Tag Archives: Contemporary Fiction

THE COLOR OF PAIN – PROMO BLITZ

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Contemporary Fiction
Date Published:  March 2016
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As a small boy, Alex becomes ensnared in the schemes of his mother, Cathlean, as she seeks to entrap a white British soldier, John, and “marry up” to improve her status in life. Her plan comes to fruition when John becomes obsessed with his black wife, marries her, then takes her and her son away from her native country of Belize to live in England. Cathlean becomes the society woman in England but begs her husband to return to Belize so she can show off her new status to her friends and fellow “good-time” girls. They return ten years later, but an unhappy Alex seeks solace in the arms of Sherrette. They fall head over heels but soon find their own problems as fast-paced revelations affect their fragile relationship. Told in a first-person view of life in Dangriga, Belize, young Alex’s story reflects on the color of his pain as he seems to bear the brunt of Cathlean’s selfish brand of pain that she calls love.
Excerpt

 

Prologue
Present-Day Dangríga
Stann Creek District
Belize, Central America
Friday night, and the plain pine coffin stood on three unpainted sawhorses in the middle of the floor. Mourners murmured among themselves as they gathered under the white tent and stood directly in front of the coffin looking down at the almost angelic face of the deceased. A copper penny had been placed on top of each of the deceased’s eyelids in true Garífuna fashion. The toes of the new white socks had been attached together with a shiny safety pin; that too was a Garífuna tradition, origin unknown. The copper pennies were vaguely representative of the “toll” that the dead would have to pay to get a pass from Saint Peter into heaven. Yes, you couldn’t always tell, but Garífunas, one of which the deceased was, believed in heaven, hell, and an afterlife.
Sure, they dabbled in Obeah, the Belizean-African system of spells, hexes curses, and magic, and they regularly participated in Dugú, a voodoo-like healing ritual, in the Dabúyabah (Temple) to appease the spirits, but they wanted to make absolutely sure the deceased paid their way into heaven. They, functioning in the shadowy, dual world of Christianity and spiritualism, wanted to make sure that all bases were covered, just in case the deceased needed help to get to meet their maker.
Directly to the right of the coffin sat a woman in a wheelchair, a tragic figure, her head bent and sobbing or at times wailing and cursing at God, blaming him for the loss of the deceased. An average, nondescript gentleman stood awkwardly behind her, talking soothingly to her, rubbing her shoulders and back, trying in vain to comfort her.
Another male, this one a stranger, stood near the inside entrance of the tent, shuffling from one foot to the other, twisting a beat-up brown fedora between gnarled hands. He seemed ill at ease, reeking of marijuana and rum; he too was sobbing pitifully. Some people whispered to each other, wondering who he was, what his connection to the deceased was, and why he was there, but nobody was brave enough to ask him. The few who knew who he was would not satisfy the curiosity of those clueless to his identity.
To complete the tableau of mourners, near the front, just to the left of the coffin, was a young girl of about fifteen or sixteen years of age, beautiful but clearly wracked with sorrow, with head bowed as she shrieked in agony. You could tell from looking at her that she was hugely pregnant, like she was about eight and a half months along. Many of those present wondered whether she would last through the funeral or if she would have to be rushed to the hospital even before the night was over. She was quite literally “ready to pop” and deliver her baby, but some were reassured because they saw that Mamma Graciela, the local midwife known for her magic fingers and calm demeanor, even in breech-birth situations, was in the crowd. They were confident that she would be able to handle things or whatever complications would arise.
A local band kept a lively flow of Punta music and other favorites going; people were nodding their heads and shaking their bodies to the sounds, even the non-Garífunas: Kriols, Indians, Spanish, or gi-yows as they were called. Papa Deuce had his card table set up in a corner and was doing a brisk business at four different tables at a dollar buy-in; one table was dedicated to the dice game “under or over,” the second to five-card Pitty Pat, the third to checkers, and the fourth to a cutthroat game of dominoes, or “bones.” The domino table drew the largest crowd as gleeful players loudly yelled “Domino!” as they slapped winning tiles to the appropriate end of the domino board.The louder the slap at the placing of that final tile, the more in-your face the win and temporary bragging rights until that winner was taken down by the next challenger, and so on. Marty, the most recent winner, taunted Louis as he slammed the winning domino tile down.
About the Author
MELISA E. ARNOLD was born in Dangriga, Belize, Central America, and has been writing stories since she was a young girl. Her family says she always created stories and always won essay-writing competitions in school. She is a thrice-published poet but has always felt that she had at least “one great novel” in her that needed to be written. This book is the result of her collaboration with fellow Belizean expatriate Alexander Cassanova, with whom she discovered she had much in common as they make their way in their new country of residence, the United States of America. Ms. Arnold resides in Los Angeles, California.
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Ms. Money Blitz

