Tag Archives: thriller

Sniper Blitz

 

Sniper cover

 

A Detective Al Warner Novel

 

Suspense, Thriller

Published: October 2020

Publisher: Gnd Publishing

A deadly sniper is killing people in groups of three. Miami Detective Al Warner hates senseless murder, but the second set of targets provides several possible motives. One victim is brain dead but alive, reliant on life support. The FBI ID’s the shooter as The Shadow, an elusive, nameless contract killer they’ve hunted for two decades.

Charles Seagrave and his lover, Kim, are on a desperate search for a rare blood type liver donor for his nephew, Hunter, who only has months to live. The Shadow’s brain-dead victim is a possible candidate, but his mother won’t accept her son will never recover.

The Shadow drops more victims, another coincidentally a donor match for Hunter. Warner doesn’t trust happenstance and a secondary investigation opens a door into a deadly black market organ ring. As the detective races to uncover the illegal labs and stem those patient deaths, he learns Seagrave is dogging the Shadow’s victims’ families in hopes of a private donation.

A chance connection finally leads Warner to the assassin. In a shocking twist of exposed identities and astounding revelations, The Shadow escapes. Has Warner finally met his match? The fight to save Hunter and Warner’s mission to apprehend The Shadow results in a battle that may prove deadly for all.

Sniper paperback

 

Excerpt

 

The time had come for people to begin dying.

I cracked open the door and my eyes swept the roof. Deserted. No surprise, considering the already intensified South Florida morning sun, as it arced above the distant palm trees. Mirrored sunglasses donned, I tugged the brim of a Marlins ball cap down to shade my eyes from the glare.

There, I spied what was needed near the eastern parapet . . . a three-foot-high steel mechanical box. Perfect. It offered a clear view of Bayfront Park, just across Biscayne Boulevard. I crouched and hurried across the roof’s black-tarred surface, my backpack and an oversized guitar case slung over my shoulder.

Shrugging off both, I removed a bedroll and spread it across the green top of the metal case. Latex gloves ensured I’d leave no prints or DNA. I flipped open the case and removed the pieces, taking less than a minute to assemble the rifle. A moment later, sprawled atop the flannel blanket and facing east, I loaded a 12.7mm round into the weapon’s breach, jacked four more into the magazine, and snapped it in place. More fire power than needed.

I arched my neck and took a quick preview of the landscape, then shed the gloves and pocketed them. A compact wind gauge set on the coping gave me direction and speed of the currently mild breeze.

I settled the weapon’s bipod on the metal surface. A gentle exhale quieted my heart before making preliminary adjustments to the telescopic sight. Right eye against the scope, I tweaked the focus and began a scan of the area.

There, the bus stop at NE 1st Street; and to the right, a path exiting the park. With a minor correction to the Leupold 5×25 scope, I swept the grounds, spotting the famous headless torso sculpture bordering the winding path.

Three joggers bobbed along the paths: a fit, thirty-ish woman coming toward me, a paunchy guy in his 50’s heading away, and a young jock—probably mid-twenties—on a crosswalk. Two kneeling Latino gardeners planted spring annuals along the trail. Drifting left out along Biscayne Boulevard, I located morning foot traffic striding along the walk, all apparent business-types on their way to offices in Miami’s financial district—a myriad of opportunities.

I sighed again, spread my legs a bit wider, and steadied my base as I fitted the butt of the TAC-50 snug against my shoulder. My clenched jaw required a wiggle to relieve tension as I sucked in a measured breath. This begins the first act, spawned from hours of scouting, detailed research, and the endless target practice at a remote ’Glades savannah: something very different from my usual contracts and using a new tool I’d come to love.

Now to initiate a reign of terror that will obscure my real motive. While I wasn’t the first at this scenario, mine was certainly the cleverest. No time for qualms, because as they say, the end justifies the means.

