The Weight of Dreams Virtual Book Tour

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An Ancient Saga of Myth and Magic

 

Magical Realism / Fantasy

 

Date Published: October 27, 2025

Publisher: MindStir Media

 

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In a time lost to memory, Etana is born with the Sight and a rare gift
whispered down through her bloodline: she can speak with elephants. When her
father promises her in marriage to an older man, Etana chooses the
unthinkable–she flees. Escaping the ritual that broke her sister, she slips
into the wilderness under the watchful eyes of the Beastgod.

Alone but guided by ancestral spirits and a bond with a mysterious elephant,
Etana journeys into the realm of myth. A powerful ruler summons her to tame a
ferocious elephant meant for war. But to claim her future, she must master
more than beasts–she must face enemies, survive betrayal, and confront a
court that thrives on secrets and blood.

As kingdoms clash and gods murmur in dreams, Etana rises from fugitive to
warrioress, from outcast to commander. In a world where loyalty is eternal and
power demands sacrifice, who will she become when everything she loves is
threatened?

Told through the rhythms of oral tradition and infused with magic, myth, and
cultural memory, The Weight of Dreams is a luminous tale of spiritual
resilience, feminine power, and the living bond between human and nature.


For readers of magical realism and literary historical fiction who believe the
past still speaks–and sometimes, it sings.

 

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EXCERPT

  • The Story of “Etana and The Elephants.”

Someone says, “Storyteller, please give us another.” 

“Tell us, ‘Etana and The Elephants.’” 

“Yes, the story of the elephants.”

Griot nods assent. The tale is much requested. I like hearing it too. The story is about me, though at the time, having passed only two rainy seasons, I have no memory of the event. Like every villager who listens, I am a fly caught in the web of Griot’s voice. He begins: 

Twelve seasons of rain have passed since that day. Many among us remember the tormenting heat. How thirsty the air. 

The Skygod had withheld the clouds, and our stream was tired. The sacred mountain sent us only a trickle. Day after day, we beseeched the god, chanting the sacred prayer, making offerings. But we received nothing. No rain came, nor a sign of what we must do to please him. 

And so it was that we, the Human People who from the beginning lived in the land the Skygod gave us, began preparations. Our sacred home could no longer sustain us. We had to leave Muk’etiland. We had to seek a new place. 

The night before our journey, dreams did not visit me. The heat sat on my chest. Atop my legs. In my nose. I lay, unable to move. Perhaps the night had condensed itself to trap me under its weight. The ancestors did not speak to me. Eyes closed, I gazed into the void, but no spirit presented itself, as if they too did not know whence this imprisonment came. I searched for escape. There was none.

At this, the villagers shift uncomfortably. Griot is not only our storyteller but also possesses powerful Sight. What evil had beleaguered him? Why could he not overcome the forces binding him?

Griot continues his story: 

As the paralysis continued, I thought the time for my death had come. I must leave my community, my children, my wife, my friends. Yet, I was not forewarned. I had not revealed to my son his final instruction or prepared the feast, nor had I completed the sequence of rituals to bestow upon him the gift of Sight.

Not one person dares move. Even my sister of two rainy seasons is entranced.

In the early dawn, a cry reached me. My ears were opened! I rejoiced, yet the wail of Etana’s mother brought worry. Her child could not be found. More people raised the alarm. 

Then a second alert rang out. The drums signaled our most urgent warning. It meant we were beset not by Crocodile People, for the stream was dry. Not by Lion People, those creatures who see in the dark and break men’s necks in their mighty jaws. We were endangered by the Beastgod’s most favored and greatest animal. Those who, if angered, could destroy an entire village, leaving its Human People trampled. The Elephant People had come.

The familiar tale is troubling, for the mystery of the massive creatures’ appearance baffles us still. They had not approached the village since the Storyteller’s father’s father was a child.

The debilitation left my body. I ran to find the priest-chief. He had been led to the east gate by the night watchman, the villagers trailing behind. Without speaking, the man pointed a trembling finger east.

