Tag Archives: Historical Fiction

The Helmsman of Anthesis Reveal

The Helmsman of Anthesis cover

 

Historical Fiction

Date Published: March 12th

Publisher: Acorn Publishing

William Sukara, a gregarious dreamer, emerges from the 1950s an estranged son.
In divorce debt and with limited visitation rights as a father, he searches
for order in failure. Pursuing self-discipline as an answer, he enlists in the
Navy, volunteers for underwater demolition team training, and survives the
elite course.

With five other team members, he raises his hand for a clandestine mission,
knowing only that it’s a “hundred day operation in a warm climate.” They
are led by a mysterious civilian who alludes that their authorization comes
from the Oval Office, and they are to operate with extreme malice. They
revolt, escaping under bizarre circumstances.

 

The Helmsman of Anthesis is a raw, close to the nerve, psychological
thriller about a mission gone wantonly mad.

 

About the Author

At age twenty, Lee Hodiak joined the Navy and spent most of his enlistment
attached to Underwater Demolition Team 12. After serving, he joined the San
Diego Police Department but realized he needed to follow his passion for
wilderness travel and adventure instead. He went on to backpack the Baja
California Peninsula, built a thirty-six-foot sloop, and lived in Australia
for twenty years.
Now a resident of Central California, Lee enjoys
birdwatching and living by the ocean. Sixty years in the making, The Helmsman
of Anthesis is his debut novel.

 

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Boy Altared Reveal

 

Boy Altared cover

 

Historical Fiction

Date Published: April 1, 2026

Publisher: Acorn Publishing

 

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Amid the vibrant landscape of San Francisco in the late 1960s,
eleven-year-old Jamie steps into the confines of a dark confessional booth.
With promises of confidentiality, Father Nelson uncovers a chilling secret
buried deep within the young boy’s subconscious.

Intrigued by his grave past, Father Nelson brings him into the church as an
altar boy under the mentorship of Harry, an older acolyte. The priest quickly
gains control over Jamie, using the boy’s complicated history and his
own undisputed authority to initiate a dark turn in their relationship. Jamie
falls deeper into the world of religion, and his blooming friendship with
Harry becomes a needed distraction from the somber realities of the church.

Shaped by major cultural events, from the Manson murders to the moon landing,
to Woodstock and the Civil Rights Movement, Jamie’s life unfolds as he
navigates religion, power, and loss of innocence. A haunting coming of age
story, Boy Altared explores a seismic shift into adulthood during one of the
most turbulent decades in history.

About the Author

J.S. Pavoggi

 J.S. Pavoggi was born in 1957 and raised in Phoenix, Arizona, the sixth of
eight children in a devout Catholic family. He attended parochial school,
served as an altar boy, and came of age during the turbulence of the Vietnam
War era and the cultural upheaval that followed.

After a 40-year career in public service with the United States Postal
Service—where he also served as a union representative—Pavoggi
experienced a life-altering heart procedure that changed the way he saw the
world. What began as an impulse to write a better streaming series evolved
into a powerful, fictionalized account of survival and healing.

His debut novel, Boy Altared, is a deeply personal work of historical fiction
rooted in memory, silence, and resilience. Pavoggi lives in Arizona with his
wife of 38 years. They have three children and four grandchildren.

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The Brothers Brown, Part 2 Virtual Book Tour

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The Brothers Brown, Part 2 cover

 

for the sake of family

 

Family Saga, Historical Fiction, Native American

 

Date Published: 12-01-2025

 

Based on a true story.

 

Set in the late 1890’s, The Brothers Brown – a family saga, Part 2 – For
the Sake of Family is a sweeping frontier saga of love, guilt, and redemption
– an unflinching portrait of a man’s descent into madness amid the
unforgiving wilds of Indian Territory.

When Matt Brown boards a northbound train, he carries more than a pistol. He
carries the weight of his brother’s death, a marriage strained to its
breaking point, and a conscience at war with itself. A doctor’s brown
vial of medicine offers fleeting relief but soon draws him into a darker world
where pain and guilt blur into something far more dangerous.

His wife, Milla, proud and rooted in her Choctaw heritage, stands as both his
anchor and his judge as the world around them shifts under the weight of
change and loss.