Been there, done that before, but this was the first time it was personal. Innocents sometimes perished to achieve a greater goal, but never before at my hand. That was about to change.

Starting now.

Who first? Ahh, the woman, just about to exit the park. I steadied her rhythmically loping body in the telescopic sight. Eleven hundred meters—an easy shot to baptize my deadly, new McMillan sniper rifle, acquired on the dark web. A soft breath eased from my lungs, and my lips tightened with resolve as I smoothly squeezed the trigger.

The sound-suppressed rifle emitted a quiet, high-pitched pop. The woman’s blond hair billowed out in a red-stained cloud, tossing her peaked cap away as the huge slug caught her left temple while in mid-stride. The impact slammed her to the ground as the exit wound blew half of her face away.

I blinked to moisten my eye and swung the scoped rifle left toward Biscayne Boulevard, searching for my next target. There, a guy hurrying along the walk, briefcase in hand, unaware of the mayhem just occurring behind him. I made a minor sight adjustment, exhaled, and squeezed off the next shot, catching him squarely between the shoulder blades. The big slug drove him across the walk, flattening him face down along the grassy border. Red spatter peppered the path in front of him. There was a loud yelp and a third victim, fifty-feet in front, tumbled over, clutching his shoulder.

I grunted and then pivoted my attention back to the park.

Hmm. Two with one shot. Unexpected consequences, but of little concern at the moment. One of the gardeners straightened by the flower bed. A hand shaded his eyes as he searched for the source of the sudden ruckus.

The rifle emitted a soft burp and my third shot pitched the kneeling man backward, arms flung wide, as he took the round on the breastbone.

No pause required to examine the results. I knew all three shots had been instantly fatal. The fourth, unplanned victim must have caught a ricochet of the super-sonic slug as it blew through my victim and bounced off the concrete walkway. Just some collateral damage. There’ll be a lot more of that soon enough.

I slipped off the steel box and pulled the rifle and bedroll down. Scampering around in a squat, I collected and pocketed the three still-hot spent casings and snatched up my backpack and guitar case. Duck-walking away from the tile-topped parapet of the tall office building, I reached the exit door. I hunkered in the shadows and folded the rifle’s bipod, removed the detachable scope and stock, and replaced them in my customized guitar case. Glancing up, I wondered if someone in the nearby taller apartment buildings noticed my activity. Speed now was essential.

I shrugged on the backpack with the bedroll already fastened on top. With the cased weapon slung over a shoulder, I hurried through the door toward the staircase. It would be a long trip down on foot, but no problem for someone aerobically fit as me. The stairs were an extra precaution, because a homeless musician might be remembered if spotted riding the elevator.

Reaching the ground floor, I eased open the door and searched the building’s lobby.

Empty.

Any possible onlookers would see an innocuous street guy taking a shortcut across the marble-floored foyer, headed for a rear door that exited to the parking lot. Hurrying between rows of cars and past the next building on NE 3rd Avenue, I strode north toward my beige Honda CRV. It sat at the curb with eight minutes still on the meter. My backpack and gun case found the floor in front of the back seat. A moment later, I slipped into the driver’s side, started the engine, and hustled north on NW 2nd Avenue, heading for Interstate 395.

It had begun.

The first move of many to come—Miami about to become the center of panic again, and it would stay that way until the completion of this mission.

Speculation would abound about my motive, but I doubted anyone would come close to my real goal. Even the famed Detective Al Warner was unlikely to make this connection.

I sighed. Time is in short supply, but I have to get it done. No excuses. The next round of kills will be the one that counts, but I can’t stop there if I’m to continue misdirecting the cops. This is different from anything I’ve ever done for hire.

I contemplated my next move as I sped north, now on I-95. After things cooled for a few days, I’d head for Hollywood in south Broward County. Its main library was one I’d not yet visited. I took obsessive care not to leave any pattern or Internet trail for some clever detective to discover.