Against the brightening sky, the great beasts gathered, facing the center of their circle. One would advance, trunk out, reaching to explore. Then it tossed a giant head or shouted as if pleased. Another would come forward, doing the same. The herd moved from edge to center in a slow churn.

The sun lifted from the rim of the world, and I learned the cause of their puzzlement. Etana, who had not yet seen her third rainy season, stood alone, a tiny form among the giants. She giggled when a trunk ruffled her hair. Smiling, she opened her arms and spoke. A baby elephant bolted toward her, and my heart clenched. She would be crushed. The watchman stepped forward, but I placed a hand on his shoulder. “The Beastgod controls Etana’s fate. Only he can save her.”

An adult elephant stepped forward, wrapped its trunk around the charging baby, and halted it. Etana walked to the baby elephant, laying her cheek on its face. She stretched her little arms to embrace it, her clear voice chanting the dawn salutation. The elephants rocked side to side, swaying to her tender melody. Her song complete, Etana spoke long, though I could not discern her words. Perhaps it was not the language of Human People, but a tongue sent from the Beastgod. With the village behind me, we watched.

When the sun was four fingers above the horizon, the elephants moved away, one by one. The baby was last to go. With a final pat to its head from Etana, it trailed the rest, disappearing into the dust.

Furtive glances prick my skin. I ignore them and raise my chin as Griot finishes:

Etana was scooped up by her mother. When I questioned her, she spoke of “Mbindy.” As no female among us carried that name, I left to seek the priest-chief.

Our hastily assembled council debated the incident. If it was a sign from the gods, we knew nothing of its meaning. Did Etana’s communication with the elephants mean we should follow them? Or did the gods’ protection from the beasts indicate we should stay? After long debate, we agreed to set out the following dawn. 

And lo, as the new sun was born over the horizon, the holy mountains were crowned with clouds.” Griot smiles. “The season of rain had begun. By evening, water flowed in our river. And to this day, we, the Yets’eāyi, created in the image of the Skygod, remain in the land of Muk’eti.

 

About the Author
Nicole Sorrell
Nicole writes tales of magical realism while splitting her time between
Texas and the rural Midwest observing various species of wildlife and dodging
alien cows. An annoying cat (with the highly original name of Kitty) and a
four-pound Yorkie (named GiGi) keep her company. Nicole is the author of The
Art of Living, a romance mystery series written under the pen name Coline
Oseille.

To find her latest releases and upcoming novels, visit www.NicoleSorrell.com.

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Elmer Kelton’s The Blessing Teaser

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Western Adventure, Historical Mystery

Date Published: 12-03-2025

Publisher: Devil’s Claw Press

 

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Hewey Calloway, Elmer Kelton’s favorite footloose cowboy, has
always been known to have a generous nature, readily giving to those in need.
Time has finally mellowed Hewey and given him some wisdom that was lacking in
his youth, but deep down, he’s still the same old Hewey. In this sequel
to The Smiling Country, a beneficiary to one of Hewey’s past
generosities pays him back, and with interest. Knowing Hewey would decline a
monetary repayment, he is gifted land back in Upton County.

Trouble is, it was bought from his old adversary, Fat Gervin, who is still as
crooked as ever. Gervin finds a seeming loophole in the contract and tries to
pull another fast one on Hewey, who is fed up with Gervin’s endless
treachery. Tensions rise, and when Gervin is shot, it’s Hewey
who’s on the hook for the crime. But things are never as they seem, and
it’s up to an eclectic cast of characters to sort it out, and for Hewey
to learn what’s really important in life.

Written by longtime journalist turned novelist John Bradshaw, who was selected
by The Elmer Kelton Estate to continue the Hewey Calloway tradition.

Excerpt

The morning sun was warm on Hewey’s face as he neared the Circle W’s eastern fence and the road beyond. When he crossed a small hill just west of the road, he saw an automobile parked outside the fence and a man struggling to open the wire gate that led into the ranch. Hewey rode nearer and saw the man was a stranger. He was older than Hewey by a decade or so, soft in the middle and wearing a dark suit and a snap-brim driving cap.

