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Ophia’s Sister-Soul Virtual Book Tour

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Ophia's Sister-Soul cover

 

Parting the Veils, Book One

 

Epic Fantasy / Visionary Fiction / Magical Realism

Date Published: 04-19-2025

 

Ophia's Sister-Soul

 

Colleen Addison fears that the messages she receives from a place called
Ophia prove she’s losing her mind. As she grieves for her lost twin
sister, Earth’s civilizations, divorced from magic and wonder,
crumble.

Meanwhile, on the other side of the Partition, Esperidi Mon-Sequana
discovers she’s the last surviving Sophryne, a Wakeful Dreamer cast
adrift as Ophia convulses beneath the weight of atrocities done to Her,
spilling Her anguish in fire and floods.

With naught but dreams and waking omens to guide her, Esperidi ventures
across a ravaged land where marauders are a law unto themselves, and the
Shetain priesthood demands that Ophia’s children appease the Rupture
with penance and blood.

Lost and bereaved, Colleen and Esperidi reach for hope and salvation beyond
the camouflage Veils, unsuspecting of the ties that bind them across
lifetimes and worlds…

Ophia's Sister-Soul tablet

EXCERPT

That night, the fifth since leaving Magda’s Oasis, they camped on a red rock and sand butte made maze-like with its patches of prickly pear and squat Jumping Cholla trees. 

Esperidi was grateful for how the day’s exertions had wearied her. She hadn’t the energy to question the possible madness of what she’d undertaken. The rigors of the trail pulled that acquiescence out of her. She traveled with a wagon that could carry a lot more water than she could fit on her back or in her skin. Facts like those weighed more than any amount of philosophical speculation in the desert.

Once Kunsei set up a lean-to for her, she scarcely noticed or remembered the transition between sprawling onto her buffalo fur pad and sinking down into the world below… 

… until she gasped as if she’d suddenly broken water. A moment of still mind elapsed before she realized she’d been roused from dreamless sleep. Still acclimating to life outside the Arjena hill cave that had sheltered her for almost two years, she groped at her unfamiliar surroundings, uncomprehending.

Then she stiffened when she noticed a humanlike shadow hovering over her.

“Come quick!” The voice belonged to Ashangtu. “It’s Tohbin. He’s collapsed by the fire pit. Snake bite. I did what I could, but—”

Esperidi beat the sleep dust from her mind with a violent head shake and rose unsteadily. Feeling utterly unprepared for this crisis, she let Ashangtu lead her to where Tohbin’s recumbent form sprawled beside the ashes of their dinner fire. His supine body was so placid it seemed the vehicle of a soul at peace, but his breathing was shallow and labored. He twitched at times as if his limbs rebelled against his torpid state.

Ashangtu had knifed a hole in his tight leggings and tore the hide enough to expose a sluggishly seeping wound. The woman knelt and grazed her fingers over the dark, mottled splotch on his right shin. She’d removed the dark bandana from his head and tied it above that red affliction. 

“A war rages inside him,” she hissed, “and the man has not chosen a side!” 

Esperidi perceived at once what Ashangtu meant. Tohbin’s spirit had forsaken his ravaged body. His timbre was barely audible to her inner senses. She and Ashangtu faced his existential trial alone. 

“I gave him some of Magda’s antivenin,” Ashangtu said. “I always bring some along when I have to travel the desert.” When Esperidi stared at her, alerted by a trembling timbre of deception, she added, as if the confession had been wrenched from her: “I burned most of it first, all right? I cut, sucked, and burned. I can manipulate the timbres of fire with some delicacy at times, you know.”

Esperidi nodded absently. Extending her percipience, she perceived that Ashangtu had indeed stemmed the blood flow and cleared the infection. A scab was already beginning to form over the two punctures. 

But Tohbin did not appear convalescent. The skin around his clenched jaw and wrinkled brow was slack. His breathing was weak and erratic. 