A blond wig and a pair of uncorrected tortoise-shell glasses were in a small bag on the passenger seat. Every library required the use of a different disguise.

Once this is over, life should return to my new normal. Had it only been six months? I shook my head and breathed another sigh.

Such unreasonable schedule restrictions. I grunted. Careful planning and sharp execution would triumph, as always. I’ve been on a tight wire more than once. Anyone getting in the way would not make it out alive.

They never did.

About The Author

George A. Bernstein

George A. Bernstein, now living in south Florida, is the retired President of a modest, publicly held appliance manufacturer. He spent years attending writing seminars and conferences, learning to polish his work and developing a strong “voice.” George is acclaimed by his peers as a superb wordsmith and a crafter of surprise endings no one expects. He works with professional editors to ensure his novels meet his own rigorous standards, and all of his books are currently published by small indie press, GnD Publishing LLC, in which he has an interest.

“Sniper” is the fifth of his Detective Al Warner Suspense series, with the first four; “Death’s Angel;” “Born to Die;” “The Prom Dress Killer;” and “White Death” all garnering rave reviews. His Detective Al Warner has attracted many fans, with readers likening Warner to James Patterson’s Alex Cross.

Bernstein’s first novel, “Trapped,” was a winner in a small Indie publisher’s “Next Great American Novel” contest, and received high praise, gaining many mostly 5-star reviews, reaching “Top 100” status. His second novel, “A 3rd Time to Die” (A paranormal Romantic Suspense) has also garnered mostly 5-Star & 4-Star reviews, with one reader likening him to the best, less “spooky” works of Dean Koontz & Stephen King.

Bernstein is also a “World-class” fly-fisherman, setting a baker’s dozen IGFA World Records, mostly on fly-rods. He’s written the popular “Toothy Critters Love Flies”, the complete book on fly-fishing for pike & musky.

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Starburst Over China Blitz

 

Starburst Over China cover

 

Psychic Thriller, Thriller

 

Published: December 2020

Publisher: MindStir Media

Starburst Over China takes Detective Jim Sato, a dedicated cop, and Gilda Dobrowski, a small city psychic, back to the StarCenter at Defense Intelligence Agency Headquarters to engage in a Top Secret project to telepathically manipulate a Chinese–a CCP_member–working in intelligence as a section chief in the Ministry of State Security. The duo are hooked up to UB-X-00, a giant AI super computer that enhances their brain waves and bioenergy, in an attempt to stir up trouble–any kind of trouble–which the President of the United States can use in his dealings with China, the No. 2 power, in his bid to maintain U.S. hegemony to stop the progression toward triggering the Thucydides Trap.

Starburst Over China tablet


About The Author


R. H. Kohno has been writing for a number of years ever since he graduated from English, Advanced Writing Curriculum, at the University of Washington where he also served as editor in chief of the campus literary magazine, Assay. He went through the concentration camp experience during WWII, repatriated to war-torn postwar Japan and grew up there in isolated exile as a lookalike American outsider. He returned to the United States to get married and complete his college education. He has since written a number of works which are described on his website, rhkohno.com. He is the father of two sons living in Oregon and Utah.

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Shame of it All Blitz

 

Shame of it All cover

 

Suspense, Thriller

 

Date Published: December 2020

Revenge is a dish best served cold. But for Mercy Pryce her revenge will scald one’s soul and leave behind a burnt-out husk if she has her way.

Mercy has returned to her hometown of Cartleigh, New York after twenty years. The lakeside community is the perfect location for Yakim Zeldovich, her Russian billionaire employer’s state of the art manufacturing facility. Acting as a consultant for Zeldovich, she’s on an undercover mission, not as an angel of mercy, but one of mischief, deceit and torture. Her ultimate goal is to ruin Cartleigh because of a horrible trauma she suffered in high school. The one responsible for her wrath is Colton Hahn, Cartleigh’s beloved mayor, and the object of her retaliation. The town’s golden boy, who she once adored as an impressionable teenager, brutally raped her and left her for dead at seventeen.