Although Morgan Jenkins occasionally visited the ranch in his automobile, Pincushion had certainly never been this close to one of the machines. He snorted and sidestepped, threatening to do something untoward. Unconcerned with the horse’s feelings, Hewey swatted the dun on the hip with the heavy tail of a rein. Pincushion decided Hewey was more of an immediate threat than the vehicle, and he moved forward cautiously.

The gate was made of five strands of barbwire with a cedar stay tied in the middle and another at each end. The gate fastened with two loops of barbwire, one at the top and another at the bottom. The gate had to be pulled tighter, by hand, to release the wire loops that held it closed. The man in the suit was having trouble with the task. He looked up as Hewey approached.

“Mornin’,” Hewey said cautiously. He and Pincushion both eyed the stranger with some wariness.

“This is the Circle W Ranch, is it not?” asked the man abruptly. “I am looking for a man by the name of Hewey Calloway. Do you know where I might find him?”

Hewey thought that one over for a moment. The man did not strike him as a lawman. In any case, he had been on the straight and narrow, for the most part at least, since Spring had expressed her dislike of public drunkenness and the misfortunes that so often befell Hewey during those occasions.

“Yes, sir,” he said finally. “This is the Circle W, and I’m Hewey Calloway.”

“That is excellent news,” said the man. “My name is Howard Stephens. I am an attorney in Alpine, for the time being at least. I have some information for you, and some paperwork. Would it be possible for us to go someplace where we might sit and talk? Somewhere out of this sun? It’s getting dreadfully hot already.”

Everything Hewey knew of lawyers taught him to be wary. “What do we need to talk about? Am I in some sort of trouble? I been behaving myself pretty well for a couple years now.”

“No, Mister Calloway. I assure you this is all good news. I guarantee it, to be precise, but it is a bit lengthy to get into out here.”

Hewey was still uncertain, but his curiosity got the best of him. “We can go up to headquarters. It’s just a few miles thataway.” He nodded his head west.

“Perfect,” said Stephens. “Now, would you mind helping me with this gate? It seems to be broken.”

 

About the Author
John Bradshaw
John Bradshaw is a native of the small town of Abernathy, Texas. He is
an award-winning journalist with well over a thousand published stories. Elmer
Kelton’s The Familiar Stranger, co-authored with Steve Kelton, is his
first book.

Bradshaw attended South Plains College followed by Texas Tech University. He
spent several years shoeing horses for a living as his writing career
progressed.

While the desire to write books was always there, Bradshaw first pursued a
career in journalism. He wrote numerous stories for ranching, horse and
horseshoeing magazines.

Growing up, Livestock Weekly came in the mail once a week, as it does for most
in the livestock industry. Writing for Livestock Weekly was always a goal, and
in 2005 Bradshaw’s first story was published. It was a profile of
Brownie Metzgar, a humorous cowboy still working in a feedlot while in his
late 80s.

In 2007 Bradshaw accepted a fulltime position with Livestock Weekly. While
with the paper he had over a thousand stories published, as well as enough
market reports to give him permanent nightmares.

Horses have always played an important role in his life. The son of a
horseshoer, he has spent a significant amount of time either on or under a
horse. He still shows in both ranch horse and reined cow horse competitions.

He and his wife, Sara, live outside Abernathy. Sara owns an architecture firm,
SK Architecture Group, and they raise Spanish goats, hair sheep and cattle.

In 2013 the couple had a stillborn son, Fox Joaquin Bradshaw. After several
years of heartbreak they adopted an infant boy, whom they named Julian Boone
Bradshaw. Boone died in his dad’s arms following an accident at the barn
five days before his sixth birthday.

