Taking Time Tour

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Book 1, Physics, Lust and Greed Series
Humorous Science Fiction
Date Published: June 15, 2020
Publisher: Acorn Publishing
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The year is 2044. Housed in a secret complex beneath the eastern Arizona desert, a consortium of governments and corporations have undertaken a program on the scale of the Manhattan Project to bludgeon the laws of physics into submission and make time travel a reality.
 
            Fraught with insecurities, Marshall Grissom has spent his whole life trying not to call attention to himself, so he can’t imagine he would be remotely suited for the role of time travel pioneer. He’s even less enthusiastic about this corporate time-travel adventure when he learns that nudity is a job requirement. The task would better match the talents of candidates like the smart and beautiful Sheila Schuler, or the bristle-tough and rattlesnake-mean Marta Hamilton.
 
            As the project evolves into a clash between science and corporate greed, conflicts escalate. Those contributing the funding are mostly interested in manipulating time travel for profit, and will stop at nothing, including murder, to achieve their goals.
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EXCERPT

 

A HARD ROW TO HOE

October 2044
Global Research Consortium Projection Laboratory

“So, do you think they’re telling us the truth why some of the lemmings didn’t survive?” Sheila Schuler whispered from the side of her mouth.

“The . . . what?” Marshall had to replay Sheila’s comment one time before he could muster the concentration to make sense of it. As he scanned the computers, lights and lenses while he absorbed stares of scientists, engineers and technicians, though, a single thought consumed him.

We should have practiced naked.

The one time he’d suggested it, several female scientists and computer techs scowled as if Marshall personified the lowest bundle of perverse male hormonal scum on the planet.

The smart guys who represented the conglomeration of competing interests pursuing time travel had considered the question. Would nudity create such a distraction at a critical moment that the mission might be jeopardized?

Marshall recalled a couple of scientists insisting that, just as when the astronauts took man’s initial steps into space, everything should be rehearsed in precise detail. Every conceivable circumstance should be anticipated and practiced.

Within the Wormhole Project, Marshall now realized, this philosophy represented a distinctly minority position. Training is fine, conceded the folks putting up the money. As representatives of the various governments and corporations pointed out, however, unlike the swashbucklers over at the Light Speed Project, travelers here at the Wormhole Project didn’t fly anything, navigate anywhere, or even push any buttons. They only needed to stand there and live long enough to describe the experience.

As for nudity, any male who suggested some of the rehearsals should take place in the buff suffered an unspoken accusation that he just wanted to ogle a naked woman.

“The lemmings?” Marshall asked, shifting his gaze from computers and cameras to look directly at Sheila. He did his best to concentrate on her eyes, making a futile effort to ignore the spectacular and unambiguously nude body below her chin.

“It doesn’t bother you?”

“Um . . . but . . . but why would they lie?”

Sheila gave a quick shrug, which resulted in a corresponding jiggle.

Marshall understood unequivocally. They should have practiced naked.

Until this moment, with the platform beneath him beginning to hum and a plasma sort of ooze crawling across giant mirrored metal globes to each side of them, Marshall counted on the historical gravity of the occasion to block the male animal’s primordial response to the female body. He might have been okay if Marta Hamilton was the only naked lady he had to try and ignore. Attractive in her own way, Marta was relegated to something like optical background noise compared to Sheila. And none of Marshall’s carefully nurtured best intentions would pass this test.

When that awkward moment arrived for the six travelers to remove their robes, the men hesitated. Sheila and Marta exchanged an eye roll, shed their garments and stepped under spotlights illuminating the projection platform. Marshall felt his first warning tingles at the sight of Sheila from behind. When she turned to face the room, though, she eclipsed all the technological wonders surrounding them. Marshall took his place beside her, aware that he was doomed.

That’s when Sheila asked about the lemmings.

The first-time travelers were two lemmings wearing sensors and miniature video cameras and recording and tracking devices built into their tiny collars. The scientist’s first choice as test subjects had been dogs. Dog lovers among the technical staff had objected, though. Which set a precedent, and the scientists were forced to seek popular approval for the choice of test subject. The only two creatures to which staff people had no objections were lemmings, which are suicidal anyway, and African tree frogs. Because an African tree frog has nothing in common with mammalian anatomy, and because the collars kept slipping off over their little heads, the scientists went with lemmings.