Consumed by years of grief and growing rage, she has targeted Colton, who may also be responsible for the death of her best friend, Marina, his fiancé. She will avenge Marina and finally take down the monster who tried to ruin her life.

Her success may come at a horrible price. But it will all be worth it if she can take away everything Colton holds dear, including him surrendering his heart and soul to her in the process.

Shame of it All tablet, phone, paperback,


About The Author

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KT Grant is a self-proclaimed eccentric redhead who not only loves to read a wide variety of romances, but also loves writing it. Under her alter-ego, Katiebabs, she’s a former book blogger and entertainment columnist who still doesn’t shy away from voicing her opinion.

A proud native of New Jersey, KT is multi-published and writes Gay, Lesbian and Straight romance. KT has also been a top ten best-selling author at Amazon.

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Manflu Reveal

Manflu cover

 

Thriller

 

Date Published: 3/26/21

Publisher: Acorn Publishing

Following a global pandemic, which has either killed or weakened most of the male population, women now dominate all aspects of life.

Dr. Morgan Digby, married to a man rendered bedbound from his bout with manflu a decade prior, is working tirelessly on a vaccine, yet obstacles keep springing up in her path.

When she meets a handsome neighbor who has never been exposed to the deadly virus, things become…complicated. There’s something between them, but he can’t leave his home.

Morgan’s struggle to remain faithful to her ailing husband isn’t her only battle. Someone has been one step ahead of her, countering her every move. Will she find a vaccine before it’s too late to protect those she loves?

About the Author


Simone de Muñoz writes dystopian, or perhaps utopian, fiction, depending on your perspective, where women drive the story and sometimes even run the world. She holds a master’s degree in public policy from UC Berkeley and a bachelor’s degree in economics from MIT, which she uses in her day job as a data analyst at a nonprofit. Based in Silicon Valley, she lives with her patient husband, their two young sons, and a grumpy dog named Fish. Manflu is her debut novel.

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The Collectors Tour

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The Collectors cover

 

Suspense, Thriller

 

Date Published: December 15,2020

Publisher: BHC Press

Pierce Danser is on the hunt for his soon-to-be ex-wife, the actress Pauline Place, who’s disappeared from the Black Island film set in the heat swarmed waters off the Mexican coast. A wealthy “collector” with a black heart and dangerous, evil mind has kidnapped her, planning a forced marriage to complete his manage of twisted museum pieces.

As Pierce starts down the winding, dark, and deadly path in pursuit, his journey is a roller coaster through a horror show. No matter the grisly and dangerous obstacles, he is determined to rescue Pauline, even if it means the loss of his own life. The clock is ticking, his resources are slim and he’s up against a man of great means as well as a twisted, cruel vision.

 

The Collectors tablet

EXCERPT

THE COLLECTORS
Chapter One

TIN CAN

 

“Welcome to the film set, Mr. Kiharazaka. Please mind your step, we’re having a problem with vermin.”

The tall, thin man, fresh from Kyoto, adjusted his stride, placing each step of his spacesuit boots gingerly.

“I’m Rolf. Can I call you Zaka?” the assistant director went on. 

“Please, no,” Mr. Kiharazaka replied demurely. 

“Got it.”

“Will we be going weightless? It was in the original scene.”

“We’re woking on that, yes.”

“Woking?”

“A joke. Sort of.”

A few yards away, green gaffing tape marked the edge of the darkened film set. Rolf spoke into her headset and the lights came up, revealing the interior of the spacecraft: the complex helm and seating for the crew. The second set—the crew table and galley kitchen—was half-lit in the distance.

Mr. Kiharazaka stared with unreserved delight. The crew had accurately replicated the 1990s television series Tin Can’s two most famous locations.