 
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Ceremony of Innocence Blitz

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Literary / Historical Fiction

Date Published: 12-02-2025

Publisher: Scrivener Quill

 

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It is June 1924 when an inquisitive but skeptical Gemma Danforth
graduates from Wellesley College. Despite a loving family, an idyllic New
England girlhood, and family summers in the Hamptons, little had assuaged her
doubts Now, with college behind them, she and two classmates leave America
bound for post war France where they will be immersed in the pulsating culture
of European modernism. While in France, she reunites with her Paris based
parents, and, in Nice, amidst its creative ferment, she falls in love with
Rhys, a British aristocrat and ex-pat journalist. During this year spent along
the Cote d’Azur, encounters with Sara and Gerald Murphy, Somerset
Maugham, Zelda, Isadora Duncan and others, adds a depth and richness to the
ambience of le midi. And so begins the process of displacing her doubts.

She and Rhys return to American where their values collide with antithetical
and alien attitudes. It is these experiences that come to challenge long-held
beliefs and provide a vivid counterpoint to their recent immersion in the
Modernist aesthetic and world view.

Resolved to return to France, Gemma shares a final day in America with Gerald
Murphy at his ocean front Hampton estate. As this unhurried afternoon unfolds,
it becomes clear that Gemma’s skepticism and doubtfulness have been
replaced with a clear-sighted maturity and hardened resolve. The next morning,
aboard the Ile de France, Gemma and Rhys sail for France.

About the Author

Stephen Asher
Stephen Asher is a graduate of UCLA and was subsequently educated at the
University of Rochester School of Medicine, University of California San
Francisco, and St. Catherine’s College Oxford. His professional life was
spent as a neurologist, often walking the fine line separating the mind from
the brain, a vantage point which encouraged a perspective molded not only by
the scientific and the rational but also shaped by the aesthetics of the
senses. It is this unity of world view that fashions one of the novel’s
central themes.

Asher and his wife were drawn to Idaho’s arid vistas, glistening rivers,
and rugged skylines. As a travelling angler, he has pursued Atlantic salmon
throughout their natural range, has sought sea run brown trout in Patagonia,
and steelhead in his home waters in the Pacific Northwest. He and his wife
have cycled much of France, and, during quiet times at home, he enjoys music
and plays cello.

Previously, he has published essays, and short pieces in the British sporting
literature. He is a member of the F. Scott Fitzgerald Society, the Barbara Pym
Society, and is a proud supporter of PEN America. He lives in Idaho with his
wife, adult children, and his bird dogs.

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Adélaïde Virtual Book Tour

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Painter of the Revolution

 

Historical Fiction

 

Date Published: January 13, 2026

Publisher: Acorn Publishing

 

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In a world where women are seen but rarely heard, Adélaïde
Labille-Guiard refuses to be silenced.

The daughter of Parisian shopkeepers, Adélaïde dreams not of
marriage or titles but of earning a place among the masters of French art.
With Queen Marie Antoinette on the throne and a spirit of change in the air,
anything seems possible. But as revolution brews and powerful forces conspire
to deny her success, Adélaïde faces an impossible choice: protect
her life—or fight for a legacy that will outlast her.

Inspired by the true story of one of the first women admitted to the Royal
Academy of Painting and Sculpture, Adélaïde: Painter of the
Revolution is a sweeping, evocative portrait of ambition, courage, and
resilience in the face of history’s fiercest storm.

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Prologue
Paris 1793 

A column of fire reached like the Colossus of Rhodes into the night sky.

Shadowed figures waving torches poured into the Place du Carousel.

There, a clamoring mob passed wooden chairs, carriage wheels, and empty wine barrels over their heads toward the center of the square. Anything to feed the growing fire.

The Palais des Tuileries loomed to Adélaïde’s left. Its mansard roof jutted into a smoke-filled sky. To her right, the Palais du Louvre’s long wings stretched into the dark. The stone walls of the gallery that connected the two palaces flickered yellow and orange.

Adélaïde had never felt as small and alone as in that moment, between the embrace of buildings, in a space designed to dazzle royal spectators with seven hundred horses and jousting riders. Tonight, the square was filled with thousands of milling Parisians. And this time, she was the spectacle.

She pulled herself up on the tongue of the wooden cart next to the fire. Squinting against the smoke, she searched for anyone familiar.

Not a soul.

Even the donkeys had balked against their traces and been set free. Their distant braying reached her over the noise of the crowd.