When the scientists waved their wands and pushed their buttons, the lemmings went away—somewhere. The scientists waited a while, pushed the buttons again, and the lemmings returned. The fact of their decapitations, though, dampened any sense of triumph. Both lemming bodies and lemming heads were present, albeit neatly disconnected. The collars were conspicuously absent.

The second time around, someone suggested the issue, rather than fine-tuning all the calibrations and power settings, might be the collars. They put the instrumentation into lemming vests. This time a head and four legs were all that reappeared. So, the scientists said screw the popular sentiment and went with their original second choice, pigs. The pigs worked out better only because the researchers could barbecue the leftovers.

Finally, they attempted a projection without vests or collars. Both lemmings and pigs returned in good health. The process of time travel, though, acquired a completely unanticipated complication.

“N-naked?” one female traveler candidate stammered when Naomi Hu, the project’s chief medical officer, made the announcement.

“That is correct,” Naomi said, “Our physicists now believe only living organic matter can be transported through the wormhole. We can’t send devices crashing around through time and space to record things remotely. We can’t write notes to ourselves to warn of some impending doom. We can only project a living, breathing being, showered and scrubbed free of inorganic matter. And is completely naked.”

“In front of . . . people?” another weak query sounded from somewhere behind Marshall.

Half a dozen female candidates decided they could not abide the nudity and transferred to alternate duties. Marshall considered his options. None of the other male candidates appeared particularly concerned, though, so he felt he could not withdraw without seeming prudish or cowardly. And in truth, Marshall felt he could ultimately deal with the danger. He couldn’t, however, abide his fear of making a mistake that might jeopardize someone else.

Not to mention his other problem.

 

About the Author

Mike Murphey is a native of eastern New Mexico and spent almost thirty years as an award-winning newspaper journalist in the Southwest and Pacific Northwest. Following his retirement from the newspaper business, he and his wife Nancy entered in a seventeen-year partnership with the late Dave Henderson, all-star centerfielder for the Oakland Athletics, Boston Red Sox and Seattle Mariners. Their company produced the A’s and Mariners adult baseball Fantasy Camps. They also have a partnership with the Roy Hobbs adult baseball organization in Fort Myers, Florida. Mike loves fiction, cats, baseball and sailing. He splits his time between Spokane, Washington, and Phoenix, Arizona, where he enjoys life as a writer and old-man baseball player.
 
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Sneasy the Greasy Babysits Abigail Blitz

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Children’s Book

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Kind and gentle Abigail Gold needs a babysitter. In walks Sneasy the
Greasy. He wheezes, he sneezes and his hair is full of greases! But during
an afternoon with Abigail, Sneasy learns the meaning of true friendship,
honesty, and a life free of grease.

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 About the Authors

Michelle Birdsong is a songwriter and author, having worked with her late
husband Edwin on his albums ‘What it is” and “Super
Natural’. Michelle lives in NYC, finding the electric creativity of
the city streets mirrors her  neverending imagination. And she loves
collaborating with her daughter.

Robin currently lives in Hawaii, where the endless Summer light fills her
daydreams with stories. And she loves working with her Mother.

 

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The Dark That Dwells Blitz

 

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Science Fiction

Release Date: July 10, 2020

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THE DARK THAT DWELLS is a debut space opera novel featuring an
unforgettable ensemble cast, planet-hopping across an expansive galaxy on
the brink of war.

The story unfolds through the viewpoints of four characters: SIDNA ORIN, a
mercurial young arcanist, striving to gain the lost knowledge that could
save her people. FALL ARDEN, honorable sword-for-hire, working as a guide on
a dangerous expedition into an unexplored frontier. BAN MORGAN, disgraced
marine wielding high-tech weaponry, chained by remorse and the ghosts of his
past. TIEGER of WESTMARCH, fanatical zealot, empowered with the seemingly
divine technology of his overlord and a starship feared across
generations.