Members of the film crew were already on the set, at their places among the equipment; lights, extended boom mics, and various cameras, some dollied and some shoulder-held. Mr. Kiharazaka had to rotate stiffly in his spacesuit, turning his helmet, visor up, to watch the young, professional film crew. He nodded to some and spoke to none. For the most part, these serious professionals looked right through him, focused on their craft.

“Please step in, Zaka. We’d like you to feel comfortable in both locations.”

“Where is the cast? The Robbins family?”

“Soon enough. Please.” Rolf extended her hand and Zaka crossed the green tape and stepped into the helm, noting that the flooring was white painted plywood. With the flight helmet on, the voices about the set were muted. Zaka stared at the helm, admiring, but not touching, the multiple displays. He stood back of Captain Robbins’s helm chair, taking in all the exacting details of the complex spacecraft controls. Easing between the captain and copilot chair, he turned to Rolf with his white gloved hand out to the second chair, asked, “May I?”

Rolf gave him her buttery professional smile. 

“Captain, permission to man the helm?” Zaka asked.

Rolf rolled her eyes, up into the complex scaffolding above. The client was already in role, using the famous and familiar dialogue from the Tin Can series. Since none of the cast was yet on set, Rolf answered for Matt Stuck, the sod of an actor who played Captain Robbins.

“Aye, mate. Take thar helm,” she spoke the next well-known line with a grimace.

Zaka bowed to her voice and twisted around into the copilot’s chair.

She looked on as Zaka began the familiar series of taps and changes on the right side of the helm. She could hear him identifying each click and adjustment he made. He was doing a good job mimicking the terse, focused voice of copilot Sean Robbins, but his inflections were clearly Japanese.

The director, Rose Daiss, entered the soundstage, crossed to the set, and for once didn’t trip on the snakes of cables. She wobbled her large rear into the La-Z Boy with “Director” stenciled on the back. Her nickname was “Bottles” and never used in her presence—it was a reference to the many times she had washed up. Her pudgy face was nip-and-tuck stretched, her skin was rough, but rouged well. She did have good hair.

The director’s personal assistants entered the soundstage and roamed to their places just back of the cameras. They donned headsets and leisurely took up their positions, standing deferentially to Bottles’s side, their faces lit by the glow of their tablets. 

Rolf shouted for status among the film’s crews, and they called back equally loud. Lighting, boom mics, and cameras leaned in on the set. Mr. Zaka climbed from the helm and walked back into the spacecraft along the equipment bays on the left wall—the right wall of equipment didn’t exist, providing the view for one of the many cameras. He tapped a brief series on the wall panel and the air lock door opened with a gasp. He stepped through, the door closing at his heels, and crossed the short area of soundstage to the side entrance of the crew and kitchen set. Zaka took in every detail of the reproduced Tin Can galley as he moved carefully through the room. He eased himself into his role and the chair assigned to Ruth Robbins, the flight crew’s matriarch.

The director shouted at her assistants, barking orders and questions, sounding semi-lucid. Rose’s drug-addled, fast-clipped voice received intimidated replies. She was enjoying their pale, cowering expressions while chasing two lines of thought, a mixture of movie-making aesthetics and redundant direction. Her face was beading with drug sweat on her upper lip and brow.

“Where’s my cast?” Rose bellowed, finishing the tirade. That done, she promptly nodded off, delighting Rolf, who then inherited the director’s role. 

Zaka was exploring the many displays embedded in the galley table, trying to ignore the shouting. 

“Heat it up,” Rolf instructed her underling

The assistant typed a series of brief commands on his tablet and the script dialogue for Ruth Robbins—whom Zaka had paid dearly to portray—appeared. The script was scroll ready and at an angle on the galley table that couldn’t be seen by the cameras. 

