that this one time he had kept his mouth shut.

“You’re too independent, girl,” he finally said. “Men don’t like that. Not enough good men to go around anyway. Besides, doing God’s work is a blessed thing. You should be proud. Happy too, that we’ve the money for the convent.”

“I am not proud,” she said. “Or happy.”

Hannah knew that if a girl wasn’t promised, she became a nun. That’s what God wanted if no man had asked for her hand. And of course, God knew best. Her father must have had daily conversations with the good Lord to know his mind so well. But had God forgotten that a man had asked for her hand? Certainly, her father wished to forget. Andy McGregor, with his fine good looks and his golden curls that fell onto his freckled brow, like a perpetual urchin; he had asked for her hand. He’d been teasing her relentlessly since she’d been a girl, too young to realize then that his teasing was boyish flirtation. When it finally dawned on her that he thought she was pretty, she was quick to acknowledge the acceleration of her heart and the flush to her cheeks in his presence. His smile had won her over long ago when he’d stood on the tips of his toes to kiss her. Now it strained her neck to find his smile. But he could never cross the threshold of her father’s door again, not with his Labor Party politics. Her father had strong British Unionism roots, and Andy was showing such poor judgment, wanting independence from Britain? How dare he join the Nationalist party and hand pamphlets out around the village that spoke of a return to Gaelic roots and Irish Independence? What absolute rubbish. “You will never marry Andy McGregor,” her father had insisted. “He is a dangerous fool, and I will not have a viperous traitor in my family. I will not have us split apart by that man’s absurd beliefs.”

Hannah shuddered. “Shackled would be more like it,” she said softly.

“What’s that?” he asked.

“How I feel,” she said.

“You’ll make me proud, daughter,” John Reilly nearly shouted. She knew he was angry with her, frustrated that she didn’t bend to his will as easily as he would have liked.

Hannah nodded in his direction. Acceptance now was all she had left. If she married Andy McGregor, he would not be proud? No, he would be ashamed and defensive and probably never speak to her again. And if she went against her father’s wishes she would break his heart. Better her own should break.

“You don’t like him because he’s poor,” she said.

She felt her sister’s eyes on her. Her father slapped the table with the palm of his hand. “Yes, you want not only to marry a poor man, but a stupid one.”

The kitchen shutter hit the window as torrents of rainwater obscured the view of Dublin’s hills. They watched as lightning lit up the sky, leaving behind a tenebrous shadow, blurred further by her tears.

“You are entitled to believe what you will, Father,” she said.

“I am more than entitled, I am deemed fit by the nature of being your father. I am wiser than you, I’ve lived longer.”

“Is it His will or your will, Papa, that I give my life over to a God who has never asked me directly for anything? I’ve received no calling except the one in my own heart.”

John Reilly did not answer. He picked the paper up and closed his eyes. “I see it as God’s will,” he said.

And I have no will? she thought to say but didn’t.

“You girls best be putting on the soup now, it’s nearing six.”

She would say no more. If she didn’t take it into her own hands it was to be her fate. She avoided her sister’s glance, knowing sympathy was being offered, but it was not sympathy she needed, it was a bloody miracle.

 

  • Chapter Two

The very next day the sun appeared like a blessing, as if making amends for the storm of the prior night. Hannah was happy to be greeted by the sun and couldn’t wait to feel the heat after such dampness. She nearly skipped to the Sweet Shop. Anne was following along as she always did. They’d been going there for years, for crumpets and hot cocoa. Hannah had a job, meager but respectable. She’d recently been hired by Mr. Smiley to teach his daughter to play piano. The back room had an upright, and Mr. Smiley insisted his daughter learn what to do with it.

“Another day looking for miracles,” Hannah whispered to Anne as she took her place at the piano bench and Mr. Smiley’s daughter sat beside her. Hannah felt somewhat giddy, despite the gloom of the convent hanging over her. Smiley’s Sweet Shop always smelled of peppermint and chocolate, and she was sure to get a handful of sweet creams at day’s end.

“Today we’re going to have some fun, my girl,” Hannah said. She was feeling rebellious, though God knows why; her rebellions were nothing but ripples in a mighty stream, never waves, or hurricanes.

Hannah winked at Anne, and the two smiled at each other, conspirators against the world but never with ill intent. They just had a way of knowing what the other was thinking, and Anne knew instinctively that Hannah was about to alter the agenda.

Hannah played ragtime often. Ragtime was her only real defiance. She loved it, though the older people held their ears. She played a few notes of “Ragtime Land,” and Mr. Smiley’s daughter, Brianna, tapped her foot to the rhythm of it as if she’d been wound up.

“Can I play this, Hannah? I love it.” Brianna moved her shoulders to the tune and laughed.