THE DARK THAT DWELLS holds virtual worlds lost in crystal relics, visceral
close-quarters combat, mysteries of the divine and the arcane, companionship
and bittersweet romance, insidious deception, and the looming threat of a
horror who hungers for the souls of mankind.

This story is essential for readers craving robust, character-driven
adventures on fantastic alien worlds, bullet-ridden spaceships barely held
together, and the expansive infinity of space-time itself.

 

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About the Authors

Matt Digman is exactly one half the creative force behind the epic fantasy
space opera novel, The Dark That Dwells. Born and raised in Arkansas, he
spent his free time studying Star Wars technical manuals, searching for his
next favorite RPG, and watching his Star Trek: TNG VHS tapes until they fell
apart. Basically, he was nerdy when nerdy wasn’t cool. He currently
works as a pediatric emergency medicine physician in Alabama and writes when
he ought to be sleeping.

Ryan Roddy grew up across the southeast, chasing her dream of becoming a
professional actress. Though she eventually traded the stage for a
stethoscope, she never gave up her love for great storytelling—or for
playing dress up as an adult. Now she works as a pediatric emergency
medicine physician to afford her cosplay and Disney obsessions. She loves
the characters she’s written for The Dark That Dwells with her husband
almost as much as she loves him and their four dogs.

 

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ZON Tour

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(Can be read as a stand alone)

Young Adult – Science Fiction – Adventure

Date Published: June 22, 2020

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From USA TODAY bestselling author, Maureen A. Miller, comes this young
adult cosmic adventure.

 

With a father from the planet, Ziratak, and a mother from Earth, Zon’s
challenges are galactic. Zon doesn’t possess superpowers, though. If
anything, he’s a bit of a klutz.

In Ziratakian folklore, the tale of the Temple of the Monarch has been
passed down for generations. As legend has it, a series of miniature globes
lead to the temple’s gate.

Folklore…nothing more.

Except, Zon knows of a cave with small globes in it. And with one clumsy
mishap, he triggers the gate–opening a portal to other worlds.

A trip through this vortex transports him to Earth, where the first human
he encounters is a young woman with challenges of her own.

 

This is a brand new saga, and a new generation. There is no need to read
the BEYOND series. However, for readers of the series, you will enjoy this
continuation of the epic science fiction adventure.

Excerpt 

 

Zon picked up on another sound. Hoofsteps. Footsteps. The tread of some unimaginable creature.

He spun, confused by the acoustics. As he swung back, he distinctly heard the approach from his right. Wrenching the utility beacon off his belt, he retreated a step towards the whirling shadows in the grove of trees.

A creature crested the hill, it’s blue beak the first thing visible.

“Oh!” It cried, lifting its head and freezing.

Zon swallowed, his legs paralyzed between flight and fight. 

“You scared me,” a soft voice claimed. “I’ll just–go–”

The blue beak pivoted, although now he recognized it wasn’t a beak at all. It was a headpiece of some sort. The word eluded him, but he remembered seeing one before. 

“Wait,” he called.

The figure halted, but did not look back.

“You speak–” he hesitated, assessing the slight profile, “—English?”

The hat snapped back and brown eyes narrowed under the shade of the brim.

Baseball hat! That’s what his mother called it.

“Uhh, yeah.” 

The figure cocked its head.

She.

Not it.

He was pretty sure it was a female, but the slim figure was cloaked in oversized garments, and the long hair was pulled back by a twine, which was something the males on Ziratak did.

The brown eyes slid down his body.

“Your pants are moving,” she observed with a slight blush.

A nagging thump against his thigh alerted him that JOH was trying to get out. Zon slapped his hand down to still the motion.

“It’s just my droid.” He shrugged uncomfortably.

“Droid? Oh, your drone? Were you flying it?” 

Her head tipped back and he saw a pale throat.

“Good day for it,” she murmured, and stared curiously at him.

English.

She was talking to him in English.

And she looked mecaw–human.

Zon took another glance around, hoping that his body eclipsed the swirling portal behind him.

“Is this Earth?” he asked, searching the trees, but not seeing any buildings.

The girl’s eyes flared in alarm. She stumbled backwards. 