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Contemporary Fiction, Women’s Fiction
Date Published:  November 2016
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If you’re a serious investor, you’ve seen ‘Ms. Money’ on TV. She’s a regular on Smarter Than The Street, the financial markets broadcast whose Neilsen ratings are off the chart. When she’s not on camera, Margaret M Worth is Chief Investment Strategist for nationwide money manager Traub Securities. Learn how the woman who majored in Holy Orders and planned to work at a mission school in Guatemala became a Wall Street guru.
After making a fortune in merger and acquisitions, losing it on the dot.com blow-up and winning it back with decidedly insider information, she is ultimately victorious in the men-only survival-of-the-fittest world of Wall Street, owing to her mantra–“Sex is the ultimate medium of exchange!” But she becomes disillusioned with the Midas touch, and when a Presidential appointment sends her into the inner sanctum of the monetary blowup at the New York Federal Reserve on Maiden Lane, she gets in touch with the real Maggie, discovering genuine self-worth. Experiencing the Financial Crisis first-hand, she witnesses the titanic conflict between the Kings of the Street and the Feds who want to rule them. Will her new found self-reliance be rewarded? 
Excerpt

 

“Now you’ve seen how I became Ms. Money, a highly paid financial strategist and TV stock market commentator with a bank account to die for. I took off my clothes, so to speak, and bared it all. I have two children who are worth more to me than anything in the world. Even more important you now know that the hero of my story is a woman. She is neither slave girl, nor princess, as central casting would have it. She knows that women can be heroes not heroines. And she knows what she has to do to become one. What I am is a woman who understands the heroism of being a woman. I’m ready now for grueling arduous conflict. But please pay careful attention because my struggle is a woman’s. Fire-breathing dragons have been extinct for centuries.”  ― T.L. Ashton, Ms. Money
 
About the Author
TL Ashton wrote investment strategy at Prudential Securities, Salomon Brothers, U.S. Trust, TD Ameritrade, and other Wall Street firms before switching to fiction about what goes on in them when financial crisis strikes. The Madonna Model, by the same author will be published early next year.
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BLITZ -THE BEST OF FAMILIES – HARRY GROOME

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Contemporary Fiction
Date Published:  May 2016
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The Best of Families is the revelatory midlife memoir of a Philadelphia socialite, Francis Hopkinson Delafield. Uncomfortable with the mores of one of the city’s oldest families, Fran begins his story the summer after he graduates from prep school, when he dutifully marries his pregnant French Canadian girlfriend only to have her disappear within months of their marriage. Disillusioned and angry at the whole world, Fran quits college and enlists in the army. He is badly wounded in a war that no one seems to know or care about, and upon returning home from Vietnam, he is confronted with navigating the roiled waters of a second marriage while both his parents and his wives hold secrets that alter his life forever.
Praise for The Best of Families:
“With wit and compassion, The Best of Families captures perfectly the floundering of WASP society at mid-20th century. Trapped in the empty rituals of an upper crust that is well past its sell-by date, young Fran Delafield struggles to free himself from family and tradition. Love, the war in Vietnam and fatherhood turn out to be his path to an authentic life, and his salvation. Harry Groome interweaves romance and tragedy in this lively, evocative novel.” — Rebecca Pepper Sinkler, former Editor of the New York Times Book Review
 
“…a heartfelt, captivating read, packed with familial politics and strife.” — Kirkus Reviews
 “A wonderful, fascinating, tragic and ultimately redemptive story that begs to be told.” — Ellen Lesser, author of The Shoplifter’s Apprentice
 
“Not only is The Best of Families a page-turner, but the story truly moved me, and haunts me still.” — Chase Twichell, author of Horses Where the Answers Should Have Been: New & Selected Poems
 
 “…a great read that makes a convincing and timeless case for the power of the individual—the power to build your own happiness out of the unwieldy materials you’ve been handed.” — David Ebenbach, author of Into the Wilderness
 