“Convince him his life is worth reclaiming,” Ashangtu said, “and he’s got a chance.” 

Esperidi’s attention was wrenched away from Tohbin as the weight of Ashangtu’s expectation hit her. She gaped at the other woman. “I’m not a Singing Chieftess!”

“The body is the creation of the spirit, right? Isn’t that what the Sophrynes say?” 

Esperidi trembled, but the force of her companion’s personality worked on her like coercion. And she could not deny the raw appeal of Tohbin’s suffering.

As if she needed to convince herself that she’d done everything she could, Ashangtu began to ramble. “I felt warm energies working there. It tickled my fingertips like a hundred tiny ants were moving over his skin or little spiders were weaving webs over it.”

Esperidi made another noncommittal nod. She had experienced healing energies in this way—an ethereal tickle akin to tiny spiders scrambling across her flesh. 

For the love of all Sorsajna! A test was upon her, and she was so unready…

He needs Shiya-coqui, not me! 

But Esperidi’s mentor was not here, and Tohbin would not survive her inadequacies and self-doubt. Her training was all that stood between him and the void.

She had traveled in dreams and waking trances. Towards the end of her short apprenticeship, she’d divided her practice, more or less equally, between the two environments. Her facility for entering the Sophryne state was not what intimidated her.

The fundamental question was how. How would she appeal to Tohbin, even granting that she could find him? Should she let compassion guide her? Should she strive for aloofness and not let her efforts to save the man become derailed by emotional investment?

Recalling a stray remark that Ashangtu had made about that young man at the Oasis, Illatan, and his singing, she said, “Tamborly can be helpful, even without instruments. Will you sing something for me? It might help me to surrender. At any rate… it would be a comfort.”

Ashangtu straightened and balked. “I’ve not much of a voice, particularly for soothing. Nothing like Ilatan.” But, almost without transition, she added, “Oh, very well! But I never claimed to be a Tamborlin, so no complaints!”

Esperidi closed her eyes with a slight smile. “None!” Then, she stretched herself out beside Tohbin as Ashangtu began a low croon.

If I am the one who must 

be the wind’s bride

The one in whom Sun and Moon

both confide

The woman’s singing was rough. It poured through channels paved with the gravel and grit of stoic endurance. But Esperidi found her voice utterly appropriate for a night of old fragile hopes broken and new ones scarcely finding their feet.

Will they call me their savior, 

or will they greet me with scorn?

Will I fulfill the great promise

for which I was born?

Esperidi’s inner being slowly unwound. It was a physical, tangible thing. Suddenly, she was more in touch with herself, more attuned to her internal movements: the longings and necessities that had brought her to this time and place. 

I love the fire that hides in the heart of the camouflage. But I love the camouflage, too.

The road is uncertain

No maps have been drawn

The fire in my eyes can be

   frightful to look upon

Esperidi’s inner doubts began to dissolve. She could focus on the source of her power and forget the personal attachments that bound her to the man she sought to save.

And who’s there to meet me in

those most-secret places?

What bodies can abide

all those high, airy spaces?

Nearing a state of consciousness akin to the gates of slumber, Esperidi suddenly stirred. “That’s not from Old Ophia! That’s a Sophryne song written to evoke the voice of Shai-win! They called her Bride of the Winds. How did you—?”

Ashangtu thrust the woman’s head back down. “You’re not the only one who’s delved into the mysteries, you know. What else did I have to occupy myself with, anyway? Now, do you want your lullaby or not?”

She’s right: I cannot afford delays, Esperidi thought, and she nodded tightly. 

For a while, she mouthed some of the melody Ashangtu sang. Its timbre evoked a seed borne on the wind. Her subtle body began to rise, but her fear was only temporary. Soon, mortal concerns were left behind in the body’s domain. Esperidi felt a loving presence, a beautiful echo of music from beyond the farthest horizon. Compassion and fierce love tangibly manifested like cupped hands supporting her.