Inside his pants pocket, JOH demanded attention, his incessant vibration driving Zon crazy. He pulled open his pocket to give the droid a stern look. JOH’s animated face was replaced with a string of text.

This IS Earth!

Childhood alarms registered in Zon’s mind. The last time he came to this planet he was quite young. But he remembered his mother’s caution.

Don’t say you’re from another planet.

Most of the people on Earth don’t know much about intergalactic travel. They don’t know about life in other galaxies. And what they don’t know–scares them. 

Remember, you are half Earthling

On Earth your name is Jon. It is for your protection.

Half Earthling.

All that it meant was he was a Gorzot…again.

Encouraged that the female hesitated in her flight, he tried for a more reasonable approach.

“Umm, just kidding,” he fumbled. “I’m not from here.” Where’s here? “I’m visiting.”

A tentative glimpse over her shoulder, and the woman–girl–she looked young–more like his age–finally turned back to face him.

“I can tell.” 

He felt awkward under her probing gaze, but he always felt awkward when anyone looked at him for too long.

“How can you tell?”

 About the Author

USA TODAY bestselling author, Maureen A. Miller worked in the software
industry for fifteen years. She crawled around plant floors in a hard hat
and safety glasses hooking up computers to behemoth manufacturing machines.
The job required extensive travel. The best form of escapism during those
lengthy airport layovers became writing.

Maureen’s first novel, WIDOW’S TALE, earned her a Golden Heart nomination
in Romantic Suspense. After that she became hooked to the genre. In fact,
she was so hooked she is the founder of the JUST ROMANTIC SUSPENSE
website.

Recently, Maureen branched out into the Young Adult Science Fiction market
with the popular BEYOND Series. To her it was still Romantic Suspense…just
on another planet!

Find more about Maureen at www.maureenamiller.com

 

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Undercover Goddess Tour

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Book 1 of the No Boundaries Trilogy

Fantasy

Date Published: July 24

Publisher: Blue Fortune Enterprises LLC, Lavender Press

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 In 2400 BCE Crete, 18-year-old Mave keeps the old spirituality alive,
primarily through her clay chips and the symbolic images she paints on them,
the original runes. She falls in love with Tear, a semi-divine being born
both male and female, and finds an ally in Inna, a former holy prostitute
kicked out of her communal home. The Gigante from the northern tribes marry
the holy prostitutes then replace the Goddess of the temple with a Sun God
who loves order and lighting bolts. Girls and women, formerly revered
stand-ins for the Goddess and her creator, the cave-dwelling Ssha, either go
underground with their beliefs or find a way to fit in the new culture. As
it turns out the old ways of the Goddess had its flaws, and this creates the
opportunity for the Gigante and their sun God to move in.

 

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Excerpt from Chapter Two:

After dining on field greens and parsnip, Mave watched the sun’s glow fade from gold to pink then the violet of dusk. Soon the people in her village would leave their homes and roam the foothills of Ssha Mountain while the veil between worlds thinned. Some would have visions and some would not, but all would experience straddling two worlds, like standing in two rivers at once. 

Mave felt safe at the kitchen table, even with the dark closing in on her. The kitchen walls were thick with Anta’s spells, keeping Mave and her mother protected. Feeling brave, Mave leaned her head out the window and counted falling stars, numerous this time of year. Then she searched for her constellation, the Crone, a figure in a flowing cape poised between worlds. What it really looked like was a straight line of bright points with a spray of more glittering lights off its back and a bright star at both top and bottom. On the other side of the sky, Mave found the Traveler, her rising sign, a group of stars that seemed to have legs jutting out of it.

Her reverie was interrupted by the brisk sound of hooves clattering into the yard and her mother shouting even before she dismounted. 

“Mave! Where are you?”

Too tired to run, Mave rose from the table and struck a piece of flint on the stone floor and lit a candle. She jumped as her mother’s boots stomped down the corridor to the kitchen.

“There you are,” her mother said, her voice booming off the walls of the kitchen. She strode up to Mave and pressed her palms against her eyes, and Mave’s sense of safety dissolved. She fought not to scream.