Hannah smiled at Anne and motioned for her to close the door. “Well, your father is terribly busy today. I don’t think he’ll hear us, and if he does happen to hear us, we’ll return to Chopin quick as a wink.”

“Rather not quickly enough, I’d say,” Anne said as she turned the lock.

“Listen to this and watch what I do. You can do it, too. It’s not that hard.”

She played Anne’s favorite, “Moonlight Bay.” Then she played all the songs that came to mind while poor Brianna tried to follow all the while saying, oh, I love this.

Andy tapped gently on the door, as he did each Tuesday and Thursday. Anne got up to let him in. He could never pick Hannah up at home anymore, not since he and Mr. Reilly had that horrible argument about Britain and the iron hand it had around Ireland.”

“Mr. Smiley thinks he’s hearing things. Doesn’t know what to make of it,” Andy said as he entered the room.

Hannah felt the blush to her cheeks, a blush he always seemed to elicit from her. “I’ll tell him I’m playing Bach; his music is a bit crazy,” she said.

“Ay, I doubt he’ll know the difference.” Andy smiled at Briana. “No offense, girl.”

“None taken, Mr. McGregor.”

Hannah caught Andy’s gaze as he stood there smiling. Then he started whistling.

“If you don’t mind ladies,” he said and he began to dance, extending his hand to Briana, who twirled around with him. No one danced to ragtime, it was near impossible, but Andy would attempt it. His brown boots hit the floor like paddles against the sea. Hannah was playing the “Bacchanal Rag,” a tune she’d learned from a player piano, and he was acting like he’d had too much to drink, comical in his effort to coordinate his steps. Briana gave up and fell to the bench, laughing hysterically. Andy finally slid to his knees before Hannah, breathing rapidly, with his hands outstretched. She swung around and tussled his hair.

“Don’t be trying out for any dance choruses, not any time soon.” She bent to kiss his cheek. “Well, look at that, the hour has come and gone.”

“Come walking with me, darlin’,” Andy said, breathless from his rollick. “I’ve never seen a finer day.” He turned to Anne. “Would you mind?”

Anne glanced his way and smiled coyly. “No, I don’t mind, and I’m prepared to tell Papa that Hannah and I knitted after Brianna’s lesson, knitted for hours. Hands still stiff from it.” She held her hands up. “That’s what I’ll tell him if you’ll buy me a palmier with Irish cream.”

Andy reached in his pocket and put a sixpence in her hand. “I’ll buy you two if you can convince him he’s a damn fool.”

Anne and Hannah laughed together. “Ay, it’s no use going to the goat’s house to look for wool,” Anne said.

The sky had burst forth with a brilliant sun, growing hotter by the minute. It had settled the earth, made peace with it. It was like the bad weather of the prior day was suddenly vanishing and, in its wake, revealed the intoxication of pale blue skies. The heat had dried the dampness and had brought the scent of lavender to the surrounding countryside.

Hannah took Andy’s hand, and they walked out toward the farms and the winding lanes of Boyne Valley. They were careful not to be seen. If word got back to John Reilly that his daughter was keeping company with a damn Irish Republican she’d be held under lock and key until the nuns took her.

“If it were up to me, we’d run off tomorrow,” he said. “But we need just a bit more money to get to America. Can you stall your Papa a wee bit more?”

“He’s got my bags packed for the convent; says I’ll be leaving next week. He can’t wait for God to take me.”

“A week is not time enough for me to get the money together,” he said.

“And how will I get out of it?” she asked. “He’s so proud of me becoming a nun.”

Determination settled in his expression like night falling. “I don’t know, Hannah, but we’ll find a way. I won’t have you disappear from my life like that.”

“I’ll be coming back and forth; I won’t be there all the time. At least not yet.”

“I could be caught kissing a nun.”

She giggled. “Oh, Andy McGregor, nuns only kiss the foot of Jesus.”

He smiled. “We could elope.”

She pushed him back. “You’ll make me a widow in a week if we do that. Papa will surely come gunning for you.”

“I say we go to America now then,” he said. “If we wait, you’ll be locked away for all time. There’s nothing your father could do if we eloped to America.” He kicked some dirt under his foot and frowned. “I hear they never let you go once you’re promised to God. We’ve got to do whatever we can to prevent that. Not that I don’t believe in those that want to worship our Lord but not you, Hannah. Pray, not you.”

“I don’t want to be promised to God,” she said. “I want to be promised to you.”

He looked at her sadly. “Can’t you talk reason to your father?” he asked. “He’s acting like the most pig-headed man I’ve ever known. If it will make him happy, I’ll never talk politics again, well, at least not in his company.”

“And will you be in support of British rule?”