It occurred to her that, in a certain sense, she was meeting her soul for the first time. It was strong, certain, invincible as child’s laughter.

Her exhilaration, however, made it harder to focus. The thought of enclosing herself in her surroundings, losing herself within them, was seductive. That fantasy plunged her into the inner heart of Ophia, and for a moment, she stared through a screen of warm topaz towards a remote sun, feeling its caress.

The poem attributed to Shai-win echoed in her inner mind. She was, indeed, groping forward with her hands in the fertile dark. Her essence and the light she sought were indistinguishable. The one could not exist without the other. Sorsajna needed her, depended on her, as much as she needed it. Breathing and focusing on how she’d been taught to enter the Sophryne state while awake, Esperidi slipped by gradual degrees across the Veils and beyond Ophia’s surface veneer, where loss and woe relentlessly wailed.

The melody now echoed within her consciousness as if seashells were pressed against her ethereal ears. Though she no longer had any sense of where the song originated, aside from the distant, wounded timbre of the woman who sang it, Esperidi encompassed the gentle breeze around her in a mental rather than physical gestalt, neither warm nor cool. 

Finally, her Vision clarified as a grey-tan wasteland, one that her inner eyes could not penetrate more than a few strides in any direction. She stood upon its shimmering ground.

Before her, Tohbin wandered alone, friendless in an interminable sandstorm. He was unaware of her. In the transcendent grip of the Sophryne state, however, Esperidi did not see a lost, feeble man. She saw a being of soulful grace.

She had to meet him on that plane. The transparency afforded by this less-than-physical realm and the urgency that had brought her here allowed her to peer into the man’s inner being, unraveling layers as if from a psychic onion. 

Prior to the Rupture, Tohbin had a life-mate, the woman who’d brought Kunsei into the world. They’d bound themselves to one another according to the rituals set out in the Sacred Writ, but Tohbin had wed his Lamya for love.

Esperidi witnessed Lamya’s death in the jungles, and she intuited that the gravest darkness in Tohbin’s present life was not comprised of any defined threats but rather of absence.

He rarely indulged in hope. Perhaps he had forgotten it was possible. He did not remember how to nurture it. It had, seemingly, betrayed him too often in the past. After all, his life-mate’s illness and death had been rendered more cruelly tormenting by his hopes for their shared life.

Yes, the trails he feared were the ones he’d already traveled. Tohbin didn’t know how to disentangle his consciousness from the webs of the past. But maybe, experiencing his freedom from his body—with all its attendant fears—here, he could sever those cords, claiming an oasis for his soul.

For a while, Esperidi hovered close by him. Perhaps because he sensed her presence and kind regard, Tohbin’s surroundings softened somewhat. The desert was still as featureless and uncompromising, but the winds tapered. The horizon brightened; pink and orange washes crept across its edges.

But what assurance did Tohbin have that that sun would not crash onto Ophia and set it aflame? He had seen such things. Rarely did he travel to a place without hearing how wind, fire, flood, or earth convulsions ravaged humankind. He had no assurances, no points of stability amid that Rupture-wrought chaos. But wait—

There was one point of warm affirmation, though Esperidi couldn’t identify it at first. She tried to recall her teachings. Shiya-coqui had told her: “Your natural thoughts will lead you, like a trail of crumbs, one by one, towards the destination you seek. Just remember your intention.”

What was her intention here? Healing. Yes: That insight made her realize that the barrier she experienced did not originate within Tohbin but within herself. And so she plunged into that place of resistance within her to identify the burning timbres of pride and love singing within Tohbin’s heart. 

Esperidi had to venture back into her childhood to when her Papa had not yet been beset by overwhelming grief and loss, burdened by his duties as a member of the Cordonne, plagued by fears of the coming invasion. When all these things had not dovetailed to divert the course of his life from a young idealist to a man obsessed with control and order.

But when she traveled back far enough—Oh! It smote her heart to feel how far back she had to go!—She was a child, no more than nine years old. But there, she could identify it, the light that sustained Tohbin. 