Around her, men lurched about, their faces reddened from the bonfire, their sleeves stained purple from the wine they had scooped into their hands when the king’s cellars were raided. The scent of Bourgogne rose into the air. Beside her, a woman opened a dusty brown bottle and poured wine into the mouths of her companions.

Then the woman turned to Adélaïde. “Traitor!” she shouted, and drew back her arm, preparing to throw the bottle.

The crowd took up the chant. “Traitor! Traitor!” Others brandished their wine bottles.

Time slowed down. Adélaïde felt each sluggish boom of her heart, the constriction of her lungs, the loss of air she could not drag into her paralyzed chest. Was this the way she was going to die? Sliced to ribbons by a barrage of flying glass?

She raised her hands to protect her head and braced herself, but then a tall man in striped pants and a pointed red hat plucked the bottle out of the woman’s hand and emptied the last drops into his mouth. “Any Parisian knows not to let good wine go to waste,” he said.

Laughter.

The new citizens of France stomped their feet, shook their fists at Adélaïde, and threw the staves of the wine barrels into the flames. Arms brushed against her skirts. Bodies jostled the cart. She gripped the splintered seat to avoid being knocked into the fire.

The wind changed, and a rush of acrid smoke filled her lungs. She fought the urge to cough. Heat seared through her dress, burned her arms. Her mind screamed at her to run, but she had promised herself not to show fear, not to retreat.

The man in the red cap climbed into the cart. Sweat rolled from his face, and she smelled the sharp scent of his perspiration. Beneath his polished leather boots, the mountain of canvasses shifted. Fragile wood snapped. He stooped and held up a painting, still in its gilt frame. Black paint effaced the portrait sitter.

“Look at this travesty to art,” he called to the crowd.

How right you are. She kept her eyes averted from his familiar face.

“Burn it. Burn it all!” the crowd roared.

About the Author

 Janell Strube

 Janell Strube makes a mean barbecue sauce. She’s also a world traveler,
a baker, and a bicyclist. But when she writes, her identity as an adoptee
often steers her attention to topics of alienation, erased history, and
displacement.

In 2024, a personal essay of hers was published in the anthology Adoption and
Suicidality
. Her work has also appeared in Shaking the Tree: brazen. short.
memoir and A Year in Ink. Her short memoir, “Taking my Blonde Daughter
to a Black Lives Matter Rally,” was selected for the 2020 San Diego
Memoir Showcase, an annual live storytelling event.

While much of her writing is personal, she enjoys the freedom that comes with
crafting fiction. Her desire to learn about forgotten female artists who
shaped the French revolutionary period motivated her to write
Adélaïde: Painter of the Revolution.

When not crunching numbers as a tax executive for a hotel chain, she can be
found hanging out with Shiloh the Wheaten and plotting her second book.

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The Lonely Prisoner Virtual Book Tour

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The Michael Fletcher Series, Book 1

An Award-Winning Psychological Thriller

 

Mystery / Thriller

 

Date Published: February 26, 2024

Publisher: MindStir Media

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At just 25 years old, Michael Fletcher is wrongfully convicted of murder and
sentenced to 26 years in prison. Despite his desperate pleas of innocence, the
system turns a blind eye, leaving him trapped behind bars. But Michael refuses
to surrender to fate. Within the sterile confines of his cell, he educates
himself, mentors others, and clings to the hope that justice will one day
prevail.

Upon his long-awaited release, Michael embarks on a daunting mission to
uncover the truth behind his wrongful conviction. Yet, freedom is not what he
expected. The world has changed, and shocking revelations force him into a
battle against corruption, deception, and the scars of his past. Can he
reclaim the life that was stolen from him?

 

Award Winner in the Psychological Genre of the International Firebird
Book Awards

 

 

Perfect for fans of John Grisham, Scott Turow, and Michael Connelly.

 

          • High-stakes legal drama
          • Powerful themes of injustice, resilience, and redemption
          • A thought-provoking journey through the flaws of the justice system


Keep reading The Michael Fletcher Series with Accused Again – Freedom
Was Just the Beginning

 

 

 

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EXCERPT

Chapter 1

The Cell

“One-two-three wall. One-two-three door, one-two-three wall.”