From Fort Smith, Arkansas, to the wooded banks of Bokchito Creek, two families
are bound by tragedy and love, vengeance and mercy. A celebration meant to
heal ignites old resentments. A family gathering ends in bloodshed. And a
winter dance turns deadly, forcing each to face the cost of survival,
forgiveness, and the ties that bind them.

Steeped in the spirit of the Choctaw Nation and the rough mercy of the Old
West, For the Sake of Family is a haunting tale of madness, murder, and the
fragile hope that redemption can be found on the far side of ruin.

The Brothers Brown, Part 2 tablet

EXCERPT

In his mind, Matt watched the pain in his young wife’s eyes drain straight down to her soul. 

It’s my fault that she doesn’t trust me, he realized. And she had a point. A secret is the same as a lie. And the truth is, I tried to hide my past from her. For a seventeen-year-old woman, she sure is wise. I guess that’s the Choctaw blood in her. And she stayed with me. That must be from her upbringing, too.

Milla’s strength ran deep, drawn from her heritage and her grandmother, Granny Sukey, a woman who carried herself with the quiet authority of someone who never needed to raise her voice. 

Granny Sukey was the most traditional Choctaw woman he had ever met; completely unshaken by stares and whispers of the white settlers who thought themselves more civilized. Her long dark hair with streaks of silver fell loosely around her small face and almond-shaped eyes with the same grace as a horse’s flowing mane. Barely five feet tall, she walked lightly in beaded rawhide boots and buckskin dresses, always wrapped in a brightly colored  shawl. 

She came from the Folsom clan, strong and fierce, said to be of ancient blood and revered in the old Choctaw Nation in Mississippi. It was no secret that she had advised Milla to stay in the marriage because of the pregnancy. 

Milla had said to him one night, “Granny Sukey reminded me that Choctaw women were the head of the home. We’re warriors and loyal. My strength will lead our family into the future.” 

From that day forward, Milla did as she saw fit, seldom seeking Matt’s approval for anything. 

She’s a good wife, Matt reminded himself. And I love her truly. One day she’ll trust me again.

As the train pulled away from the depot, Matt couldn’t help but draw the small curtain away from the window and peek out, just to see if she was there. She was not. 

With his back against the wall, legs outstretched on the bed, and ankles crossed, Matt shifted his holster a quarter inch forward to allow for better access while seated. He sat quietly for a moment then fished a silver pocket watch from his vest pocket, cradling it firmly in one palm. Its chain, looped through a buttonhole of his vest, swung gently as he held it. 

Matt hesitated. As if counting the sorrows of Milla wasn’t enough, the watch brought something darker. Staring at it, he debated whether this was a conversation he wanted to have with himself, again. 

A long breath followed, then a sigh. His thumb pressed the button on top, and the cover sprang open with a snap. Instinctively, his thumb glided softly over Milla’s image inside the lid. Then he looked at the time. 

“Ten-thirty-two,” he said aloud.

In the quiet of his mind, the count resumed.

Two hundred twenty-three days, nine hours and twenty-six – no, twenty-seven minutes.

Since I murdered my brother.

300 Words

The sun was just rising through the thick leafy branches, offering deep shadows to hide in. This is what she was looking for. Milla dropped her bucket and pushed Matt against a tree. 

Letting his bucket clatter to the ground, Matt took Milla by the waist, pulling her against his chest. His hand cradled the back of her head as he kissed her with a slow, passionate intensity.

Her soft moans rose over the sound of the flowing creek. “Not here,” she whispered breathlessly. “Closer to the creek.” 

She led him deeper into the woods. Finally, the flow of water drowned out the sound of her passion; a hidden place where she could see the bridge and know if anyone was crossing. 

Milla rested her back against a rough-barked tree. “This is better,” she sighed as he lifted her skirt. 

“Are you sure?”

Her lips brushed his neck in a breathy reply. “Yes.”

 With one arm around Matt’s shoulder, Milla held her skirt up while Matt fumbled with his britches. He lifted her thigh against his waist, her body yielding… until she stiffened, inhaled deeply… then screamed, pushing him away. Her frightened eyes met Matt’s confused stare and then locked onto something beyond him.