It was a father’s pride in and love for his child.   

For the love of his son, Tohbin had been willing to leave their home and tribe in the Kawli Rainforest and drive caravan runs for the Masters in Shetain. That provided the two of them with stability and hope for the future. Tohbin could not afford to consider the ethics of what he did beyond that. Life was cheap and raw in post-Rupture Ophia, whether in the jungle or the desert.

And the constant travel afforded him another kind of freedom. He often couldn’t treat his son with integrity without fearing mockery when they were among the various villages and settlements. Many believed he should “toughen” his boy, teach him self-reliance, and not “weaken” him with affection, encouragement, and praise. But once on the trail again, Tohbin could express his love without restriction—the one free avenue to joy left to him. And his son flourished under its glow like a flower in sunlight. 

Esperidi now understood the fundamental timbres of quiet contentment and confidence that characterized the younger man. 

“Tohbin,” she whispered, “your son needs you. Ophia needs fathers like you. Ophia needs men like you.”

Tohbin, registering that whisper in the sandstorm, halted his aimless wandering. Reassured by his recognition, Esperidi repeated her appeal several times.

Then, she reached the uttermost limit of her exertions and had to release Vision.

The exhilaration, the urge to dissolve into Sorsajna, was almost impossible to refuse. Esperidi returned her focus to her physical body, resurrecting the sensation of inhabiting flesh, the feel of the ground beneath her, and the bonds of gravity. She opened her eyes to the night’s moonbeam. And a rush of earthbound feelings assailed her: her fresh heartbreak, loss… and cautious hope.

About the Author

 

Seth Mullins

Throughout my life’s myriad twists and turns, one desire has always stayed
strong in me: to write epic tales that illuminate the inner world of our
souls. I write fiction that depicts the journey of self-discovery in a
dramatic and emotionally cathartic way. I’m inspired by methods of inner
exploration like dream-work and shamanism, wherein one takes an inward
plunge and then shares the fruits of that deep descent with the wider
community. That, to me, is the essence of what any art form is really
about.

I think the artistic impulse takes it for granted that the universe is
forever unfinished; we all have unique gifts that bring something to
Creation that would not otherwise ever exist.

My inspirations/influences include writers like Jane Roberts, L. Frank
Baum, Barbara Marciniak, Stephen R. Donaldson, Frank Herbert, Lewis Carroll,
Jack Kerouac, and Robert E. Howard.  Though I’ve enjoyed writing in
many genres and styles, speculative fiction remains my biggest
passion.

 

Contact Links

Website

Goodreads

Parting the Veils (YouTube channel)

 

Purchase Link

FREE For A Limited Time 

https://mybook.to/OphiasSisterSoul

Amazon

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Ophia’s Sister-Soul Teaser

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Parting the Veils, Book One

 

Epic Fantasy / Visionary Fiction / Magical Realism

Date Published: 04-19-2025

 

 

Colleen Addison fears that the messages she receives from a place called
Ophia prove she’s losing her mind. As she grieves for her lost twin
sister, Earth’s civilizations, divorced from magic and wonder,
crumble.

Meanwhile, on the other side of the Partition, Esperidi Mon-Sequana
discovers she’s the last surviving Sophryne, a Wakeful Dreamer cast
adrift as Ophia convulses beneath the weight of atrocities done to Her,
spilling Her anguish in fire and floods.

With naught but dreams and waking omens to guide her, Esperidi ventures
across a ravaged land where marauders are a law unto themselves, and the
Shetain priesthood demands that Ophia’s children appease the Rupture
with penance and blood.

Lost and bereaved, Colleen and Esperidi reach for hope and salvation beyond
the camouflage Veils, unsuspecting of the ties that bind them across
lifetimes and worlds… 

 

Excerpt

 The sum of our dreams can be strung into a prop circle, casting our life journeys in the light of a stage production. Within such a play, we may see aspects of the plot that eluded us while we were identified with our roles within that drama. How many times have I witnessed this? The audience yells at the speaker on the stage, trying to awaken him or her to some crucial fact, despite knowing that such a ruckus can never alter the story’s trajectory. 