Michael Fletcher counted his steps slowly in his new stay, the place where he just entered and where he would spend his next twenty-six years. The echo of the heavy steel door, closing behind him, still rang in his ears. He turned and sat on his new bed, which ran along the side wall, fixed securely to the ground. He looked up and stared at a stainless-steel toilet and a sink just in front of him. A toothbrush and toothpaste were provided. The walls were bare and white, with one single empty shelf on the opposite side. The floor was a hard, dark single surface, the ceiling was low, and the room smelled of disinfectant. Michael just sat there, stunned, both hands grasping his knees. 

He was only twenty-five years old when he was found guilty. Tall, clever, friendly and handsome with his dark-brown hair and matching eyes, he had all the traits for a successful life. However, now it had abruptly ended. He sat there, still staring at the pale wall in this small prison cell, for something he had not understood and would never come to terms with. He was now locked away in a tiny corner of the world. It was like a bad dream from which he hoped to be awakened at any moment. 

He looked down at his only possession that remained: his white sneakers. An orange jumpsuit and a pair of dark socks were given to him; all the rest he was asked to put in a cardboard box when he entered prison, one arm attached to a bulky police officer by a pair of handcuffs. The box was labelled with his name and birth date, then taken away for storage. 

He had to strip down, naked, and endured an uncomfortable procedure that seemed to last forever to ensure he had nothing unwanted with him. He felt like a member of a lost cattle herd, driven, beaten from one room to the other, just enduring time.

He was then handed his new clothes and asked to dress under supervision. He was escorted through endless corridors, separated by sliding barred gates, when finally, he arrived in an open space with gangways passing on several levels, lit by bright fluorescent lighting along its ceilings. He was guided past countless doors, plain, fully sealed, green-painted. He could not see who was behind any of them, but he guessed other prisoners. Now he was one of them. At one moment he was instructed to stop walking while one guard took out a set of keys, opening his new stay.

Reality brought him back to his cage, sitting on a springy bed. The mattress was foam, wrapped by a clean, grey sheet. At one end were two brown blankets and on top of it a cushion, covered by a matching grey pillow cover. He was alone, locked away and felt betrayed by the world. So, what shall I do now? Michael thought, looking around, his hands grasping his knees even tighter. Blurred images, the torment of his trial and the mysterious night that all led to his arrest, were flashing in his head.

When Judge Carter slammed down the hammer, condemning him to spending the best years of his life behind bars, little explanation was given, even though the proceedings seemed to last an eternity. Michael remembered that there was a witness who saw him at the scene of the crime, but little remained in his recollection of what had possibly happened.

He vaguely recalled that he returned quite drunk after a good time at a bar with some friends. It was a chilly night in February 1996. He folded up the collar of his coat, tucked his hands deep into the pockets, and started walking down the doomy lanes of the older part of the city in the early morning, towards his newly rented flat. The streets were deserted, minus the odd homeless folk sleeping on the ground, wrapped in blankets on the warmth of the occasional ventilation hole. 

His footsteps were echoing in the alleys, and then suddenly all went incredibly fast. The body, the weapon, the flashing blue lights. And, before he knew what had really happened, he found himself in the rear of a police car, his hands tied painfully behind his back with a plastic tie-down cutting into his wrist. He was taken to the local police station and into a small bright room by the officers, where they questioned him about his whereabouts during the evening and what he did after he left the bar. Michael was tired and kept repeating that he did not remember much. His rights may have been read to him; his recollections were vague, and the questioning continued almost till dawn. He woke up on a hard bench in a small single cell and was then given a black coffee. The occurrences of the previous night were fazed. Neither did he recall that he signed his name onto some papers that were put in front of him. The real implication of this was only revealed by Vincent Graham.