“You know I cannot do that.”

“We know how you feel. Our friends know how you feel as well, but can you not lie to my Father?”

“I suppose I could.”

“He won’t let me marry you because you believe in Irish Independence and he doesn’t. Is that reasonable? He’s the one who told me that I had the calling from God, is that reasonable? Now I ask you, why would God speak to him and not directly to me?”

“I should approach him and pretend to have changed my mind. After we’re married, I won’t care what I say.”

“He’ll speak with his fists if he doesn’t believe you.”

“We’ve got to try, Hannah. You’re right. We’ve got to do something. I’ll come tomorrow night. He won’t throw me out, not if you tell him I’ve had a change of heart.”

“I won’t let him throw you out,” she said. “But do you think it will make any difference?”

Andy shook his head. “I don’t know. I’ll tell him whatever he wants to hear. If he believes me then it will be worth it.”

He pulled her into his arms. They had walked back to adjoining farms. For miles they had seen nothing but foxtail grass, blue-eyed and green. The land was covered in miles of thistle and butterwort. Only cows grazed peacefully across the hills, indifferent to everything but their own enjoyment of their effluvious field of flowers.

Andy smiled. “Before I saw that farmer there waving to us, I thought we were alone on earth.”

“I wish we were,” she said.

“Run away with me.” He spun her around. “Let’s just be done with it.”

“My father will only hunt us down. I fear he’ll put a bullet in you, or make sure you’re spending time behind bars. We must get to America as soon as we can. It is the only place we’ll be safe from my father and everybody else’s wagging tongues. Besides, America is the best place to be, isn’t it?”

“I’ll get the money,” he whispered as he kissed her mouth and she reached for him. “I’ll get it or my name isn’t Andy McGregor,” he said. “Even if I have to steal it.”

“You mustn’t,” she said, a bit startled.

“I won’t,” he said, “but I will get it.”

“You do want to go to America, don’t you, Andy?” she asked.

“Sure, I do, if it will bring us peace, sure I do.”

“I think it’s the only way we can find peace.”

“Let’s give it one more chance; let’s be smart about it. Maybe we can put an end to all this talk of the convent. Tomorrow night I’ll come by and I’ll apologize to him, tell him I’ve changed my mind about the British. I’ll lie like crazy. I’ll do anything to keep you from the nuns. Then once we’re married, I’ll call him a backwards, cantankerous old fool.”

Together they laughed as the warm winds came up behind them, and she tripped backwards. He fell beside her. They were on a hilltop that rolled softly to the grass below, and they slipped down the hill together. She landed on his belly. Their laughter was loud, as if they’d never stop. But soon, their laughter faded, and he put his hands up under her blouse. She felt her skin warm to his touch. She held him tightly and looked around.

“Do we have an audience anywhere near us?”

“Just the birds,” he said. “They are singing loudly, rejoicing in our love.”

“Pretend they’re marrying us, giving us vows, making us man and wife.”

Hannah spread her legs and lifted her skirt. She would have her lover the way she wanted him. She would have him completely. She would not be a virgin bride if God put a ring on her finger; that was for sure.

About the Author

 

Vera Jane Cook

Vera Jane Cook enjoys writing in a variety of genres. As Olivia Hardy Ray, Jane is author of the dark, suspenseful scifi novel, Pharaoh’s Star. In the fantasy genre she is the author of Annabel Horton, Lost Witch of Salem, Annabel Horton and the Black Witch of Pau. She has numerous forthcoming titles in this genre which include Annabel Horton and the Demon of Lodun, Fox Hollow and Nobody’s Road.

As Vera Jane Cook, she often explores her southern roots and complex family dynamics in her women’s fiction. Her novel Dancing Backward in Paradise won the Indie Excellence Award for notable new fiction when it was first released in 2007 and an Eric Hoffer Award for publishing excellence that same year. Dancing Backward in Paradise received a five-star review from ForeWord Clarion. The Story of Sassy Sweetwater, first released in 2012, was a finalist for the ForeWord Clarion Book of the Year Award. Additionally, Jane has published the southern fiction novels Where the Wildflowers Grow and Pleasant Day. Her newest women’s fiction novel, When Hannah Played Ragtime, Book One in a family trilogy will be published this year.

Jane lives on the Upper West Side of Manhattan with her spouse, her Dachshund, Karly, her Chihuahua, Peanut, and her two pussycats, Sassy and Sweetie Pie.

Contact Links

Website

Facebook

Twitter @verajanecook

Blog

Goodreads

Pinterest

Instagram

Purchase Link

Amazon

a Rafflecopter giveaway

RABT Book Tours & PR

Comments Off on The Fourniers Tour

Filed under BOOKS