 The spectators can’t help themselves. 

I hope you’ll forgive me for all this dramatist’s jargon. I was—am—a man of the stage, and I speak as my nature and training lean. And I’ve been conditioned by my tenure as a Sophryne, a Wakeful Dreamer. There are times—particularly during historical moments of great unrest, tension, and change—when the dreams of a multitude coincide, creating an even larger, overarching narrative. 

 I call that narrative living theater. Many others refer to it as myth. 

And perhaps (partly) because I’m accustomed to blurring the distinctions between “dream” and “reality,” I’ve been asked to narrate—as concisely as possible—my people’s most beloved myth: “The Twin Souls and the Parting of the Veils.” 

Within the context of this tale, the lines between dreams and reality are sometimes in stark contrast and sometimes scarcely discernible. On occasion, I daresay, they even seem to trade places. I’ve heard this is often a characteristic of twins. Who could resist the temptation to at least try it, to explore—to borrow a phrase from Colleen Addison’s world—”how the other half lives”? 

For art and dreams are life’s twin blessings. 

 Those not native to my home world of Ophia, who share Colleen’s points of reference more intimately than mine, might feel that some information about my people, the Shaini, and the origins of our most revered teachers, the Sophryne, might be in order. 

Ah, but I ought rather try and catch a golden mahseer with my bare hands, were I currently possessed of fleshy hands, than try to satisfy this demand. You see, little history survives from our earliest ages. Only the most nebulous clues, clothed in symbolism, are preserved in oral traditions. That’s because time itself was (is) malleable. Many possible paths were explored. Each of these, in turn, thrust roots into their own “pasts” and “futures.” 

During those earliest epochs, the Shaini tangibly felt and participated in Sorsajna, the fire of Creation. Later, when we no longer felt Sorsajna in the pit of our being, our Speakers, the Sophryne, were obliged to find more demonstrable ways to evoke its essence. They had to almost confound and beguile the minds of their kindred in the hopes of awakening them to old inner knowledge. 

They reminded us of magical inner movements we felt divorced from in waking. This was the birth of art and drama—and language itself—arising alongside the dreaming life of humankind. Primitive peoples, like the Oskwai tribes you’ll hear about, could gesture towards objects in their physical world. But for those more intangible feelings of possibility, magic, and wonder that dreams awaken in us, words were needed. 

How else could that wonder be shared when it couldn’t be related to anything in one’s surroundings? 

And so we early humans tried to convey what we’d experienced in our sleep-time excursions using sounds, gestures, and pantomime. Once upon a time, we’d inhabited a living dream. Then, suddenly, we were Ophia-bound, entrenched in material bodies, and subjected to the laws of Space and Time. We clothed ourselves in flesh as Ophia clothed itself in ground.

 And now we had to survive, to pluck Her fruits to sustain ourselves. Might humankind (Shaini or Oskwai) forget that the world’s manifest beauty was a reflection, albeit a fractured one, of luminous Sorsajna, from which all existence flows? Could we retain the memory of our origins? These questions led to the birth of all the Sophryne arts, which reminded us of that boundless and nameless realm from which we emerged. 

Thus, you’ll find little “hard history” here. We can only approach any version of truth by chasing the wind trails of our most venerated myths. But it’s empowering, methinks, to recall that we all participate in Creation. From the raw stuff of life, we bring forth forms that can be seen, heard, felt, smelt, and tasted. And sometimes, to our eternal enrichment, souls clothe themselves and walk among us to remind us of the dimensions from which we are (seemingly) sundered. The twins I spoke of were—are—two of the most renowned. 