Rolf heard the cast crossing to the set, a scuffing of moon boots and voices approaching from the soundstage. A sweeping flashlight beam guided their way. The cast moved into the back glow from the lights on the set. Rolf pressed the inside of her cheek between her teeth and bit down. Most of the original cast had been hired or persuaded to appear in the remake of the famous season seven-ending cat fight scene. The brawl between the Robbins’ daughters was nominally, impotently, refereed by the only member of the flight crew who was not a member of the family: the handsome, irreverent, and sociopathic engineer, Greer Nails. 

Twenty-two years had been most unkind to the once-famous family members. Greer Nails appeared overinflated; the penchant for food and wine, and dessert, over the past years of dimming celebrity had taken their toll. His formerly idolized face was jowled, reddened, and fat. His spacesuit looked like a white dirigible. 

The other cast members were naked save their space helmets. Time and gravity and overindulgence had also taken a toll on their bodies. Greer Nails was the lone holdout from nudity, and with obese good reason. 

The scene that Zaka had chosen from the menu provided by the studio had cost him a breathless $3.7 million. An additional $1.3 million was invoiced when he selected the option off the Premiere menu for the cast to be nude except for space helmets. He had expressed his desire to be part of the famous scene’s reenactment, in the role of Ruth Robbins, the space family matriarch. Most of his role was to be aghast at the start of a violent family shouting match and brawl. Later, he would be able to view the vignette time and again, for all eternity, receiving sole ownership of the footage of this and the other short scene as part of the package he had paid for. 

Zaka watched his castmates approach, trying to keep his eyes on their helmets, not their nakedness. He was delighted and light headed with his proximity to the famous—the real flesh instead of celluloid, but their memorized faces were distorted by their helmets.

Nods were used in lieu of greetings. They had met during rehearsal earlier in the day. Places were taken, and Rolf reviewed the lighting and camera placements. 

The first scene was succinctly re-rehearsed. This was of little use to Zaka, who had the script committed to memory.  But the rehearsal helped him dissolve some of his lighter-than-air headiness. The rest of the cast drolly joined the read and walk through, their acting marked by a blend of boredom, professionalism, and chemicals. 

Zaka was delighted. Here he was, a real actor with an important part in the infamous scene’s reenactment. It was all he could to not giggle. He somehow found the ability to maintain Ruth Robbins’s dithering mothering role.

Julianne, the slutty smart sister, stepped past Greer and pantomimed the jerk-off gesture that would set off her sibling, “Cy,” as in Cyborg. In the television series, Cy had been Greer Nail’s budding romantic interest. 

Zaka was enthralled, but also concerned. He had paid for Captain Robbins to sit at the head of the galley table, and he was nowhere to be seen. A booming, authoritative voice carried from the back of the soundstage. 

 “Welcome to Tin Can Two, Mr. Kiharazaka. You are certainly star material, mm-hmm!” Fatima Mosley called out.

Fatima was the studio head, noticeably short and burdened by a massive chest that gave her stride a wobble. She was dressed in an elegant and trendy style, including a beret. She had a titanium leg, the original lost to disease. The metal ratcheted when her knee articulated.

“Zaka’s doing a great job.” Rolf called over, not turning from the rehearsal.

“It’s Kiharazaka, please,” Zaka politely corrected Rolf again.

“Actually, it’s Ruth Robbins,” Fatima smiled, causing her cheeks to fill and her eyes to disappear.

Zaka flushed with pride at being addressed as Ruth.

“All is well, mm-hmm?” Fatima asked Zaka.

“Yes, yes. Might I ask? Is Captain Robbins ready? And son Sean Robbins?”

“Why, here’s Sean now,” Fatima answered, her crunched face dissolving downward, revealing her wise, ferret eyes. She didn’t explain Captain Robbins’s absence, and Zaka showed good manners by not repeating his question.

Sure enough, Sean Robbins, the Tin Can’s copilot appeared from the shadows of the soundstage, naked save his helmet and boots, looking slightly sedated—well, a lot sedated. His birdlike wrists hung limp. 