“Granny!” Milla screamed, running down the edge of the creek, fighting the thorn vines snagging her skirt. 

Matt yanked up his britches and tore after her. 

“Granny!” she screamed again, racing toward the bridge.

“Milla! Milla, wait!” Matt gave chase, tripping as he buttoned his pants. 

Her footsteps pounded across the wooden bridge, echoing through the trees, and she cried even louder, “Granny! I think it’s Granny!”

On the other side of the creek, where the path met the blueberry bushes, a body lay in a heap beside the footpath of the cemetery. As Matt got closer, dread seized him. The buckskin dress was unmistakable. Granny Sukey. She lay motionless on her side, facing the bushes.

About the Author

R.G. Stanford

 

Raised on the beaches of South Texas, R.G. Stanford has always been
drawn to stories that transcend time. That passion was ignited in 1976 with
the discovery of Anne Rice’s Interview with the Vampire, and deepened
with The Feast of All Saints just a few years later. Though historical fiction
wasn’t an immediate calling, a personal journey into genealogy changed
everything.

With no close relatives nearby, R.G. Stanford turned to online resources in
search of extended family. That search became a twenty-year journey through
genealogy websites, Federal Census records, the National Archives, and old
newspapers. Along the way, R.G. Stanford uncovered incredible stories about
her family and the people who once lived in the Choctaw Nation, Indian
Territory.

Compelled to record the truth of her family in the lore, sprinkled with
imagination, R.G. Stanford is a history lover, a research buff, and a
passionate genealogy enthusiast. She is also a mother, a grandmother, and a
teller of stories, now living near Orlando.

 

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Adélaïde Blitz

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Adélaïde cover

Painter of the Revolution

 

Historical Fiction

 

Date Published: January 13, 2026

Publisher: Acorn Publishing

 

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In a world where women are seen but rarely heard, Adélaïde
Labille-Guiard refuses to be silenced.

The daughter of Parisian shopkeepers, Adélaïde dreams not of
marriage or titles but of earning a place among the masters of French art.
With Queen Marie Antoinette on the throne and a spirit of change in the air,
anything seems possible. But as revolution brews and powerful forces conspire
to deny her success, Adélaïde faces an impossible choice: protect
her life—or fight for a legacy that will outlast her.

Inspired by the true story of one of the first women admitted to the Royal
Academy of Painting and Sculpture, Adélaïde: Painter of the
Revolution is a sweeping, evocative portrait of ambition, courage, and
resilience in the face of history’s fiercest storm.

About the Author

 Janell Strube

 Janell Strube makes a mean barbecue sauce. She’s also a world traveler,
a baker, and a bicyclist. But when she writes, her identity as an adoptee
often steers her attention to topics of alienation, erased history, and
displacement.

In 2024, a personal essay of hers was published in the anthology Adoption and
Suicidality
. Her work has also appeared in Shaking the Tree: brazen. short.
memoir and A Year in Ink. Her short memoir, “Taking my Blonde Daughter
to a Black Lives Matter Rally,” was selected for the 2020 San Diego
Memoir Showcase, an annual live storytelling event.

While much of her writing is personal, she enjoys the freedom that comes with
crafting fiction. Her desire to learn about forgotten female artists who
shaped the French revolutionary period motivated her to write
Adélaïde: Painter of the Revolution.

When not crunching numbers as a tax executive for a hotel chain, she can be
found hanging out with Shiloh the Wheaten and plotting her second book.

Contact Links

Author Website

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Adélaïde Virtual Book Tour

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Adélaïde cover

Painter of the Revolution

 

Historical Fiction

 

Date Published: January 13, 2026

Publisher: Acorn Publishing

 

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In a world where women are seen but rarely heard, Adélaïde
Labille-Guiard refuses to be silenced.

The daughter of Parisian shopkeepers, Adélaïde dreams not of
marriage or titles but of earning a place among the masters of French art.
With Queen Marie Antoinette on the throne and a spirit of change in the air,
anything seems possible. But as revolution brews and powerful forces conspire
to deny her success, Adélaïde faces an impossible choice: protect
her life—or fight for a legacy that will outlast her.