Such beings are naturally drawn to Sophrynism, to Wakeful Dreaming, a practice that straddles the lines between life and death, here and hereafter, time and eternity. Powerful Sophrynes can work such an effect upon the minds and souls of those with whom they come into contact that the recipients begin to break through the barriers of the world they know. They begin to perceive and respond to other realms of being. Such epiphanies can also penetrate the sense of separation that we often experience with one another. 

A seemingly insurmountable gulf divided the sisters’ respective worlds. They needed to experience, in their blessed, fragile bodies, that more pervasive separation I spoke of. Both worlds had lost their sense of magic, and our heroines, Colleen Addison and Esperidi Mon-Sequana, healers at heart for all eternity, instinctively looked for ways to patch the resulting rift. That search carried them through the heart of their mutual bereavement. 

In the line of Ophia’s tapestry, into which Esperidi became a vital thread, the Sophryne arts were perfected out of necessity. I know because I lived during that cruel and repressive era. It was perilous for any of us to speak our minds. We writhed within a spider’s web, our every movement, word, and emotion sending tremors through its strands. To criticize the ruling body with even a whisper… One might as well trumpet protests to a lynch mob. 

Such was life under the Cordonne and its Weaving. 

Imagine the living conditions of the thousands of Shaini inhabiting Ophia during that age. I, Sanyori, spent my formative years beneath the Weaving’s eyes. I knew my community’s quiet desperation. Our security came at too steep a price. But who among us would dare raise voices of dissent? The Weaving would expose us. Even plotting rebellion would alert the Cordonne. One could not even get aroused by the prospect of freedom. 

What recourse had we? 

Ah, but the Weaving, the chief instrument of the Cordonne’s control, was still a physical construct within a physical world. It could never reach its fingers into the dreaming dimension. And so it was there that we learned to awaken, congregate, and communicate freely. 

We who escaped Old Ophia during its last days, its decaying days, planned our emancipation while we slept. Shadowy omens and premonitions illuminated our way, foreshadowing possible perils and treasures. Abandoning the social compass, we oriented ourselves around inner whispers and nudges. They helped us to regain our bearings when we’d lost sight of all shores. 

That’s how we came to etch the essential structure of this Sentient Library, where I now inscribe these words and struggle not to feel overwhelmed by the responsibility bequeathed upon me. I must remind myself that a living myth is created by all who partake in it. This relieves some of the burden. It soothes my stage jitters, so to speak. 

The drama we call “Parting the Veils” touched upon many worlds, altering their mental landscape and changing their historical trajectory. Those reading this testimony with at least a partial knowledge of its underlying myth may grow restless at this juncture. “Yes: We know what the twins achieved in the end. They forged a pathway between the worlds, allowing each to recapture its sense of possibility and wonder. But what did they actually do?” 

With that question, the road grows nebulous indeed. How does one recount the travels of two heroines who walked as much in their dreams as in waking? How does one do justice to the supporting cast—again, forgive my theater training—when many of them aspired towards the same thing? 

Despite such daunting challenges, I’ve done my best to limn the journey of Esperidi Mon-Sequana and Colleen Addison and the forgotten art that united them, finally—at least, for long enough to alter the destinies of their respective worlds. 

It isn’t always comfortable reading. For many beings on both sides of the Partition, existence had grown unmistakably dark. Both worlds were purged in fire, floods, cyclones, and upheavals, whether one might interpret these in psychological or physical terms. And in the depths of their suffering, each world began to long, more and more, for the other. 

Sarpienta’s fangs! If I persist like this, I’ll likely be out of breath before I begin! But perhaps you can better understand my attachment to this story’s emotional sweep if you consider—and as you’ll discover—that I participated in some of its unfolding events. By which I mean I lived them in a physical body. 

Remember, always, that the distance between the worlds is, to awakened eyes, akin to the distance between our twins: no more than the breadth of a thought. Or, as my teacher once said, “Naught but a wisp of gossamer gown.” 