There was a white worm of drool creeping from his face, now ravaged by years of amphetamine addiction. He was escorted by two of the bigger grips, who held his scarecrow thin arms and pulled him along, his moon boots sketching the soundstage flooring. 

The sisters, Cy and Julianne, did not look pleased to be reanimating their once famous daughter roles, no matter the money. They were clearly drugged to an agitated condition and firing foul slurs, even before the shoot began. Julianne had a wrench tattoo on her naked, once-perfect boob. Cy’s sensual body was scarecrow thin, as though drawn of all blood.

The grips assisted Sean Robbins into the hot lights and seated him at the galley table. He opened one eye and panned it across the cameras and lights aimed on him, then barfed into his own lap.

“Unpleasant, mm-hmm,” Fatima observed.

Zaka did the brave thing—he stayed in role, putting on his best Mrs. Robbins bemused and maternal expression.

“Nice,” Rolf encouraged him. 

One of the grips wiped up Sean’s vomit. The other cleaned off his chest. Sean stood up and looked on, patting one of the men on the top of the head. 

Rolf called out, “I have the set!”

From the film crews came sharp, short calls, and the boom mics lowered overhead.

“Quiet, quiet!” Rolf delighted in her temporary directing role.

“Lock it up,” she hollered. 

“Places,” she shouted to the cast.

“Cameras up!”

“Roll sound.”

“Roll camera.”

A young woman appeared with an electric slate, shouted a brief stream of incomprehensible code, clacked the device, and disappeared.

Zaka did well, not looking to Captain Robbins’s empty seat at the head of the table.

Rolf yelled, “Action,” and the movie magic began.

For Zaka, there was a spiritual lift, even as he stayed in his rehearsed movements. He allowed himself to experience the elation, but stayed in the role of motherly concern.

Julianne entered the scene from the door to the helm. She moved behind Sean, who had a line of dialogue but missed. Staring at Cy, she stepped to Greer’s side and hefted the weight of his groin. Cy transitioned fast and smooth, from agog to madness. She fired forward and attacked, going for the smirk on her sister’s face with a clawed left hand and the space cup in the other. 

As scripted, Mrs. Robbins took one step back from her end of the table, her expression alarmed and offended.

Greer was looking down at his groped crotch like he was just then realizing he had one. He leaned back as Cy collided with Julianne, and the brawl exploded with screams and nails and fists. The two careened off the galley counter and shelving, swinging and connecting blows.

If Captain Robbins had been at the head of the table, he would have moved fast to separate the two, looking sad and determined and disappointed. Instead, a bit of ad lib occurred, the two brawlers tumbling low in the shot, fists and knees swinging and pumping. Greer performed the ad lib, turning to the mayhem with a slack expression and barfing on himself again.

Mrs. Robbins went into action. She stomped manfully to her scuffling daughters, arms shooing, intending to break up the chaos on the spaceship floor. She was two strides away when Greer stepped out and pushed her back. Mrs. Robbins resisted, flailing her arms, eyes wide with alarm. Greer held her true. The fight continued, the sisters grunting and gasping. Hair was grabbed, a low fist was thrown. Julianne coughed in pain. Cy let out a cry, “You bitch!”

That was Zaka’s cue. He looked away, eyes upward and spoke the season-ending line, “My daughters. The sluts.”

“Cut. Cut. Cuu. Cuush . . .” Rose Daiss, the replaced director, called out in a trailing off slur. She was ignored.

The brawl continued. A mangy rat crossed the plywood set boards, scurrying away from the fisticuffs. The two beefy grips stepped to the edge of the set, poised to separate the sisters. The brawl looked real enough to them.

Rolf took the director’s prerogative, screaming at everyone. 

“Cut!”

About the Author

Greg Jolley earned a Master of Arts in Writing from the University of San Francisco and lives in the very small town of Ormond Beach, Florida. When not writing, he researches historical crime, primarily those of the 1800s. Or goes surfing.

 

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