Vincent was a young, local lawyer working for the city. He held a black leather binder in his left hand, while offering his right promptly to Michael, as he walked into his cell. He was a bit shorter than Michael and slim, probably in his late twenties or early thirties and debonair. He was smartly dressed in a dark linen suit, white shirt, and a red tie. His hair was pitch black and nicely slicked back. After the first introduction, he explained that he took his case pro bono. Michael knew the meaning well. He was a graduate, not in law, but understood that there was no charge for representing him. 

Vincent had asked to speak to him alone, so they were taken to a small bare room. The lawyer took a seat directly across a square table and opened a leather binder, which revealed a cream legal pad with a pen stuck across the top. A flickering neon strip on the ceiling emitted a buzzing sound, which made Michael dizzy, and the exposure to the harsh light put a strain on his sagging eyes. He had had a rough night in custody, had barely gotten any sleep and his brain struggled to function.

Vincent took his pen, clicked it, and smiled weakly. “Okay Michael, I am here to represent you, and everything we discuss will remain between us and in this room.” He paused and looked at his client intensely. “So, do tell me Michael,” Vincent said in a smooth tone, leaning forward, “what happened last night?”

Michael was not quite sure how to answer, as he still did not recall what had really occurred. “Hmm, why am I actually here?”

“You do not remember anything from last night?”

“Not a great deal, honestly. I left the bar and now I am here. I’ve had a very tiresome night, haven’t slept, I have a throbbing behind my eyes and my brain is switched off. So please believe me, somehow my memory is very foggy.”

“Okay, let us start with the basics. I am here to help you, to defend you. You are a suspect in a crime that was committed last night. Are you sure you do not recall anything?”

Michael placed his elbows on the table and leaned his head on his forefingers, massaging his temples slowly. He looked up, took a deep breath, and then glanced at his lawyer.

“Well, as I just said, I was at a bar, had some drinks, then left on my own and wanted to walk home. Then, suddenly there was a body on the ground … yeah, I sort of remember that. He was not lying there like all the other homeless on one side of the pathway, well tucked away on their cardboard. He was in the middle of the pavement … that was strange. I remember kneeling down and seeing this person still moving, but there was something sticking out of his body. He had his back turned towards me. I really do not remember, but I must have touched or grabbed it when I turned him on his back. It was dark, and this person was groaning. I was not really myself, as I had quite a bit to drink. My actions were not exactly controlled.”

“And then?”

“Well, nothing really, I do not know what to say, I don’t remember much more, apart from the flashing blue lights that arrived shortly after. Hmm, what happened to this guy and where is he?”

The attorney scribbled something down, looked up, held the pen firmly in his hand, and spoke. “Okay, let us start from the beginning. Which bar did you go to? And who was with you?”

Michael answered all his questions, starting from meeting up for a get together with some colleagues from work. They were new friends really. Michael had been in town only a few weeks since graduating in economics. He worked as an accountant in a local tax office. It was Friday night and after some fast food at the corner of a street they headed for some drinks at a bar called The Duke. It was the usual chit-chat, girls, sports and before he realized it, it was about one in the morning. He left alone. Yes, his new friends wanted to shoot some pool in an adjacent room, but he decided to leave. He was tired and was due to take the train in the early morning to see his parents for the weekend. He was on his own as he left and walked home.

About the Author

 Michael J. Kundu

 Michael J. Kundu was born in London, Great Britain, in 1969 to an Indian
father and a German mother. He has lived in various places in Europe. His love
for reading has prompted him to write this book giving this crime novel more
than an edge of mystery and suspense, but also a contemporary perspective on
life.

He has a great passion for learning languages and travelling across the globe.
He enjoys spending time with his family and lives in Luxembourg with his
Italian wife and two teenage children.

My multinational background, coupled with my marriage to someone of a
different nationality, has endowed me with a wealth of diverse experiences.
Having traversed the globe, speaking multiple languages and immersing myself
in various cultures, the profound value of each individual has become a
cornerstone of my worldview. These multicultural encounters have not only
fostered a deep appreciation for the uniqueness of every person but have also
instilled in me a commitment to promoting mutual respect, free from the
shackles of prejudice related to color or religion. In composing my book,
these experiences have permeated not only this narrative …but also the
forthcoming sequel.

 

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