And here I shall sign off for now, consigning myself to an “omniscient narrator” role until more personal commentary might bring clarity. Enjoy this tale as it unfolds. Recognize yourself within its tapestry. If you did not partake in the epic described herein, to some extent or another, on Earth or Ophia, you would not be reading these words. 

 Sanyori Mon-Sequestra 

In the Hereness and Nowness 

The Sentient Library

About the Author

Seth Mullins

Throughout my life’s myriad twists and turns, one desire has always stayed
strong in me: to write epic tales that illuminate the inner world of our
souls. I write fiction that depicts the journey of self-discovery in a
dramatic and emotionally cathartic way. I’m inspired by methods of inner
exploration like dream-work and shamanism, wherein one takes an inward
plunge and then shares the fruits of that deep descent with the wider
community. That, to me, is the essence of what any art form is really
about.

I think the artistic impulse takes it for granted that the universe is
forever unfinished; we all have unique gifts that bring something to
Creation that would not otherwise ever exist.

My inspirations/influences include writers like Jane Roberts, L. Frank
Baum, Barbara Marciniak, Stephen R. Donaldson, Frank Herbert, Lewis Carroll,
Jack Kerouac, and Robert E. Howard.  Though I’ve enjoyed writing in
many genres and styles, speculative fiction remains my biggest
passion.

 

Contact Links

Website

Goodreads

Parting the Veils (YouTube channel)

 

Purchase Link

https://mybook.to/OphiasSisterSoul

Amazon

a Rafflecopter giveaway

RABT Book Tours & PR

Comments Off on Ophia’s Sister-Soul Teaser

Filed under Teasers

Ophia’s Sister-Soul Week Blast

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Ophia's Sister-Soul cover

Parting the Veils, Book One

 

Epic Fantasy / Visionary Fiction / Magical Realism

Date Published: 04-19-2025

 

good reads button

 

Colleen Addison fears that the messages she receives from a place called
Ophia prove she’s losing her mind. As she grieves for her lost twin
sister, Earth’s civilizations, divorced from magic and wonder,
crumble.

Meanwhile, on the other side of the Partition, Esperidi Mon-Sequana
discovers she’s the last surviving Sophryne, a Wakeful Dreamer cast
adrift as Ophia convulses beneath the weight of atrocities done to Her,
spilling Her anguish in fire and floods.

With naught but dreams and waking omens to guide her, Esperidi ventures
across a ravaged land where marauders are a law unto themselves, and the
Shetain priesthood demands that Ophia’s children appease the Rupture
with penance and blood.

Lost and bereaved, Colleen and Esperidi reach for hope and salvation beyond
the camouflage Veils, unsuspecting of the ties that bind them across
lifetimes and worlds…

About the Author

Seth Mullins

Throughout my life’s myriad twists and turns, one desire has always stayed
strong in me: to write epic tales that illuminate the inner world of our
souls. I write fiction that depicts the journey of self-discovery in a
dramatic and emotionally cathartic way. I’m inspired by methods of inner
exploration like dream-work and shamanism, wherein one takes an inward
plunge and then shares the fruits of that deep descent with the wider
community. That, to me, is the essence of what any art form is really
about.

I think the artistic impulse takes it for granted that the universe is
forever unfinished; we all have unique gifts that bring something to
Creation that would not otherwise ever exist.

My inspirations/influences include writers like Jane Roberts, L. Frank
Baum, Barbara Marciniak, Stephen R. Donaldson, Frank Herbert, Lewis Carroll,
Jack Kerouac, and Robert E. Howard.  Though I’ve enjoyed writing in
many genres and styles, speculative fiction remains my biggest
passion.

 

Contact Links

Website

Goodreads

Parting the Veils (YouTube channel)

 

Purchase Link

https://mybook.to/OphiasSisterSoul

Amazon

a Rafflecopter giveaway

RABT Book Tours & PR

Comments Off on Ophia’s Sister-Soul Week Blast

Filed under BOOK BLAST