Inspired by the true story of one of the first women admitted to the Royal
Academy of Painting and Sculpture, Adélaïde: Painter of the
Revolution is a sweeping, evocative portrait of ambition, courage, and
resilience in the face of history’s fiercest storm.

Adélaïde tablet

Prologue
Paris 1793 

A column of fire reached like the Colossus of Rhodes into the night sky.

Shadowed figures waving torches poured into the Place du Carousel.

There, a clamoring mob passed wooden chairs, carriage wheels, and empty wine barrels over their heads toward the center of the square. Anything to feed the growing fire.

The Palais des Tuileries loomed to Adélaïde’s left. Its mansard roof jutted into a smoke-filled sky. To her right, the Palais du Louvre’s long wings stretched into the dark. The stone walls of the gallery that connected the two palaces flickered yellow and orange.

Adélaïde had never felt as small and alone as in that moment, between the embrace of buildings, in a space designed to dazzle royal spectators with seven hundred horses and jousting riders. Tonight, the square was filled with thousands of milling Parisians. And this time, she was the spectacle.

She pulled herself up on the tongue of the wooden cart next to the fire. Squinting against the smoke, she searched for anyone familiar.

Not a soul.

Even the donkeys had balked against their traces and been set free. Their distant braying reached her over the noise of the crowd.

Around her, men lurched about, their faces reddened from the bonfire, their sleeves stained purple from the wine they had scooped into their hands when the king’s cellars were raided. The scent of Bourgogne rose into the air. Beside her, a woman opened a dusty brown bottle and poured wine into the mouths of her companions.

Then the woman turned to Adélaïde. “Traitor!” she shouted, and drew back her arm, preparing to throw the bottle.

The crowd took up the chant. “Traitor! Traitor!” Others brandished their wine bottles.

Time slowed down. Adélaïde felt each sluggish boom of her heart, the constriction of her lungs, the loss of air she could not drag into her paralyzed chest. Was this the way she was going to die? Sliced to ribbons by a barrage of flying glass?

She raised her hands to protect her head and braced herself, but then a tall man in striped pants and a pointed red hat plucked the bottle out of the woman’s hand and emptied the last drops into his mouth. “Any Parisian knows not to let good wine go to waste,” he said.

Laughter.

The new citizens of France stomped their feet, shook their fists at Adélaïde, and threw the staves of the wine barrels into the flames. Arms brushed against her skirts. Bodies jostled the cart. She gripped the splintered seat to avoid being knocked into the fire.

The wind changed, and a rush of acrid smoke filled her lungs. She fought the urge to cough. Heat seared through her dress, burned her arms. Her mind screamed at her to run, but she had promised herself not to show fear, not to retreat.

The man in the red cap climbed into the cart. Sweat rolled from his face, and she smelled the sharp scent of his perspiration. Beneath his polished leather boots, the mountain of canvasses shifted. Fragile wood snapped. He stooped and held up a painting, still in its gilt frame. Black paint effaced the portrait sitter.

“Look at this travesty to art,” he called to the crowd.

How right you are. She kept her eyes averted from his familiar face.

“Burn it. Burn it all!” the crowd roared.

About the Author

 Janell Strube

 Janell Strube makes a mean barbecue sauce. She’s also a world traveler,
a baker, and a bicyclist. But when she writes, her identity as an adoptee
often steers her attention to topics of alienation, erased history, and
displacement.

In 2024, a personal essay of hers was published in the anthology Adoption and
Suicidality
. Her work has also appeared in Shaking the Tree: brazen. short.
memoir and A Year in Ink. Her short memoir, “Taking my Blonde Daughter
to a Black Lives Matter Rally,” was selected for the 2020 San Diego
Memoir Showcase, an annual live storytelling event.

While much of her writing is personal, she enjoys the freedom that comes with
crafting fiction. Her desire to learn about forgotten female artists who
shaped the French revolutionary period motivated her to write
Adélaïde: Painter of the Revolution.

When not crunching numbers as a tax executive for a hotel chain, she can be
found hanging out with Shiloh the Wheaten and plotting her second book.

Contact Links

Author Website

Facebook

Instagram

Purchase Links

Amazon

Draft2Digital

Barnes and Noble

 

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