They parted, and Audria stood with her hands on her hips, her eyes flashing like sparking coals hot enough to melt frankincense resin. Mave tried to think of an escape, but her thoughts fled as her mother’s look skewered her to where she stood. 

“Draw near, my girl, I have a story to tell. Void, I’m hungry. Any food?”

Mave prepared a corver of cold greens and parsnip and placed it in front of her mother.

“Sit,” her mother said.

Mave sat.

“I took a little trip today,” Mave’s mother said.

“That’s nice.” Mave looked away.

“Don’t you want to know about it? It concerns you,” her mother said. “And the Ssha.”

“Me and the Ssha?” Mave asked, her voice squeaking out. She sat back in her chair and folded her arms. “Tell me if you want. I don’t care.”

Audria patted the scrolls on her back. “Have a sniff,” she said, cocking her head toward the scrolls. “You can smell the Ssha.” 

Mave leaned forward, took in a huge breath and fell against her chair back in a coughing fit. “You tricked me,” she said, rubbing her nose. “It smells like the latrines.”

“Lime,” her mother said, and put her nose in the scrolls and took a deep a breath as though they were a bouquet of roses. “Reminds me of when I was a girl, and they lived among us.”

“What do the scrolls say?” Mave asked.

Her mother lifted the sling holding the scrolls off her back. “There are prophecies about this time, when the sign of the Tromper with his ax and scale begins to rise in the east, his bright stars blocking out Venus. We’ve always thought of the Tromper as a kind of joke. A man in charge? No one could take that seriously. But today I saw something in your chart that changed that.”

Mave sat silently. They’d been through this before. Audria would discover some awful thing in Mave’s chart, go crazy for a while, and then realize she’d made an error in her celestial calculations. She never made mistakes with anyone else’s chart, only Mave’s.

“Don’t you want to know what it is?” her mother asked.

“Whatever.” Mave traced a crack in the table with her finger. 

Her mother leaned toward Mave and took her hand in hers. Mave pulled her hand away.

“Listen to me,” her mother said. “Something is about to happen, and I think you’re a part of it.”

“Oh, mother, please, not again. Just last month you saw an earthquake coming in my chart, due to hit a week ago, and look, I’m still here. Nothing happened.” Mave turned her head to listen to the villagers singing as they left their homes for the hills. “And what about Be’s warning that you promised to give the people?”

Audria listened to the singing, looking both dreamy and excited. “I have to go soon. The initiation’s about to start.” She laid her hand on the smelly scrolls. “We’ll talk about these tomorrow. And about Be’s warning…” She paused. “How did you know about that?” 

The singing grew louder. Something rose up in her mother and, to Mave’s eyes, rippled along her skin. 

“Stay in tonight,” Mave said, pulling on her mother’s arm as she rose to leave, the soft singing passing by their house. “Stay with me instead of going into the dark.”

Audria looked at Mave as though she didn’t know her. “Another time,” she said, and blew out the candle. “Tonight is an initiation.” 

Her mother left then, running out of the door into the night. Mave started out after her, lead on by the full moon and its light, but stopped a few yards from the door. Like a dog, her hackles rose. The breath of the spirits whooshed on her neck. She ran back to the house and at first could not find the door. She slapped the stucco as though blind and moved from one end of the stone wall to the other, trying to find the door. She fell inside, panting, and crawled into the tiny room where Anta kept clean cloths. There, she curled up into an old cape of Anta’s and fell asleep.

About the Author

Karen Cavalli, née Lound, writes fiction and non-fiction. Her work
has been published online and in books. Her work has won awards including
Outstanding Secondary Science Book. She is a graduate of Old Dominion
University where she earned a B.A., and The University of Alabama’s
MFA in Creative Writing Program where she studied with Margaret Atwood. She
has worked in technology for over 10 years. She taught a writing course on
the topic of psychological descent at the University of Minnesota and in
North Carolina. Her work in technology has taken her to India and China and
allowed her to work with individuals in Mexico, the United Kingdom,
Australia, New Zealand and the emirate of Dubai. She loves her local Savage
library and volunteers there. She can be contacted at
kcgoodguide@gmail.com

 

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