“One of the great pleasures of life is a good book that tells a story so compelling that when you put the book down, you can’t wait to pick it up again. For me, The Best of Families is such a book…(it) blew me away with its believable razor-sharp dialogue and compelling plot…” — Len Lear, editor, the Chestnut Hill Local
Excerpt
My Family; Our Story
Mark Twain once wrote, “In Boston they ask, how much does he know? In New York, how much is he worth? In Philadelphia, who were his parents?”
As a Philadelphian I’ll answer that provocative question this way: My name is Francis Hopkinson Delafield Jr.—Fran to most everyone—and I was born into one of the city’s oldest families, a family of Social Register–registered blue bloods who were born on third base but thought we’d gotten there by hitting a triple. Without a doubt, we Delafields are a nest of good old-fashioned WASPs: unimaginative, out-of-touch, sporting Bermuda shorts, bow ties, and Capezios…well, the list goes on and on, but I think old Mr. Twain would get the picture. And, although it goes well beyond what he asked, of course we’re all products of private school educations. Every entitled one of us.
What’s more, having learned how my connection with my parents—I don’t know the proper term for it: biological, cultural, spiritual, genetic?—has shaped my life, I understand why my sister, Heather, always says that everything that takes place in our parents’ circle of friends is tribal. And over time I’ve gotten a better grip on why it’s easier for them to stay rooted in the past than to face the changes the future might bring, certainly the kind of changes that I’ve forced my parents to accept.
Heather also was the person who thought it would be a good idea for me to confront my past rather than sweep it under the rug the way I do most things. Write it all down, is what she said—hence this midlife memoir, or whatever you might choose to call it. She thought it might help me understand, maybe even help me forgive, a lot of what’s happened in our family, and from this I guess you can tell that, as uncomfortable as parts of this will be for me to tell, Heather thought it might heal some old family wounds, maybe even help me learn some things I needed to know.
So to begin, a little bit of background.
In 1941, just before my father went off to the war, we moved to 1212 Poor Richard’s Lane in Chestnut Hill, to a cinderblock-and-glass house that Dad had designed and which Mom and he have ever since referred to as “Twelve-Twelve,” as if it were a Newport mansion or a building of similar historical significance. With the 23 trolley clanking up and down its cobblestone main street, Chestnut Hill, both fashionable and unhurried in its pace, could easily have been a Hollywood set, even a Norman Rockwell Saturday Evening Post cover. It was there that Mom saw our family as members of the “impoverished aristocracy” and viewed herself as one of Philadelphia’s grandes dames. And, after the war, it was where she and Dad entertained their well-heeled friends, rolling back the worn rug in the living room and drinking and smoking and dancing into the wee hours of the morning to the big bands—Benny Goodman, Glenn Miller, Artie Shaw—as though they never again would have a care in the world.
But Twelve-Twelve is more than just a place where my parents entertained. It’s where Heather and I grew into our teens, doing pretty much everything that was expected of us. Maybe even a little more. Heather was a high-honor student, president of her class, and captain of the field hockey team at the nearby girls’ school. I started at the local day school for boys but, after eighth grade, went away to the Episcopal School in New Hampshire, just like my grandfather, father, and Mom’s brother, my uncle Robert Peltier, had before me.
I think that’s enough history and will begin my story in 1955. I was eighteen, had just graduated from Episcopal, and was on my way to a summer job in Quebec with my closest friend, Potter Morris. As you will see, this trip, as brief as it was, set the cornerstone for all that follows and altered my life forever. Please know that many of the revelations that I uncover here—several of which my family have jealously kept secret from the outside world—may come as a surprise to you because a number of them aren’t exactly what you’d expect of a family like mine.
Francis H. Delafield, Jr.
September 1968
 
About the Author
Harry Groome is the author of the novels Wing Walking and Thirty Below and the award-winning Stieg Larsson parody The Girl Who Fished with a Worm. Harry was a finalist for the William Faulkner Short Story Awards and has been nominated for the Pushcart Prize. His short stories, poems, and articles have appeared in dozens of magazines and anthologies, including Gray’s Sporting Journal, Ellery Queen’s Mystery Magazine, Descant, and Detroit Magazine. He is a graduate of the University of Pennsylvania and holds an MFA in Writing from the Vermont College of Fine Arts.
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